野生馬

評(píng)分:3.4 播放:42萬(wàn) 更新:2026-04-30
主演: 李美淑 尹一峰 洪京民 

  ???? ???? ?? ???? ??? ??? ?? ???? ??? ??? ??? ????? ??? ?? ??? ??. ??? ??? ?? ?? ???? ?? ???? ??? ?? ?? ???? ???. ??? ???? ????? ??? ???? ??? ?? ??? ???? ??. ??? ??? ??? ?? ??? ????? ????. ???? ????? ?? ??? ?? ??? ??? ????? ????? ??? ??? ??, ???? ?? ?? ?? ???. ??? ???? ???? ??? ?? ??? ???? ??? ??? ?? ???.  一位愛(ài)國(guó)婦產(chǎn)科醫(yī)生或東國(guó)人前往濟(jì)州島出院,妻子強(qiáng)奸自殺。東國(guó)遇到了回到濟(jì)州島的露西亞,因?yàn)樗荒芡浰钠拮?。有一天,露西亞陷入了一個(gè)為上流社會(huì)提供美麗的組織中的舞者。但東國(guó)帶她回家,照顧她。再加上兩個(gè)女人強(qiáng)奸的經(jīng)歷,東國(guó)成了焦慮癥的觀察者,露西婭離開(kāi)了他的家。該國(guó)出售露西亞并洗劫了反面的惡棍,以尋找去世的惡棍,并且他們?cè)俅我?jiàn)面。

劇情簡(jiǎn)介

  ???? ???? ?? ???? ??? ??? ?? ???? ??? ??? ??? ????? ??? ?? ??? ??. ??? ??? ?? ?? ???? ?? ???? ??? ?? ?? ???? ???. ??? ???? ????? ??? ???? ??? ?? ??? ???? ??. ??? ??? ??? ?? ??? ????? ????. ???? ????? ?? ??? ?? ??? ??? ????? ????? ??? ??? ??, ???? ?? ?? ?? ???. ??? ???? ???? ??? ?? ??? ???? ??? ??? ?? ???.  一位愛(ài)國(guó)婦產(chǎn)科醫(yī)生或東國(guó)人前往濟(jì)州島出院,妻子強(qiáng)奸自殺。東國(guó)遇到了回到濟(jì)州島的露西亞,因?yàn)樗荒芡浰钠拮印S幸惶?,露西亞陷入了一個(gè)為上流社會(huì)提供美麗的組織中的舞者。但東國(guó)帶她回家,照顧她。再加上兩個(gè)女人強(qiáng)奸的經(jīng)歷,東國(guó)成了焦慮癥的觀察者,露西婭離開(kāi)了他的家。該國(guó)出售露西亞并洗劫了反面的惡棍,以尋找去世的惡棍,并且他們?cè)俅我?jiàn)面。

為你推薦

藍(lán)眼睛米奇

休·格蘭特,詹姆斯·肯恩,珍妮·特里普里霍恩,喬·維特雷利

  米歇爾?法爾蓋特(休?格蘭特 飾)經(jīng)營(yíng)一間拍賣(mài)行,他是個(gè)溫和的英國(guó)人,拍賣(mài)行的生意一向很好。他感覺(jué)成家的時(shí)候到了,便向他最愛(ài)的女友吉娜(詹姆斯?凱恩 飾)結(jié)婚??墒羌葘?duì)結(jié)婚一詞十分抗拒,她不愿意跟米歇爾結(jié)婚。這樣使米歇爾疑惑極了,他認(rèn)為女友是十分愛(ài)自己的,為何不能從此一同生活呢?  直到后來(lái),他才明白了吉娜的苦心。原來(lái)吉娜的父親是一名黑幫老大,深愛(ài)著米歇爾的吉娜不愿自己的丈夫被卷進(jìn)復(fù)雜的黑幫環(huán)境中。就算米歇爾向吉娜保證自己不會(huì)牽涉進(jìn)去那些麻煩當(dāng)中?! 】墒鞘虑椴⒉蝗缛艘?,他還是因?yàn)檫@個(gè)黑幫岳父惹來(lái)了很多麻煩,甚至被警察調(diào)查。從此,米歇爾也莫名其妙的成為了黑道中人……

