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詛咒之刃
血戰(zhàn)沙漠
邁克爾·C·威廉姆斯,喬·胡爾特拉斯,杰夫·普雷韋特,瓦內(nèi)莎·約翰遜,Chems-Eddine Zinoune,P. David Miller,Jonas Ball,Matthew R. Anderson,Sam Hunter,Kenny Taylor,Qzaibar Allal,Hammou Abaou,Rkia Chkaroll,Ibtihal Iataren,El Hayrani Lekbir鐵拳硬漢
徐少?gòu)?qiáng),郜喬,邱彬偉大的覺(jué)醒
John Paul Sneed,喬納森·布萊爾,Josh Bates,Joe Dignoti,Stephen Foster Harris慳錢(qián)家族
楊千嬅,陳奕迅,鄭裕玲,曾志偉,黎耀祥,何超儀藏獒多吉
劉婧犖,阿蘭,芒萊,趙嶺,周志強(qiáng),王博,張遙函,趙曉明,張偉,李世榮,徐濤同類推薦
捆綁上天堂
倪妮,周游,廖凡一個(gè)筋疲力盡的女人(倪妮 飾)點(diǎn)燃了一個(gè)心如槁木的男人(周游 飾),他們隨欲而愛(ài),開(kāi)始了一段靈與肉、生與死緊緊捆綁的流亡之旅?! ∪剌氜D(zhuǎn),燃燒著,共入地獄?! ∷募玖鬓D(zhuǎn),愛(ài)爽了,再上天堂。
印度超人3
赫里尼克·羅斯?jié)h,瑞哈,莉婭·森,Priyanka Chopra,維克·奧貝歐 Vivek Oberoi,Rajpal Yadav,Kangana Ranaut在擊敗了邪惡的博士,救回了父親洛赫特(赫里尼克·羅斯?jié)h Hrithik Roshan 飾)之后,克里希那(赫里尼克·羅斯?jié)h Hrithik Roshan 飾)和戀人普瑞雅(樸雅卡·喬普拉 Priyanka Chopra 飾)總算攜手步入了婚姻的殿堂,過(guò)上了平靜而又幸福的生活。而洛赫特利則用他的聰明才智制作了很多造福社會(huì)的發(fā)明。 然而,大家都沒(méi)有想到的是,在一片平靜祥和的氣氛之下,邪惡亦在慢慢滋生。一個(gè)名叫卡爾(維克·奧貝歐 Vivek Oberoi 飾)的邪惡天才,正在利用他的智慧組建一直非常危險(xiǎn)的軍隊(duì),企圖給人類帶來(lái)前所未有的危機(jī)。當(dāng)克里希那挺身而出和卡爾展開(kāi)對(duì)抗時(shí),他并不知道,此次,為了保護(hù)世界的和平,他將付出比以往多得多的代價(jià)。
恐怖猴玩偶
多米尼克·基汀,Jane Hajduk,Courtney FulkUpon their mother’s death, siblings Jenny and Marshall return to renovate her crumbling motel, The Jolly Monkey. But as they work, a deadly force tied to their family’s dark past emerges, forcing them to face terrifying truths if they want to survive.
陰陽(yáng)鏡
淮文,鄧靖弘 Jinghong Deng,江萊,張躍濱,曾廣泉,司珂華,肖沅希,王軍,李榮博宋真宗晚年,青春年少的包拯和好友公孫策,一同破獲一起塵封多年冤案。女主角月亮十多年前,全家被奸人所害,為了翻案,打聽(tīng)到傳聞中陰陽(yáng)鏡能斷是非真假,于是去墓地盜取,結(jié)果觸碰機(jī)關(guān)導(dǎo)致展昭被困,為了將其解救,必須破解地穴里的各種機(jī)關(guān)算術(shù)。一籌莫展的月亮剛好遇到聰慧過(guò)人的包拯,巧設(shè)伎倆利用鬼怪傳說(shuō),想引包拯去地穴救展昭。但包拯心中秉持正義、公平,從不相信鬼怪傳說(shuō),救出展昭后,月亮拿到陰陽(yáng)鏡后,坦白自己一家遭奸人所害的事實(shí),兇手還在逍遙法外。為了翻案包拯,利用陰陽(yáng)鏡的傳說(shuō),使得案件重演,兇手心緒恐懼坦白從寬,認(rèn)罪伏法。從此,年少的包拯一舉成名,所代表的公平、公正和正義的形象,慢慢被民眾熟知,被民眾所擁戴。
公寓2024
斯文·索奇塔,細(xì)田善彥,Rous Mony,Touch Narady,ManikaFollowing her mother’s death, manga artist Soriya travels to her ancestral home in Phnom Penh, with hopes of reconnecting with her distant family and using the visit as inspiration for her work. All goes well initially. Renting an apartment in Metta, a rundown Khmer Rouge-era housing complex, her visit to her maternal relatives finds her welcomed with open arms. But Soriya’s waking hours in the apartment and its surroundings are punctuated by terrifying, bloody visions, almost as though she were a conduit for horrors of the past wanting to seep into the present. Inrasothythep Neth and Sokyou Chea’s blood-chilling psychological horror explores a personal and political past through the present, transforming a characterful space into an insidious environment. Surrounded by modern high-rises, this decrepit structure, with its brutalist architecture and peeling surfaces, is a relic from a dark period in history whose painful memories it has absorbed. In tracing Soriya’s ominous journey back to her roots, Tenement hints at a necessary reckoning with Cambodia’s political past without overplaying its historical dimension. It’s an impressive work from a woefully underrepresented national cinema.