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夢(mèng)鄉(xiāng)2019
芬恩·科爾,瑪格特·羅比,崔維斯·費(fèi)米爾,凱瑞·康頓,達(dá)比·坎普,羅拉·科克,Stephen Dinh,Tim D. Janis,Pab Schwendimann,格雷森·貝里,加內(nèi)特·赫德蘭,Hans Christopher,安迪·卡斯特利奇,Joe Berryman,保羅·布特,埃布·羅提么,雅各布·布朗,弗蘭西斯·李·麥克凱恩,布魯斯·麥金托什精靈寶可夢(mèng)：決戰(zhàn)時(shí)空之塔帝牙盧卡VS帕路奇犽VS達(dá)克萊伊
松本梨香,大谷育江,上田祐司,豐口惠美,小櫻悅子,林原惠美,三木真一郎,犬山犬子,鈴鹿千春,能登麻美子,井上喜久子,三宅健太,伊東美彌子,西村千奈美,川上倫子,阪口大助,小西克幸,古島清孝,石冢運(yùn)升,佐藤智惠,仁科洋平,傳坂勉,逢坂力,座光寺知幸,佐佐木日菜子,植竹香菜,中塚玲,寺谷美香,西優(yōu)子,三浦博和,相馬幸人,中西英樹,山本耕史,加藤羅莎,秋山龍次,馬場(chǎng)裕之,山本博,中川翔子,石坂浩二,山寺宏一加美拉對(duì)大惡獸吉隆
加島信博,秋山みゆき,大村昆,笠原玲子,濱田優(yōu)子,船越英二遇事別沖動(dòng)
鹿超,宋杰,宋媛一個(gè)明星的誕生1976
芭芭拉·史翠珊,克里斯·克里斯托弗森,加里·布塞,奧利弗·克拉克,Marta Heflin,莎莉·柯克蘭德,喬安妮林維爾,保羅·馬祖斯基,斯蒂芬·布魯頓,Donnie Fritts,Booker T. Jones,Jerry McGee,比爾·格雷厄姆,麗塔·考里基,托尼·奧蘭多,伊索·阿克瑞恩,羅伯特·英格蘭德,梅迪·諾曼,Susan Richardson溫泉鯊
金子清文,藤村拓矢,中西裕胡,內(nèi)藤正記,安原寛之,野二紀(jì)人同類推薦
總統(tǒng)拍檔
杰克·萊蒙,詹姆斯·加納,丹·艾克羅伊德他們——曾經(jīng)執(zhí)掌國(guó)家，如今卻為自已的生計(jì)而忙碌，他們——是不同政黨的對(duì)立方！他們——便是兩個(gè)美國(guó)前總統(tǒng)！由于現(xiàn)任總統(tǒng)把他倆卷入到了一樁丑聞之中，兩個(gè)曾爭(zhēng)吵不休的前任總統(tǒng)不得不走到了一起，走遍全國(guó)尋求證據(jù)以證明自己的清白。一路上趣事不斷，笑料百出，卻也讓他們了解到了真正的美國(guó)，以及自己曾給普通百姓所帶來的影響。更意想不到的是正當(dāng)他們焦頭爛額、疲于奔命時(shí)，又遭到了一伙武裝分子的連連追殺。。。。。。
獵殺大行動(dòng)
亞歷克·鮑德溫,Kelly Lynch,Mary Stuart MastersonA hardened New Orleans cop, Dave Robicheaux, finally tosses in the badge and settles into life on the bayou with his wife. But a bizarre plane crash draws him back into the fray when his family is viciously threatened.
