放蕩的女人2024

4.1 播放:39萬 2026-04-23
主演:未知

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林更新,李幼斌,宋茜,王彥霖,李雪琴,陳哈琳,馮雷,潘斌龍

沒錢沒愛還沒心沒肺的馬騰(林更新 飾)人近中年一事無成,是旁人眼里公認的“廢柴”!鋼廠退休骨干老林(李幼斌 飾)遵守鐵打的紀律活了一輩子本該安享晚年,身體和心理卻雙雙“亮起紅燈”!本無生活交集的兩人因為一場歪打正著的護工面試相遇,展開了一段啼笑皆非的有趣互救。老林為求解脫,將“協(xié)助自殺”的希望寄托在這個不靠譜的護工身上。馬騰雖然想賺錢完成女兒的心愿,但無膽害命,只能發(fā)揮自己的樂觀心態(tài)在日常中提供情緒價值給老林。二人在一段特殊的旅途中建立起生死友誼,于病痛與死亡的陰影里找到了活下去的小小微光,攜手大膽迎接未知的生活。

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布魯斯·鄧恩,安娜貝爾·德克斯特-瓊斯,埃里克·尼爾森,羅伯特·朗斯特里特,Joshua Brady,羅斯·帕特里奇,Chris Pinkalla,Drake Shannon,邁克爾·韋弗

  When a nature photographer explains to the Police how she fought her way out of the Watchatoomy Valley, they dismiss her crazed and violent story as a meth-induced nightmare. But when they discover that she's telling the truth, it's too late.

安昂傳奇:最后的氣宗

戴夫·巴蒂斯塔,史蒂文·元,關(guān)繼威,杰西卡·馬滕,塔伊加·維迪提,迪·布萊德利·貝克,杰拉爾丁·維斯瓦納坦,羅曼·薩拉戈薩,芙蕾達·平托,南允道,佩塔·薩金特,Dionne Quan

 派拉蒙和尼克宣布“降世神通”系列開發(fā)三部新的電影,仍是動畫形式。第一部由《降世神通:最后的氣宗》導演Lauren Montgomery執(zhí)導,《最后的氣宗》主創(chuàng)Bryan Konietzko和Michael DiMartino擔任制片人。

奪命網(wǎng)紅2

卡桑德拉·諾德,喬治娜·坎貝爾,麗莎·德拉馬爾,喬納森·懷特賽爾,維羅妮卡·隆,迪倫·普萊費爾

  在法國南部,一位年輕女性對謀殺和身份盜竊的令人毛骨悚然的癡迷將她的生活卷入了混亂之中。

我的老婆是明星

周柏豪 ,劉心悠,林德信,蔡潔,蔣志光,李尚正,郭偉亮,葉佩雯,朱薰,李日朗,杜德偉,連詩雅,盧海鵬,林盛斌,邵美琪,車婉婉,莊鍶敏,田啟文,趙碩之,古天祥,符曉薇,黃文慧,余慕蓮,王曉君,李潤庭,可宜

  朱淇(劉心悠 飾)一直以來都希望成為一名演員,然而,在娛樂圈摸爬滾打浸淫多年,始終缺少一點運氣的她卻依然只能在劇中混得一個跑龍?zhí)椎男〗巧?。一次偶然之中,電影公司的大老板杰夫(林德?飾)看中了朱淇,欽點她做一部炒得十分紅火的賀歲片的女主角,朱淇興奮之余害怕自己已婚的身份會影響星途,于是決定隱瞞這一事實?! ≈熹康恼煞蛸嚸ㄖ馨睾?飾)是一名娛樂記者,為了老婆的前途著想,他只能不情不愿的配合著朱淇的腳步。然而,隨著朱淇的走紅,賴毛發(fā)現(xiàn)自己和老婆之間的距離越來越遠,不禁心生疑慮,潛伏劇組之后方才發(fā)現(xiàn)朱淇和杰夫之間竟然有著撲朔不明的曖昧關(guān)系。

公寓2024

斯文·索奇塔,細田善彥,Rous Mony,Touch Narady,Manika

  Following her mother’s death, manga artist Soriya travels to her ancestral home in Phnom Penh, with hopes of reconnecting with her distant family and using the visit as inspiration for her work. All goes well initially. Renting an apartment in Metta, a rundown Khmer Rouge-era housing complex, her visit to her maternal relatives finds her welcomed with open arms. But Soriya’s waking hours in the apartment and its surroundings are punctuated by terrifying, bloody visions, almost as though she were a conduit for horrors of the past wanting to seep into the present.  Inrasothythep Neth and Sokyou Chea’s blood-chilling psychological horror explores a personal and political past through the present, transforming a characterful space into an insidious environment. Surrounded by modern high-rises, this decrepit structure, with its brutalist architecture and peeling surfaces, is a relic from a dark period in history whose painful memories it has absorbed. In tracing Soriya’s ominous journey back to her roots, Tenement hints at a necessary reckoning with Cambodia’s political past without overplaying its historical dimension. It’s an impressive work from a woefully underrepresented national cinema.