義母小情人

★ 6.0 播放：41萬(wàn) 更新：2026-05-04
主演：黑澤英里奈 

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　　莎拉（艾麗莎·易默思 Alexa Yeames 飾）、托德（羅德·赫爾南德茲 Rod Hernandez 飾）、杰夫（杰森·托比亞斯 Jason Tobias 飾）、艾瑞克（安東尼·科洛 Anthony Kirlew 飾）、凱倫（斯蒂芬妮·皮爾森 Stephanie Pearson）、朱迪（凱莉·科耐爾 Kelly Connaire 飾）等六名大學(xué)生利用假期驅(qū)車游玩，途中他們的汽車爆胎。不巧的是他們拋錨的地點(diǎn)信號(hào)太差，四周前不著村后不著店，她們只能自己動(dòng)手修理汽車。身處荒郊野外，年輕人們只能耐心等待旅途的再度開(kāi)啟。誰(shuí)知就在這時(shí)候，其中兩人被不知來(lái)自何方的子彈射中，相繼慘死在烈日之下?？只叛杆?gòu)浡?，而無(wú)情的子彈則接二連三射向他們?！　〔恢螘r(shí)，他們已經(jīng)闖入無(wú)情殺手的狩獵場(chǎng)，成為逃生希望渺茫的獵物……

等待方舟

　　Set in an underground dungeon inhabited by bundled, ragged human beings, after the nuclear holocaust. The story follows the wanderings of a hero through the situations of survival. People wait for the Ark to arrive and rescue them while their habitat falls apart.　　Delving deep into the dusty and long abandonded vaults of b-cinema in search of lost gems always leaves me with a bittersweet taste. On one hand the discovery of unexpected gems where no one would think them possible is a rewarding experience. On the other hand though it makes one wonder how many of these remarkable low-budget oddities, personal love affairs of directors never quite famous and now all but forgotten, have almost forever slipped from memory?　　n any case what we have here is a little post-apocalyptic gem from Poland that is really better than it has any right to. The dystopian near future of O-BI, O-BA finds a group of survivors of the nuclear war that ravaged the Earth inhabiting an underworld concrete bunker and biding their time as they wait for the mysterious Ark, an air ship of some kind that will come and save them. The Ark proves to be an elaborate hoax, carefully designed to give hope to the malnourished and desperate denizens of the bunker, while in the meantime the dome that separates their miserable existence from the nuclear winter outside is slowly caving in.　　What first striked me about the movie is the design of the bunker and the depiction of the survivors. The survivors are gaunt, filthy and terrible-looking penitents, dressed in rags and aimlessly wandering the neon-lit halls of the bunker like automatons. The bunker is a rundown, seedy place, with bright neon lights peering from all sides like the eyes of malignant beasts.　　On one hand it is a slightly 80's depiction of the dystopian future but the movie never stoops down to MAD MAX cheese. Instead it combines biting political satire with the bleak outlook of a world with no future, black comedy with barbs on apathy, religion and power. The survivors, for example, are fed some kind of flour dropping from a tube that hovers in the air - later on we discover the food supervisor uses books and the Bible itself as filler for this meagre meal. There are many such short symbolic touches, perhaps not life-changing or faith-restoring, yet playful, clever and inspired.　　One thing is for sure; O-BI, O-BA is not your run-of-the-mill sci-fi schlock. It overcomes its modest budget with creativity and has genuine artistic aspirations both from a writing and directing perspective. My opinion is that it should have been filmed in black and white instead of colour though. The director uses atmospheric light and shadow to great effect and it would have registered even better in stark black and white. The blue-green neon on the other hand outstays its welcome after a while. Just a minor gripe in an otherwise solid b-movie with its heart set in all the right places.　　Imagine a less bleak THE ROAD (Cormac McCarthy) being injected with the satire and humour of DR.STRANGELOVE and you're getting there. See it if you can find it.

暗流低語(yǔ)

 伊薇（尼娜·凱莉 Nina Kiri 飾）肩負(fù)著照顧臨終母親的重任，她渴望逃離支離破碎的現(xiàn)實(shí)帶來(lái)的孤獨(dú)感。如今，她住在一間堆滿感傷紀(jì)念品和回憶的房子里，理智和生活秩序都維系在她制作的超自然播客節(jié)目《底音》上。雖然她通常對(duì)搭檔賈斯汀發(fā)給她的那些令人毛骨悚然的音頻文件持懷疑態(tài)度，但最新收到的音頻卻讓她感到不同尋常。一對(duì)年輕備孕夫婦的十段從未公開(kāi)錄音逐一揭曉，每一段都比上一段更加不祥。隨著伊薇將這些錄音與她目前的遭遇進(jìn)行對(duì)比，隱藏的信息逐漸顯現(xiàn)，將她推向瘋狂的邊緣……