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還魂之迷失曼谷
范逸臣,李昕蕓,李媛,雪村林美嘉（李昕蕓 飾）、安曉晨（李媛 飾）和陳宇林（范逸臣 飾）大學(xué)時(shí)代便認(rèn)識的好友，曉晨與宇林更是親密的情侶。畢業(yè)后這對閨蜜共同進(jìn)入一家服裝設(shè)計(jì)公司，在殘酷的職場中果敢自信的曉晨扶搖直上，很快成為一支團(tuán)隊(duì)的負(fù)責(zé)人，這讓美嘉心中難免有所芥蒂。某次二人受公司指派去泰國尋找素材，希望轉(zhuǎn)運(yùn)的美嘉堅(jiān)持要去某個(gè)偏僻所在向法師求佛牌。此后，兩人在泰國遭遇離奇火災(zāi)，曉晨命喪異國他鄉(xiāng)，美嘉則僥幸逃生，但失去了泰國之行的所有記憶。身為心理醫(yī)生的宇林固然傷心，同時(shí)希望通過自己的專業(yè)技能幫助美嘉走出陰影?！ 】墒沁@番治療絲毫沒有效果，美嘉被恐怖的幻覺所困擾，情況愈演愈烈……
大明嬪妃之逐鹿
宋洋,何杜娟,朱一龍,陳一諾,王藝曈,王春妹處死朱由樺的當(dāng)天，朱由樺離奇失蹤，梅兒和蘭心都因此受到責(zé)罰。蘭心不顧太子反對，執(zhí)意要將朱由樺送還給三皇子，卻發(fā)現(xiàn)馬車上的孩子竟然不翼而飛。蘭心和太子感情出現(xiàn)嫌隙，梅兒和金碧瑤使出渾身解數(shù)爭得太子寵愛。太子和萬歷等人到郊外狩獵，有人暗殺太子，梅兒為太子擋下一箭，生命垂危，太子深受感動，認(rèn)為欠梅兒太多。上官鴻業(yè)調(diào)查太子行刺事件，卻發(fā)現(xiàn)幕后的真兇并不是眾人猜想的三皇子，而是梅兒。梅兒冊封當(dāng)天，鄭貴妃揭出了梅兒乃娼妓之女的秘密，讓梅兒不能受封。鄭貴妃趁勢發(fā)動自己的親信彈劾上官鴻業(yè)，蘭心救父心切，卻誤會太子，兩人再次不歡而散。失蹤多日的朱由樺突然出現(xiàn)在蘭心房中，將朱由樺放入籃子中帶入宮去，卻被梅兒換成了旋兒，蘭心帶“朱由樺，”進(jìn)宮，巧遇為上官鴻業(yè)來求情的太子，太子再次產(chǎn)生了誤會。在王恭妃和鄭貴妃的逼迫下，太子提劍殺死了璇兒 ，等知道時(shí)璇兒已經(jīng)沒有了呼吸。蘭心傷心欲絕。蘭心帶幸存的朱由樺離去，太子策馬追去，卻尋不見蹤影了?；噬弦蕴渝晃徊豢删萌睘橛桑瑑苑獯髮W(xué)士王中澤之女王氏為太子妃。
透明人與蠅男
北原義郎,品川隆二,葉順子,毛利郁子,南部彰三,見明凡太朗《透明人與蠅男 》是由村山三男導(dǎo)演的特?cái)z科幻電影。一個(gè)發(fā)現(xiàn)可以把人變成和蒼蠅一樣大小的藥品的男人，開始對給自己安上戰(zhàn)犯的罪的人復(fù)仇。某個(gè)物理學(xué)家為了從蠅男的恐怖中拯救人們決心成為透明人。
等待方舟
耶日·斯圖爾,克里斯提娜·楊達(dá),卡里娜·謝魯斯克,馬里烏什·德莫霍夫斯基,馬雷克·瓦爾切夫斯基,揚(yáng)·諾維茨基,亨里克·比斯塔,萊昂·涅姆奇克,克茲佐夫·馬扎克,斯坦尼斯瓦夫·伊加爾Set in an underground dungeon inhabited by bundled, ragged human beings, after the nuclear holocaust. The story follows the wanderings of a hero through the situations of survival. People wait for the Ark to arrive and rescue them while their habitat falls apart. Delving deep into the dusty and long abandonded vaults of b-cinema in search of lost gems always leaves me with a bittersweet taste. On one hand the discovery of unexpected gems where no one would think them possible is a rewarding experience. On the other hand though it makes one wonder how many of these remarkable low-budget oddities, personal love affairs of directors never quite famous and now all but forgotten, have almost forever slipped from memory? n any case what we have here is a little post-apocalyptic gem from Poland that is really better than it has any right to. The dystopian near future of O-BI, O-BA finds a group of survivors of the nuclear war that ravaged the Earth inhabiting an underworld concrete bunker and biding their time as they wait for the mysterious Ark, an air ship of some kind that will come and save them. The Ark proves to be an elaborate