在線播放
劇情簡(jiǎn)介
臺(tái)灣早起錄像帶三級(jí)老片,真正的劇情三級(jí)電影,算是一個(gè)回憶。1999年在大陸公開發(fā)行上映
同類好片
不倫之戀
帕特里克·迪瓦爾,阿里爾·貝西,莫里斯·羅內(nèi),杰納維夫·馬尼奇,莫里斯里什,瑪莎·梅赫勒,羅絲·蒂埃里,Michel Berto,亨利-雅克·于埃,雅克·里斯帕爾,納塔莉·貝伊,妮可·加西亞,Alan Adair,莫里斯·比羅,皮埃爾·科索,伊維斯·皮尼奧,Joseph Michael Roth,Max Vialle光環(huán):夜幕
麥克·柯爾特,克里斯蒂娜·鐘衛(wèi)兵的吶喊
米婭·麥肯納·布魯斯,馬特·狄龍,伊薩赫·德·班克爾伉儷
塔提阿娜·瑪斯拉尼,羅西弗·薩瑟蘭,伯克特·圖爾頓,艾琳·博伊斯,泰絲·登根斯坦,克萊爾·福萊森,克里斯汀·帕克,洛根·皮爾斯,艾拉·韋杰爾,格倫·戈登,伊芙琳·伯克,吉娜·武爾塔焦,艾琳·蒂普爾熊貓計(jì)劃之部落奇遇記
成龍,馬麗,喬杉,于洋,王影璐,張子棟,王成思,柯達(dá),宋木子,馮滿,王星,潘斌龍,于榮光,胡笑源富二代
Sergey Abroskin,米洛斯·比柯維奇,亞歷山德拉·伯蒂奇,瑪麗亞·米羅諾娃,Aleksandr Oblasov,伊萬·阿赫洛貝斯金,亞歷山大·斯莫勒克人氣佳作
金剛不壞2024
喬杉,柳巖,梁龍,孫陽(yáng),楊新鳴,桑平,劉長(zhǎng)純,代樂樂新外星人
克斯汀·埃伯索爾,喬納森·沃德,蒂娜·卡斯帕里,勞倫·斯坦利,杰德·考戈里圣誕傾情
琳賽·洛翰,考德·歐威爾斯特利特,杰克·瓦格納,吳宇衛(wèi),奧利維亞·佩雷斯,布萊斯·霍華德,阿麗·洛翰,安東尼奧·查麗蒂,Colleen Mooney,Chase Ramsey,Sean Dillingham,Alireza Mirmontazeri,Kate Rachesky,Alejandra Flores,Kylie Rohead,Cat Hammons戰(zhàn)爭(zhēng)藝術(shù)家
埃米爾·赫斯基,因巴爾·拉維,伊安·蒂阿爾,亞當(dāng)·切赫曼,Edward Foy,Chris Cope,喬?!げ既R克,喬什·祖克曼,尤金·里皮斯基,達(dá)里亞斯·布萊克,Pam Kearns,Tori Griffith,Brad Abramenko,邁克爾·本耶爾,Boris Bilic,馬特·布朗,Reid Anthony Cronin,阿亞斯·達(dá)爾曼,Rebecca Dykstra,Craig Erickson導(dǎo)演精選
等待方舟
Set in an underground dungeon inhabited by bundled, ragged human beings, after the nuclear holocaust. The story follows the wanderings of a hero through the situations of survival. People wait for the Ark to arrive and rescue them while their habitat falls apart. Delving deep into the dusty and long abandonded vaults of b-cinema in search of lost gems always leaves me with a bittersweet taste. On one hand the discovery of unexpected gems where no one would think them possible is a rewarding experience. On the other hand though it makes one wonder how many of these remarkable low-budget oddities, personal love affairs of directors never quite famous and now all but forgotten, have almost forever slipped from memory? n any case what we have here is a little post-apocalyptic gem from Poland that is really better than it has any right to. The dystopian near future of O-BI, O-BA finds a group of survivors of the nuclear war that ravaged the Earth inhabiting an underworld concrete bunker and biding their time as they wait for the mysterious Ark, an air ship of some kind that will come and save them. The Ark proves to be an elaborate hoax, carefully designed to give hope to the malnourished and desperate denizens of the bunker, while in the meantime the dome that separates their miserable existence from the nuclear winter