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在20XX年,日本面臨著最后一場戰(zhàn)爭的危機(jī),一個(gè)軍事公司開發(fā)的“大規(guī)模毀滅性超級武器”被恐怖組織奪走。同時(shí),半機(jī)械人的克里斯·索奧托姆(Chris暫無內(nèi)容Saotome)被轉(zhuǎn)換為殺戮武器,遇到了一個(gè)名叫薩拉的神秘女孩....
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莎拉·莫利斯基,妮佳·海特洛娃,茂·孫,Victor Soares妖狐傳
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那個(gè)人在想什么事情
The main character is Dr. Max Holst, a successful neurosurgeon. One day an intense little man named Steinmetz shows up, who has the real ability to create objects out of thin air, using only his mind. As no one believes him at first, he is held at a ward for mental patients, but manifests the key to his door and escapes. As he has a special interest in Dr. Holst, Steinmetz subsequently invites Holst to his large mansion, which is full of expensive paintings and sculptures, and proves to him that he can in fact materialise objects. Steinmetz’s abilities are evolving by leaps and bounds, and is progressing from being able to create objects only to being able to create living things. His ultimate ambition is to be able to create a human being. He tells Dr. Holst that if he will only perform a certain brain operation on him, Steinmetz will become able to attain his goal. He’s got all the necessary equipment set up in his basement. Dr. Holst, however, is too spooked by the whole thing to agree to this mad scheme, and refuses. Steinmetz then sets about manipulating Holst’s life, to pressure him into performing the operation. By then Steinmetz has become able to create a temporary human being, and in the hope that he can perhaps make his own creation perform the operation, he manifests a doppelganger of Dr. Holst. This double proceeds to take over Dr. Holst’s life, creating chaos for him professionally and personally. And then Dr. Holst starts fighting back. The ending has the dual virtue of being both unexpected and satisfying.
旁觀者2025
離家十六年的陳家輝(陳坤 飾)在得知父親陳為民(王勁松 飾)病危后,重返故鄉(xiāng)。但父親未留下只言片語便匆匆離世。葬禮之后,陳家輝與哥哥陳家興(王硯輝 飾)、姐姐陳家媛(劉敏濤 飾)在整理父親遺物時(shí),逐漸察覺父親身上似乎隱藏著許多不為人知的秘密。帶著困惑與心結(jié),陳家輝開始探尋父親生前的生活軌跡,試圖拼湊出父親真實(shí)的模樣。在這個(gè)過程中,一段埋藏了16年的家庭秘密逐漸被揭開,而這個(gè)秘密的核心,正是家輝與父親之間一生都未能解開的那個(gè)結(jié)。
擂臺兄弟
在科欽堡,一群不合群者聯(lián)合起來創(chuàng)建了一個(gè)摔跤團(tuán)體,他們面臨內(nèi)部競爭和滑稽的打斗,并隨著成長去應(yīng)對更大的障礙。