半暹降

重返侏羅紀(jì)

為了研究抗癌特效藥，探險(xiǎn)團(tuán)隊(duì)前往失落的孤島尋找一種遠(yuǎn)古植物-火獄蔓蓮，卻在島上遭遇了遠(yuǎn)古生物的襲擊并發(fā)現(xiàn)了侏羅紀(jì)遺址，在經(jīng)歷萬(wàn)難，獲得花蕊之后，眾人再次遭到了迅猛龍追擊，最終團(tuán)隊(duì)四散，只有三人在危機(jī)之中逃了出來(lái)，乘船離開(kāi)了孤島。

愿者安息

　　Cemal, a lonely hearse driver, has to transport the body of a young woman who has been murdered to her parents' home. During the trip, however, the body comes to life and when he sees her, Cemal falls in love with the undead woman. This is when he begins to commit murders in order to feed her, even if it means having to deal with the police's attempts to capture a serial killer.

肖菲勒

等待方舟

　　Set in an underground dungeon inhabited by bundled, ragged human beings, after the nuclear holocaust. The story follows the wanderings of a hero through the situations of survival. People wait for the Ark to arrive and rescue them while their habitat falls apart.　　Delving deep into the dusty and long abandonded vaults of b-cinema in search of lost gems always leaves me with a bittersweet taste. On one hand the discovery of unexpected gems where no one would think them possible is a rewarding experience. On the other hand though it makes one wonder how many of these remarkable low-budget oddities, personal love affairs of directors never quite famous and now all but forgotten, have almost forever slipped from memory?　　n any case what we have here is a little post-apocalyptic gem from Poland that is really better than it has any right to. The dystopian near future of O-BI, O-BA finds a group of survivors of the nuclear war that ravaged the Earth inhabiting an underworld concrete bunker and biding their time as they wait for the mysterious Ark, an air ship of some kind that will come and save them. The Ark proves to be an elaborate hoax, carefully designed to give hope to the malnourished and desperate denizens of the bunker, while in the meantime the dome that separates their miserable existence from the nuclear winter outside is slowly caving in.　　What first striked me about the movie is the design of the bunker and the depiction of the survivors. The survivors are gaunt, filthy and terrible-looking penitents, dressed in rags and aimlessly wandering the neon-lit halls of the bunker like automatons. The bunker is a rundown, seedy place, with bright neon lights peering from all sides like the eyes of malignant beasts.　　On one hand it is a slightly 80's depiction of the dystopian future but the movie never stoops down to MAD MAX cheese. Instead it combines biting political satire with the bleak outlook of a world with no future, black comedy with barbs on apathy, religion and power. The survivors, for example, are fed some kind of flour dropping from a tube that hovers in the air - later on we discover the food supervisor uses books and the Bible itself as filler for this meagre meal. There are many such short symbolic touches, perhaps not life-changing or faith-restoring, yet playful, clever and inspired.　　One thing is for sure; O-BI, O-BA is not your run-of-the-mill sci-fi schlock. It overcomes its modest budget with creativity and has genuine artistic aspirations both from a writing and directing perspective. My opinion is that it should have been filmed in black and white instead of colour though. The director uses atmospheric light and shadow to great effect and it would have registered even better in stark black and white. The blue-green neon on the other hand outstays its welcome after a while. Just a minor gripe in an otherwise solid b-movie with its heart set in all the right places.　　Imagine a less bleak THE ROAD (Cormac McCarthy) being injected with the satire and humour of DR.STRANGELOVE and you're getting there. See it if you can find it.

致命玩笑3

　　燥熱枯燥的長(zhǎng)途旅行，怪物卡車(chē)司機(jī)“銹釘”（肯·科齊格 Ken Kirzinger 飾）的血腥旅程仍未結(jié)束，17號(hào)公路上布滿殘肢斷體，娛樂(lè)著他的邪惡趣味。某個(gè)平凡的路邊小餐館，奧斯?。℅ianpaolo Venuta 飾）、米克（Ben Hollingsworth 飾）、愛(ài)麗莎（Leela Savasta 飾）、鮑比（Jake Manley 飾）和茱爾（Kirsten Prout 飾）等五個(gè)準(zhǔn)備參加公路汽車(chē)?yán)惖那嗄昴信谟懻撔熊?chē)路線，他們向鄰桌打聽(tīng)17號(hào)公路存在與否，卻得知了“屠殺小巷”的傳言和警告?！　o(wú)所畏懼的年輕人當(dāng)然不信這個(gè)邪，他們快意上路，并遭遇“銹釘”的卡車(chē)。年輕人仗著汽車(chē)性能的優(yōu)勢(shì)，恣意戲?！颁P釘”，但卻惹到了一個(gè)絕不能隨便招惹的惡魔……

美食總動(dòng)員

　　小老鼠雷米在嗅覺(jué)方面有著無(wú)與倫比的天賦，不想過(guò)與垃圾堆為伴的生活，心懷成為五星大廚的夢(mèng)想。　　一個(gè)偶然的機(jī)會(huì)，他認(rèn)識(shí)了古斯特餐廳的學(xué)徒林奎尼，這個(gè)倒霉的學(xué)徒生性害羞，在廚藝上更是沒(méi)有什么天賦，并且遭到餐廳大廚的排擠，即將被解雇。這一人一鼠結(jié)成了奇特的聯(lián)盟：雷米奉獻(xiàn)自己極富創(chuàng)造力的大腦。操作林奎尼前臺(tái)“表演”?！　≡诶酌椎膸椭?，林奎尼不但成為新的“天才廚師”，獲得了美女同事的愛(ài)情，還挫敗了大廚的陰謀，成為古斯特餐廳的合法繼承人。突如起來(lái)的成功讓林奎尼有些不知所措，想擺脫自己的傀儡身份，把雷米趕出了廚房?！　」潘固夭蛷d的成功，引起了苛刻的美食評(píng)論家科隆的注意，準(zhǔn)備一嘗林奎尼的手藝，重新為餐廳評(píng)定星級(jí)；而不甘失敗的前大廚，蠢蠢欲動(dòng)，想要找到林奎尼一夜成名的秘密。失去了雷米，林奎尼該如何面對(duì)這些問(wèn)題……