hoax, carefully designed to give hope to the malnourished and desperate denizens of the bunker, while in the meantime the dome that separates their miserable existence from the nuclear winter outside is slowly caving in. What first striked me about the movie is the design of the bunker and the depiction of the survivors. The survivors are gaunt, filthy and terrible-looking penitents, dressed in rags and aimlessly wandering the neon-lit halls of the bunker like automatons. The bunker is a rundown, seedy place, with bright neon lights peering from all sides like the eyes of malignant beasts. On one hand it is a slightly 80's depiction of the dystopian future but the movie never stoops down to MAD MAX cheese. Instead it combines biting political satire with the bleak outlook of a world with no future, black comedy with barbs on apathy, religion and power. The survivors, for example, are fed some kind of flour dropping from a tube that hovers in the air - later on we discover the food supervisor uses books and the Bible itself as filler for this meagre meal. There are many such short symbolic touches, perhaps not life-changing or faith-restoring, yet playful, clever and inspired. One thing is for sure; O-BI, O-BA is not your run-of-the-mill sci-fi schlock. It overcomes its modest budget with creativity and has genuine artistic aspirations both from a writing and directing perspective. My opinion is that it should have been filmed in black and white instead of colour though. The director uses atmospheric light and shadow to great effect and it would have registered even better in stark black and white. The blue-green neon on the other hand outstays its welcome after a while. Just a minor gripe in an otherwise solid b-movie with its heart set in all the right places. Imagine a less bleak THE ROAD (Cormac McCarthy) being injected with the satire and humour of DR.STRANGELOVE and you're getting there. See it if you can find it.
奪魂醫(yī)生
Andrew Prine,Jason London,Carlos Lauchu在一個(gè)肅殺的夜晚，滿身傷痕的女孩西恩娜（艾麗森·蘭格 Allison Lange 飾）跌跌撞撞沖入公路。她隨即被送往醫(yī)院，在探員贊恩（詹森·倫敦 Jason London 飾）的詢問下，驚魂未定的西恩娜終于說出了那段恐怖經(jīng)歷。 兩周前，她和同在醫(yī)科大學(xué)念書的好友斯科特（B.J. Britt 飾）、杰森（尼克·霍爾莫斯 Nick Holmes 飾）、本（C.J. Thomason 飾）、夏儂等人結(jié)伴外出游玩。他們駐留在一所古堡，看似一切充滿了刺激和樂趣，但是這份無上喜悅很快便蒙上一層陰影。在他們身后，似乎有一個(gè)手執(zhí)手術(shù)刀的奪命醫(yī)生蠢蠢欲動，死神的腳步越來越近。這群躊躇滿志的未來醫(yī)生，儼然成為了手術(shù)臺上的致命犧牲品……
三個(gè)神探與喀爾巴阡之犬
Florentine Behrend,Levi Brandl,菲利普·克里斯托弗,Luis Dyangani,西拉-安娜 法爾,Mapi Plácido,Filip Schnack...