劇情簡(jiǎn)介
霊能者が禁斷の愛(ài)を暴くゴシック?レズホラー。女流作家の陽(yáng)子は夜ごと現(xiàn)れる幽霊の影に怯え、霊能者のミコに浄霊を依頼する。館內(nèi)を案內(nèi)されたミコは、その場(chǎng)所に留まる強(qiáng)い想いの存在を感じる。陽(yáng)子によれば、それは彼女のかつての戀人で…
為你推薦
凱多湖的消失
迪倫·奧布萊恩,伊萊扎·斯坎倫,黛安娜·霍佩爾,卡羅琳·???山姆·亨寧斯,埃里克·蘭格,勞倫·艾波羅絲,Nina Leon,蘭斯·E·尼克爾斯,大衛(wèi)·馬爾登那多,基姆·巴蒂斯特,Jody Sellers,Greysen Conley,Jules Hilillo Fernandez,Jennifer Sellers,Larry S. White II,A.C. Cooper,Zedrick Tinsley,Elizabeth Feliciano一個(gè)8歲的女孩神秘地消失在卡多湖上,一系列過(guò)去的死亡和失蹤開始聯(lián)系在一起,永遠(yuǎn)改變了一個(gè)破碎家庭的歷史。
閣樓上的女孩
珍·路易莎·凱利,索菲亞·卡里埃,基南·特雷西一名年輕女子在回家途中遭綁架,并被鎖在綁匪家的閣樓里。一年后,在綁匪坐輪椅的母親的幫助下,她制定了逃跑計(jì)劃。
奇跡男孩
雅各布·特倫布萊,朱莉婭·羅伯茨,伊扎貝拉·維多維奇,歐文·威爾遜,諾亞·尤佩,丹妮爾·羅絲·拉塞爾,納吉·杰特,戴維德·迪格斯,曼迪·帕廷金,布萊斯·吉扎爾,艾爾·麥金農(nóng),泰·孔西利奧,詹姆斯·休斯,凱爾·布瑞特科夫,米莉·戴維斯,莉婭·朱厄特,凱琳·布瑞特科夫,利亞姆·迪金森,艾瑪·特倫布萊,馬克·多茲勞,魯奇婭·伯納德,J·道格拉斯·斯圖瓦特,阿里·利伯特,埃麗卡·麥基特里克,本·伊曼紐爾,杰森·麥金農(nóng),索尼婭·布拉加,吉潔特奧吉(雅各布·特瑞布雷 Jacob Tremblay 飾)是一個(gè)10歲的男孩,除了頭戴一個(gè)巨大的太空頭盔外,他和其他的同年齡孩子別無(wú)二致。頭盔下隱藏了奧吉因?yàn)楦鞣N手術(shù)而傷痕累累的臉龐,它不僅完美的隱藏起了奧吉脆弱自卑的內(nèi)心,也成功的防止了奧吉的模樣嚇到別的孩子。奧吉沒(méi)有上過(guò)學(xué),他的所有文化知識(shí)都是母親伊莎貝爾(朱莉婭·羅伯茨 Julia Roberts 飾)在家教授給他的。然而,伊莎貝爾漸漸感覺(jué)到,家庭課堂無(wú)法滿足奧吉的成長(zhǎng)需要,除了學(xué)習(xí)知識(shí),奧吉還必須學(xué)會(huì)的,是如何同除了家人以外的人交流。在憂慮重重之中,伊莎貝爾將奧吉送入了一間公立學(xué)校里,在那里,奧吉面臨的是他人生中必須要戰(zhàn)勝的挑戰(zhàn)。
遇見(jiàn)惡魔
塞繆爾·杰克遜,萊絲莉·比伯,盧克·威爾遜,佩頓·利斯特,翠茜·索姆斯,李·瑞恩曾經(jīng)的約翰(盧克·威爾遜 Luke Wilson 飾)是一名風(fēng)光無(wú)限的商人,偌大的豪宅,漂亮的妻子,可愛(ài)的女兒,當(dāng)金融危機(jī)爆發(fā)之時(shí),約翰所擁有的這令人羨慕的一切都在轉(zhuǎn)瞬間成為了巨大的負(fù)擔(dān),他和妻子之間原本美滿的感情也產(chǎn)生了裂痕?! 〗?jīng)歷了糟糕的一天后,約翰拖著疲憊的身軀回到家,這時(shí),一個(gè)名叫里奇(塞繆爾·杰克遜 Samuel L. Jackson 飾)的陌生人攔住了約翰,希望得到他的幫助。讓約翰沒(méi)有想到的是,里奇竟然是一名殺手,可是,里奇卻并沒(méi)有殺死約翰,正相反,在莫名其妙之中,約翰和里奇一同踏上了一段充滿了鮮血和殺戮的恐怖旅程。隨著時(shí)間的推移,約翰漸漸開始懷疑,他和里奇之間的相遇究竟是偶然還是必然。
等待方舟
耶日·斯圖爾,克里斯提娜·楊達(dá),卡里娜·謝魯斯克,馬里烏什·德莫霍夫斯基,馬雷克·瓦爾切夫斯基,揚(yáng)·諾維茨基,亨里克·比斯塔,萊昂·涅姆奇克,克茲佐夫·馬扎克,斯坦尼斯瓦夫·伊加爾Set in an underground dungeon inhabited by bundled, ragged human beings, after the nuclear holocaust. The story follows the wanderings of a hero through the situations of survival. People wait for the Ark to arrive and rescue them while their habitat falls apart. Delving deep into the dusty and long abandonded vaults of b-cinema in search of lost gems always leaves me with a bittersweet taste. On one hand the discovery of unexpected gems where no one would think them possible is a rewarding experience. On the other hand though it makes one wonder how many of these remarkable low-budget oddities, personal love affairs of directors never quite famous and now all but forgotten, have almost forever slipped from memory? n any case what we have here is a little post-apocalyptic gem from Poland that is really better than it has any right to. The dystopian near future of O-BI, O-BA finds a group of survivors of the nuclear war