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? 3.8 播放：73萬(wàn) 2026-05-02

在烏克蘭的單親媽媽奧爾加（Ekateryna暫無內(nèi)容Rak暫無內(nèi)容飾）不滿在醫(yī)院的低薪工作，到了奧地利尋求更好的生活可能性，她做色情視頻女郎，又到富人家當(dāng)保姆，在清潔公司也工作過，生活始終顛沛，遭遇了各種波折。奧爾加去醫(yī)院做清潔工，她所打掃的病房住的都是老人。在生命末端的老人和處于生活邊緣的奧爾加都是孤獨(dú)且絕望的。與此同時(shí)，奧地利的年輕人保羅（Paul暫無內(nèi)容Hofmann暫無內(nèi)容飾）在國(guó)內(nèi)活的十分辛苦，為了狗他和女朋友決裂，又被人追著索要欠債，保羅身無分文，遭人毆打和戲弄。走投無路的保羅前往烏克蘭。在賓館昏暗的房間里，保羅看著繼父繞有興趣的和妓女逗樂，對(duì)此他毫無興趣，只想著錢的事......

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劇情提要

在烏克蘭的單親媽媽奧爾加（Ekateryna暫無內(nèi)容Rak暫無內(nèi)容飾）不滿在醫(yī)院的低薪工作，到了奧地利尋求更好的生活可能性，她做色情視頻女郎，又到富人家當(dāng)保姆，在清潔公司也工作過，生活始終顛沛，遭遇了各種波折。奧爾加去醫(yī)院做清潔工，她所打掃的病房住的都是老人。在生命末端的老人和處于生活邊緣的奧爾加都是孤獨(dú)且絕望的。與此同時(shí)，奧地利的年輕人保羅（Paul暫無內(nèi)容Hofmann暫無內(nèi)容飾）在國(guó)內(nèi)活的十分辛苦，為了狗他和女朋友決裂，又被人追著索要欠債，保羅身無分文，遭人毆打和戲弄。走投無路的保羅前往烏克蘭。在賓館昏暗的房間里，保羅看著繼父繞有興趣的和妓女逗樂，對(duì)此他毫無興趣，只想著錢的事......

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幕后花絮

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　　Set in an underground dungeon inhabited by bundled, ragged human beings, after the nuclear holocaust. The story follows the wanderings of a hero through the situations of survival. People wait for the Ark to arrive and rescue them while their habitat falls apart.　　Delving deep into the dusty and long abandonded vaults of b-cinema in search of lost gems always leaves me with a bittersweet taste. On one hand the discovery of unexpected gems where no one would think them possible is a rewarding experience. On the other hand though it makes one wonder how many of these remarkable low-budget oddities, personal love affairs of directors never quite famous and now all but forgotten, have almost forever slipped from memory?　　n any case what we have here is a little post-apocalyptic gem from Poland that is really better than it has any right to. The dystopian near future of O-BI, O-BA finds a group of survivors of the nuclear war that ravaged the Earth inhabiting an underworld concrete bunker and biding their time as they wait for the mysterious Ark, an air ship of some kind that will come and save them. The Ark proves to be an elaborate hoax, carefully designed to give hope to the malnourished and desperate denizens of the bunker, while in the meantime the dome that separates their miserable existence from the nuclear winter outside is slowly caving in.　　What first striked me about the movie is the design of the bunker and the depiction of the survivors. The survivors are gaunt, filthy and terrible-looking penitents, dressed in rags and aimlessly wandering the neon-lit halls of the bunker like automatons. The bunker is a rundown, seedy place, with bright neon lights peering from all sides like the eyes of malignant beasts.　　On one hand it is a slightly 80's depiction of the dystopian future but the movie never stoops down to MAD MAX cheese. Instead it combines biting political satire with the bleak outlook of a world with no future, black comedy with barbs on apathy, religion and power. The survivors, for example, are fed some kind of flour dropping from a tube that hovers in the air - later on we discover the food supervisor uses books and the Bible itself as filler for this meagre meal. There are many such short symbolic touches, perhaps not life-changing or faith-restoring, yet playful, clever and inspired.　　One thing is for sure; O-BI, O-BA is not your run-of-the-mill sci-fi schlock. It overcomes its modest budget with creativity and has genuine artistic aspirations both from a writing and directing perspective. My opinion is that it should have been filmed in black and white instead of colour though. The director uses atmospheric light and shadow to great effect and it would have registered even better in stark black and white. The blue-green neon on the other hand outstays its welcome after a while. Just a minor gripe in an otherwise solid b-movie with its heart set in all the right places.　　Imagine a less bleak THE ROAD (Cormac McCarthy) being injected with the satire and humour of DR.STRANGELOVE and you're getting there. See it if you can find it.

畫筆與旋律

　　馬蒂亞是一個(gè)畫家，與一位有抱負(fù)的歌手同居，他靠藝術(shù)市場(chǎng)的變化來謀生。