咒物尋兇
格威利姆·李,卡羅琳·布萊肯,塔格·墨菲,卡羅琳·門通,史蒂夫·沃爾,喬納森·法蘭西丹妮原本和丈夫泰德正在翻修偏僻的鄉(xiāng)間別墅，卻在此地慘遭殺害，所有人都懷疑是當(dāng)?shù)鼐癫≡旱牟∪怂鶠?，因?yàn)樘┑抡窃撛旱囊幻t(yī)生。然而，案發(fā)后不久，嫌疑人就被發(fā)現(xiàn)死亡。一年后，丹妮的雙胞胎盲妹達(dá)茜（Darcy），一個(gè)自稱通靈者和詛咒物品收藏家的人，意外拜訪了泰德和他的新女友雅娜。達(dá)茜深信她姐姐的謀殺案遠(yuǎn)比人們知道的要嚴(yán)重得多，因此她帶來了她收藏的最危險(xiǎn)的詛咒物品，以幫助她復(fù)仇。
烏鴉2024
比爾·斯卡斯加德,小枝女孩,丹尼·赫斯頓,約瑟特·西蒙,勞拉·布林,塞米·鮑亞吉拉,卡雷爾·多布雷,喬丹·博爾格,錫巴斯琴·奧羅茲科,戴維·鮑爾斯,Trigga, 桑巴·戈?duì)柖?伊莎貝拉·魏,喬丹·哈吉,杜卡金·波德里馬吉本片將更加忠實(shí)詹姆斯·奧·巴爾的同名漫畫。講述搖滾樂手埃里克·德雷文（比爾·斯卡斯加德 Bill Skarsg?rd 飾）和他的未婚妻雪莉（小枝女孩 FKA twigs 飾）被殘忍殺害。一年后，埃里克從墳?zāi)怪刑K醒，并進(jìn)行復(fù)仇。復(fù)活后的埃里克擁有著超自然的力量，而他所到之處必定有烏鴉跟隨。
等待方舟
耶日·斯圖爾,克里斯提娜·楊達(dá),卡里娜·謝魯斯克,馬里烏什·德莫霍夫斯基,馬雷克·瓦爾切夫斯基,揚(yáng)·諾維茨基,亨里克·比斯塔,萊昂·涅姆奇克,克茲佐夫·馬扎克,斯坦尼斯瓦夫·伊加爾Set in an underground dungeon inhabited by bundled, ragged human beings, after the nuclear holocaust. The story follows the wanderings of a hero through the situations of survival. People wait for the Ark to arrive and rescue them while their habitat falls apart. Delving deep into the dusty and long abandonded vaults of b-cinema in search of lost gems always leaves me with a bittersweet taste. On one hand the discovery of unexpected gems where no one would think them possible is a rewarding experience. On the other hand though it makes one wonder how many of these remarkable low-budget oddities, personal love affairs of directors never quite famous and now all but forgotten, have almost forever slipped from memory? n any case what we have here is a little post-apocalyptic gem from Poland that is really better than it has any right to. The dystopian near future of O-BI, O-BA finds a group of survivors of the nuclear war that ravaged the Earth inhabiting an underworld concrete bunker and biding their time as they wait for the mysterious Ark, an air ship of some kind that will come and save them. The Ark proves to be an elaborate hoax, carefully designed to give hope to the malnourished and desperate denizens of the bunker, while in the meantime the dome that separates their miserable existence from the nuclear winter outside is slowly caving in. What first striked me about the movie is the design of the bunker and the depiction of the survivors. The survivors are gaunt, filthy and terrible-looking penitents, dressed in rags and aimlessly wandering the neon-lit halls of the bunker like automatons. The bunker is a rundown, seedy place, with bright neon lights peering from all sides like the eyes of malignant beasts. On one hand it is a slightly 80's depiction of the dystopian future but the movie never stoops down to MAD MAX cheese. Instead it combines biting political satire with the bleak outlook of a world with no future, black comedy with barbs on apathy, religion and power. The survivors, for example, are fed some kind of flour dropping from a tube that hovers in the air - later on we discover the food supervisor uses books and the Bible itself as filler for this meagre meal. There are many such short symbolic touches, perhaps not life-changing or faith-restoring, yet playful, clever and inspired. One thing is for sure; O-BI, O-BA is not your run-of-the-mill sci-fi schlock. It overcomes its modest budget with creativity and has genuine artistic aspirations both from a writing and directing perspective. My opinion is that it should have been filmed in black and white instead of colour though. The director uses atmospheric light and shadow to great effect and it would have registered even better in stark black and white. The blue-green neon on the other hand outstays its welcome after a while. Just a minor gripe in an otherwise solid b-movie with its heart set in all the right places. Imagine a less bleak THE ROAD (Cormac McCarthy) being injected with the satire and humour of DR.STRANGELOVE and you're getting there. See it if you can find it.