大奧普里圣誕夜

莎朗·勞倫斯,克里斯托弗·普拉哈,妮基·迪洛許,詹姆斯·丹頓,盧克·本沃德,羅勃·梅耶斯,布拉德·派斯里,比爾·安德森,帕姆·蒂利斯,Megan Moroney,米奇·蓋頓

  Gentry Wade, who gave up music after her father's death decades ago must confront her past when Nashville's Grand Ole Opry invites her to honor her late country star dad at their Christmas celebration.

圍困3

尤里·索洛明,葉甫蓋尼·列別杰夫,伊琳娜·阿庫(kù)洛娃,弗拉季斯拉夫·斯特爾熱利奇克,亞歷山大·拉辛,鮑里斯·戈?duì)柊屯蟹?謝爾蓋·哈欽科,Roman Gromadsky,Aleksei Presnetsov,米哈伊爾·烏里揚(yáng)諾夫,丹尼爾·薩加爾,Stanislav Fesyunov,Vladimir Voronov,列夫·佐洛圖欣,Igor Komarov,Gerbert Dmitriev,German Khovanov,Oleg Khromenkov,Rudolf Chelishchev,Vladimir

  本片是蘇聯(lián)偉大衛(wèi)國(guó)戰(zhàn)爭(zhēng)系列史詩(shī)巨片之一部。影片盡情歌頌了蘇聯(lián)人民,在德國(guó)法西斯圍困列寧格勒的900個(gè)艱難的日日夜夜,所表現(xiàn)出來(lái)的頑強(qiáng)精神。影片及表現(xiàn)了蘇軍大本營(yíng)對(duì)列寧格勒的戰(zhàn)略布防,也表現(xiàn)出列寧格勒市民面對(duì)生死的堅(jiān)忍不拔。同時(shí)也是為數(shù)不多的蘇聯(lián)戰(zhàn)爭(zhēng)影片,客觀地表現(xiàn)了戰(zhàn)爭(zhēng)初期紅軍失利,以及紅軍將領(lǐng)伏羅希洛夫元帥組織列寧格勒城防的失敗。影片還展現(xiàn)了列寧格勒基洛夫工廠,冒著的德軍轟炸,堅(jiān)持為前線生產(chǎn)武器,以及軍隊(duì)和市民通過(guò)城市唯一與外界的通道——拉多加湖通道,運(yùn)送糧食、武器和其他戰(zhàn)略物資的場(chǎng)面。該片還較為詳實(shí)地展示了希特勒攻占列寧格勒的計(jì)劃,以及紅軍與市民聯(lián)手防御,共同抗敵的畫(huà)面。這部影片,將戰(zhàn)爭(zhēng)的全景展示與戰(zhàn)壕細(xì)節(jié)完美地結(jié)合起來(lái),直到今天仍不失為一部反法西戰(zhàn)爭(zhēng)的優(yōu)秀影片,很值得觀賞和借鑒。

馬爾切洛·埃爾南德斯:美國(guó)男孩

馬爾切洛·埃爾南德斯

  Marcello Hernandez: American Boy. Only on Netflix January 7.

