貝多芬小姐的啟蒙

評分：3.0 播放：79萬 更新：2026-05-01

此片曾經(jīng)榮獲第一屆色情片影展(Erotic暫無內(nèi)容Film暫無內(nèi)容Festival)的最佳影片，被許多影評人推崇為影史上最好的色情電影。暫無內(nèi)容雖然主流觀眾爭睹色情電影的熱潮已經(jīng)衰退，但還是有一些導(dǎo)演堅(jiān)持繼續(xù)拍攝高質(zhì)量的色情電影，拉德雷梅杰(Radley暫無內(nèi)容Metzger)在1975年導(dǎo)演的《貝多芬小姐的啟蒙》(The暫無內(nèi)容Oening暫無內(nèi)容of暫無內(nèi)容Misty暫無內(nèi)容Beethoven)就是最好的例子。此片改編自蕭伯納的名劇「賣花釹」(Pygmalion)，也OK說是好萊塢電影《窈窕淑釹》(My暫無內(nèi)容Fair暫無內(nèi)容Lady)的色情變奏版。片鈡的貝多芬小姐原本是一個輕浮邋遢的街頭妓釹，平日都在巴黎大人戲院幫侽客手y-，但當(dāng)她遇到某位xing學(xué)博士以后，卻被改造成為氣質(zhì)高雅的社交圈名媛，并且在色情雜志出版商的年度盛大舞會鈡艷壓群芳。暫無內(nèi)容　　我常因?yàn)椴粔蜃儜B(tài)而和你們格格不入，小蝌蚪對爸媽說

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林子祥,麥嘉,泰迪·羅賓,姚煒,曹達(dá)華,岑建勛,曾志偉

　　30年代的香港，社局動蕩，黑幫林立。香港大亨胡老頭這日找到私家偵探哎吆（林子祥 飾），要求其調(diào)查胡太太，因?yàn)樗X得胡太太這些天表現(xiàn)奇怪。哎吆調(diào)查后發(fā)現(xiàn)，原來是壞蛋神父卡邦派（麥嘉 飾）人勾搭上了胡太，意欲偷取胡老頭價(jià)值連城的股票。他們這一計(jì)劃遭哎吆撞破后，四處追殺哎吆?！　“ミ和雒H，又發(fā)現(xiàn)了胡老頭其實(shí)并非什么香港大亨，只是一名老千，他來香港的目的就是要騙卡邦等流氓的錢。胡老頭邀請哎吆入伙，一起設(shè)局騙卡邦。和好友探長羅賓（泰迪?羅賓 飾）商量后，哎吆決定來個將計(jì)就計(jì)。

廢世界

　　故事設(shè)定在《廢頭》世界的1042年前，以機(jī)器人“羅賓”作為主角。羅賓原本作為護(hù)衛(wèi)，隨同調(diào)查隊(duì)長特里斯前往地下世界調(diào)查異常情況。盡管肩負(fù)保護(hù)特里斯的使命，但調(diào)查隊(duì)卻遭到了人工生命體馬里甘的邪教組織“吉拉教”的襲擊。在壓倒性的戰(zhàn)力差距下，調(diào)查隊(duì)陷入苦戰(zhàn)。然而，在這場激烈的交鋒中，他們發(fā)現(xiàn)了次元的扭曲，并逐步揭開地下世界隱藏的秘密與異變的真相。

等待方舟

耶日·斯圖爾,克里斯提娜·楊達(dá),卡里娜·謝魯斯克,馬里烏什·德莫霍夫斯基,馬雷克·瓦爾切夫斯基,揚(yáng)·諾維茨基,亨里克·比斯塔,萊昂·涅姆奇克,克茲佐夫·馬扎克,斯坦尼斯瓦夫·伊加爾

　　Set in an underground dungeon inhabited by bundled, ragged human beings, after the nuclear holocaust. The story follows the wanderings of a hero through the situations of survival. People wait for the Ark to arrive and rescue them while their habitat falls apart.　　Delving deep into the dusty and long abandonded vaults of b-cinema in search of lost gems always leaves me with a bittersweet taste. On one hand the discovery of unexpected gems where no one would think them possible is a rewarding experience. On the other hand though it makes one wonder how many of these remarkable low-budget oddities, personal love affairs of directors never quite famous and now all but forgotten, have almost forever slipped from memory?　　n any case what we have here is a little post-apocalyptic gem from Poland that is really better than it has any right to. The dystopian near future of O-BI, O-BA finds a group of survivors of the nuclear war that ravaged the Earth inhabiting an underworld concrete bunker and biding their time as they wait for the mysterious Ark, an air ship of some kind that will come and save them. The Ark proves to be an elaborate hoax, carefully designed to give hope to the malnourished and desperate denizens of the bunker, while in the meantime the dome that separates their miserable existence from the nuclear winter outside is slowly caving in.　　What first striked me about the movie is the design of the bunker and the depiction of the survivors. The survivors are gaunt, filthy and terrible-looking penitents, dressed in rags and aimlessly wandering the neon-lit halls of the bunker like automatons. The bunker is a rundown, seedy place, with bright neon lights peering from all sides like the eyes of malignant beasts.　　On one hand it is a slightly 80's depiction of the dystopian future but the movie never stoops down to MAD MAX cheese. Instead it combines biting political satire with the bleak outlook of a world with no future, black comedy with barbs on apathy, religion and power. The survivors, for example, are fed some kind of flour dropping from a tube that hovers in the air - later on we discover the food supervisor uses books and the Bible itself as filler for this meagre meal. There are many such short symbolic touches, perhaps not life-changing or faith-restoring, yet playful, clever and inspired.　　One thing is for sure; O-BI, O-BA is not your run-of-the-mill sci-fi schlock. It overcomes its modest budget with creativity and has genuine artistic aspirations both from a writing and directing perspective. My opinion is that it should have been filmed in black and white instead of colour though. The director uses atmospheric light and shadow to great effect and it would have registered even better in stark black and white. The blue-green neon on the other hand outstays its welcome after a while. Just a minor gripe in an otherwise solid b-movie with its heart set in all the right places.　　Imagine a less bleak THE ROAD (Cormac McCarthy) being injected with the satire and humour of DR.STRANGELOVE and you're getting there. See it if you can find it.

蛛網(wǎng)男孩

伍迪·諾曼,麗茲·卡潘,安東尼·斯塔爾,克利歐佩特拉·科爾曼,埃倫·杜賓,黛博拉·熱切娃,斯蒂芬妮·桑普森,Luke Busey,Jay Rincon,Jesse Vilinsky,Anton Kottas,Aleksandra Dragova,Aleksander Asparuhov,James Robinson,Jivko Mihaylov

　　八歲的彼得（伍迪·諾曼 Woody Norman 飾）經(jīng)常受到來自臥室墻壁內(nèi)的神秘的、持續(xù)的敲墻聲的困擾——他的父母堅(jiān)持認(rèn)為這種敲擊聲只是他的想象。隨著彼得的恐懼加劇，他相信他的父母可能隱藏著一個可怕、危險(xiǎn)的秘密，并逐漸喪失對他們的信任。對于一個孩子來說，還有什么比這更可怕的呢？