江水無痕之薛濤

? 9.6 播放：26萬 2026-04-28
主演：林煒 邱月清 余明 

薛濤是相當(dāng)有才氣與傲骨的女人，也是歷代又名的文人妓女，只是唐朝的風(fēng)氣就算再開放，卻也還是男人掌權(quán)的時(shí)代。薛濤妓女的身份只是讓她翻不了身。自視非凡的薛濤，因?yàn)閭€(gè)性與環(huán)境的緣故，一直無法找到相扶持的如意郎君，最后只好離群索居。薛濤雖與元稹相愛過，但礙于她身為妓女的身份，最終無法將她過門，令二人抱憾終身。 　　

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? 播放 江水無痕之薛濤

劇情提要

薛濤是相當(dāng)有才氣與傲骨的女人，也是歷代又名的文人妓女，只是唐朝的風(fēng)氣就算再開放，卻也還是男人掌權(quán)的時(shí)代。薛濤妓女的身份只是讓她翻不了身。自視非凡的薛濤，因?yàn)閭€(gè)性與環(huán)境的緣故，一直無法找到相扶持的如意郎君，最后只好離群索居。薛濤雖與元稹相愛過，但礙于她身為妓女的身份，最終無法將她過門，令二人抱憾終身。 　　

幕后花絮

要地球倒轉(zhuǎn)

　　查理的前妻失蹤了，于是他去了她長大的地方，一個(gè)位于西部的鄉(xiāng)村城鎮(zhèn)尋找她。 但是，令人驚訝的是，沒有人知道她或她親戚的所在。 然后他又遇到外星人，但是當(dāng)他聯(lián)系聯(lián)邦調(diào)查局時(shí)，并沒有人相信他。 他只好將故事登報(bào)，并隨即受到了外星人的追殺。

等待方舟

　　Set in an underground dungeon inhabited by bundled, ragged human beings, after the nuclear holocaust. The story follows the wanderings of a hero through the situations of survival. People wait for the Ark to arrive and rescue them while their habitat falls apart.　　Delving deep into the dusty and long abandonded vaults of b-cinema in search of lost gems always leaves me with a bittersweet taste. On one hand the discovery of unexpected gems where no one would think them possible is a rewarding experience. On the other hand though it makes one wonder how many of these remarkable low-budget oddities, personal love affairs of directors never quite famous and now all but forgotten, have almost forever slipped from memory?　　n any case what we have here is a little post-apocalyptic gem from Poland that is really better than it has any right to. The dystopian near future of O-BI, O-BA finds a group of survivors of the nuclear war that ravaged the Earth inhabiting an underworld concrete bunker and biding their time as they wait for the mysterious Ark, an air ship of some kind that will come and save them. The Ark proves to be an elaborate hoax, carefully designed to give hope to the malnourished and desperate denizens of the bunker, while in the meantime the dome that separates their miserable existence from the nuclear winter outside is slowly caving in.　　What first striked me about the movie is the design of the bunker and the depiction of the survivors. The survivors are gaunt, filthy and terrible-looking penitents, dressed in rags and aimlessly wandering the neon-lit halls of the bunker like automatons. The bunker is a rundown, seedy place, with bright neon lights peering from all sides like the eyes of malignant beasts.　　On one hand it is a slightly 80's depiction of the dystopian future but the movie never stoops down to MAD MAX cheese. Instead it combines biting political satire with the bleak outlook of a world with no future, black comedy with barbs on apathy, religion and power. The survivors, for example, are fed some kind of flour dropping from a tube that hovers in the air - later on we discover the food supervisor uses books and the Bible itself as filler for this meagre meal. There are many such short symbolic touches, perhaps not life-changing or faith-restoring, yet playful, clever and inspired.　　One thing is for sure; O-BI, O-BA is not your run-of-the-mill sci-fi schlock. It overcomes its modest budget with creativity and has genuine artistic aspirations both from a writing and directing perspective. My opinion is that it should have been filmed in black and white instead of colour though. The director uses atmospheric light and shadow to great effect and it would have registered even better in stark black and white. The blue-green neon on the other hand outstays its welcome after a while. Just a minor gripe in an otherwise solid b-movie with its heart set in all the right places.　　Imagine a less bleak THE ROAD (Cormac McCarthy) being injected with the satire and humour of DR.STRANGELOVE and you're getting there. See it if you can find it.