致命錄像帶94

安娜·霍普金斯,Sean Patrick Dolan,德魯·維爾戈維爾,達(dá)克斯·拉維納

 1994年,一隊(duì)野蠻的緝毒警察來(lái)到一處倉(cāng)庫(kù),并在其中發(fā)現(xiàn)大量邪教信徒和散播的錄像:①霍莉和攝影師去下水道探尋神秘生物,卻在這遇上此生難忘的恐怖經(jīng)歷。②守靈教堂內(nèi),守夜人平靜守夜,但風(fēng)暴來(lái)臨后會(huì)發(fā)生什么?③印尼科學(xué)家妄圖創(chuàng)造人機(jī)合一的神話,卻不料一隊(duì)特警早以虎視眈眈 ④一隊(duì)反社會(huì)份子盯上國(guó)會(huì)大廈打算引爆大廈,卻不料他們的計(jì)劃將會(huì)迎來(lái)怎樣的變數(shù)?鏡頭之外,死亡的魔爪正緩緩伸向小隊(duì)成員…

別來(lái)這兒

瓊·伊約拉,阿拉祖,尼古拉斯·薩爾蒙

在西班牙馬略卡島的一次旅行中,兩位年輕女子(吉爾和薇薇安)在一家偏僻的酒吧里遇到了一群歐洲游客。她們一起游覽了當(dāng)?shù)氐耐讲铰肪€,卻以薇薇安慘遭殺害而告終。友誼逐漸被猜忌和恐懼所取代,幸存者們開(kāi)始努力找出潛伏在她們中間的兇手?!剪斂朔ü?/p>

等待方舟

耶日·斯圖爾,克里斯提娜·楊達(dá),卡里娜·謝魯斯克,馬里烏什·德莫霍夫斯基,馬雷克·瓦爾切夫斯基,揚(yáng)·諾維茨基,亨里克·比斯塔,萊昂·涅姆奇克,克茲佐夫·馬扎克,斯坦尼斯瓦夫·伊加爾

  Set in an underground dungeon inhabited by bundled, ragged human beings, after the nuclear holocaust. The story follows the wanderings of a hero through the situations of survival. People wait for the Ark to arrive and rescue them while their habitat falls apart.  Delving deep into the dusty and long abandonded vaults of b-cinema in search of lost gems always leaves me with a bittersweet taste. On one hand the discovery of unexpected gems where no one would think them possible is a rewarding experience. On the other hand though it makes one wonder how many of these remarkable low-budget oddities, personal love affairs of directors never quite famous and now all but forgotten, have almost forever slipped from memory?  n any case what we have here is a little post-apocalyptic gem from Poland that is really better than it has any right to. The dystopian near future of O-BI, O-BA finds a group of survivors of the nuclear war that ravaged the Earth inhabiting an underworld concrete bunker and biding their time as they wait for the mysterious Ark, an air ship of some kind that will come and save them. The Ark proves to be an elaborate hoax, carefully designed to give hope to the malnourished and desperate denizens of the bunker, while in the meantime the dome that separates their miserable existence from the nuclear winter outside is slowly caving in.  What first striked me about the movie is the design of the bunker and the depiction of the survivors. The survivors are gaunt, filthy and terrible-looking penitents, dressed in rags and aimlessly wandering the neon-lit halls of the bunker like automatons. The bunker is a rundown, seedy place, with bright neon lights peering from all sides like the eyes of malignant beasts.  On one hand it is a slightly 80's depiction of the dystopian future but the movie never stoops down to MAD MAX cheese. Instead it combines biting political satire with the bleak outlook of a world with no future, black comedy with barbs on apathy, religion and power. The survivors, for example, are fed some kind of flour dropping from a tube that hovers in the air - later on we discover the food supervisor uses books and the Bible itself as filler for this meagre meal. There are many such short symbolic touches, perhaps not life-changing or faith-restoring, yet playful, clever and inspired.  One thing is for sure; O-BI, O-BA is not your run-of-the-mill sci-fi schlock. It overcomes its modest budget with creativity and has genuine artistic aspirations both from a writing and directing perspective. My opinion is that it should have been filmed in black and white instead of colour though. The director uses atmospheric light and shadow to great effect and it would have registered even better in stark black and white. The blue-green neon on the other hand outstays its welcome after a while. Just a minor gripe in an otherwise solid b-movie with its heart set in all the right places.  Imagine a less bleak THE ROAD (Cormac McCarthy) being injected with the satire and humour of DR.STRANGELOVE and you're getting there. See it if you can find it.