outside is slowly caving in. What first striked me about the movie is the design of the bunker and the depiction of the survivors. The survivors are gaunt, filthy and terrible-looking penitents, dressed in rags and aimlessly wandering the neon-lit halls of the bunker like automatons. The bunker is a rundown, seedy place, with bright neon lights peering from all sides like the eyes of malignant beasts. On one hand it is a slightly 80's depiction of the dystopian future but the movie never stoops down to MAD MAX cheese. Instead it combines biting political satire with the bleak outlook of a world with no future, black comedy with barbs on apathy, religion and power. The survivors, for example, are fed some kind of flour dropping from a tube that hovers in the air - later on we discover the food supervisor uses books and the Bible itself as filler for this meagre meal. There are many such short symbolic touches, perhaps not life-changing or faith-restoring, yet playful, clever and inspired. One thing is for sure; O-BI, O-BA is not your run-of-the-mill sci-fi schlock. It overcomes its modest budget with creativity and has genuine artistic aspirations both from a writing and directing perspective. My opinion is that it should have been filmed in black and white instead of colour though. The director uses atmospheric light and shadow to great effect and it would have registered even better in stark black and white. The blue-green neon on the other hand outstays its welcome after a while. Just a minor gripe in an otherwise solid b-movie with its heart set in all the right places. Imagine a less bleak THE ROAD (Cormac McCarthy) being injected with the satire and humour of DR.STRANGELOVE and you're getting there. See it if you can find it.
一起過家家
妻子鮑一萌是頭部帶貨主播,丈夫宋李是全職丈夫,弟弟鮑鵬在復(fù)讀備戰(zhàn)高考。一天,三人意外發(fā)現(xiàn)互換身體。全家的靈魂與身體分別錯(cuò)位。全職丈夫宋李(小舅子身)重回學(xué)校,懷念青春中彈琵琶的夢(mèng)想,但繁重的學(xué)習(xí)生活,讓他感到力不從心。復(fù)讀生小舅子鮑鵬(妻子身)不懂管理公司,并在直播時(shí)狀況百出,女神小靜的奮斗讓他慚愧。主播鮑一萌(丈夫身)在輔導(dǎo)女兒的生活中發(fā)現(xiàn),做家務(wù)和帶娃并不簡(jiǎn)單。相比之下,丈夫開明的教育方式仿佛讓女兒的成長(zhǎng)更美好。一家人決定支持宋李(小舅子身)重拾琵琶參與音樂比賽。深夜,宋李三人被關(guān)在冷藏車內(nèi)被凍得奄奄一息。他們終于換回來了!一家人的生活重新回到正軌,和諧美滿。
杯酒人生
邁爾斯(保羅?吉亞瑪提 Paul Giamatti 飾)和杰克(托馬斯?哈登?丘奇 Thomas Haden Church 飾)是老朋友了,看著杰克即將踏入婚姻殿堂,邁爾斯更加感嘆起自己失敗的生活:婚姻失敗、作家夢(mèng)遙不可及、干著無聊枯燥的職業(yè)、不再年輕的歲數(shù)。邁爾斯對(duì)葡萄酒的研究頗為深厚,于是兩個(gè)人決定前往加州的葡萄酒生產(chǎn)基地狂歡一次,如果遇上一夜情當(dāng)然是最好不過了?! 」欢嗽诰葡銤庥舻募又萦錾狭伺写退膩喴崤笥?,邁爾斯和杰克的艷遇讓兩人都興奮不已。然而接下來的事情卻大掃興致。他們的狂歡計(jì)劃充滿了障礙。