that ravaged the Earth inhabiting an underworld concrete bunker and biding their time as they wait for the mysterious Ark, an air ship of some kind that will come and save them. The Ark proves to be an elaborate hoax, carefully designed to give hope to the malnourished and desperate denizens of the bunker, while in the meantime the dome that separates their miserable existence from the nuclear winter outside is slowly caving in. What first striked me about the movie is the design of the bunker and the depiction of the survivors. The survivors are gaunt, filthy and terrible-looking penitents, dressed in rags and aimlessly wandering the neon-lit halls of the bunker like automatons. The bunker is a rundown, seedy place, with bright neon lights peering from all sides like the eyes of malignant beasts. On one hand it is a slightly 80's depiction of the dystopian future but the movie never stoops down to MAD MAX cheese. Instead it combines biting political satire with the bleak outlook of a world with no future, black comedy with barbs on apathy, religion and power. The survivors, for example, are fed some kind of flour dropping from a tube that hovers in the air - later on we discover the food supervisor uses books and the Bible itself as filler for this meagre meal. There are many such short symbolic touches, perhaps not life-changing or faith-restoring, yet playful, clever and inspired. One thing is for sure; O-BI, O-BA is not your run-of-the-mill sci-fi schlock. It overcomes its modest budget with creativity and has genuine artistic aspirations both from a writing and directing perspective. My opinion is that it should have been filmed in black and white instead of colour though. The director uses atmospheric light and shadow to great effect and it would have registered even better in stark black and white. The blue-green neon on the other hand outstays its welcome after a while. Just a minor gripe in an otherwise solid b-movie with its heart set in all the right places. Imagine a less bleak THE ROAD (Cormac McCarthy) being injected with the satire and humour of DR.STRANGELOVE and you're getting there. See it if you can find it.
天使航班電影版
米倉(cāng)涼子,松本穗香,城田優(yōu),矢本悠馬,野呂佳代,向井理,遠(yuǎn)藤憲一本片劇情依然圍繞遺體送還公司“天使之心”展開。社長(zhǎng)伊澤那美得知8年前身亡的戀人或許仍在世而心神動(dòng)搖。萬(wàn)圣節(jié)期間,公司成員奔赴世界各地處理送還事務(wù):有人面對(duì)因嬰兒猝死而自責(zé)的母親,有人護(hù)送突然離世的明星回國(guó),也有人送別在旅途中去世的青年。那美在墨西哥執(zhí)行任務(wù)時(shí),一邊處理逝者身后事,一邊被舊日戀情的線索牽動(dòng),在生死與思念交織中重新審視自己的內(nèi)心。
龍門相
何熙維,馬國(guó)偉,段瓊,趙東飛,沃志強(qiáng),李桃東北小鎮(zhèn),白事先生張英豪和賣狐皮的王元順意氣相投。但背地里王元順卻與張英豪的媳婦李文紅有染。李文紅懷上了王元順的孩子,王元順決定殺死張英豪。然而他雇傭來(lái)的殺手竟屢屢失手。王元順殺人不成反被殺手訛錢。無(wú)奈之下,他開始挑撥殺手們的關(guān)系……一年后,一具尸體驚現(xiàn)廢井。警方確定王元順有重大作案嫌疑??赏踉槄s已離奇失蹤,仿佛人間蒸發(fā)……