瑞典少女

5.2 播放：62萬 更新：2026-04-29

講述了一個16歲的女孩兒從鄉(xiāng)下到城市拜訪自己的姐姐，其間萌發(fā)了性意識的故事... 克莉絲汀 middot;林德伯格 Christina Lindberg，號稱是斯堪的納維亞半島的性感女神，標(biāo)準(zhǔn)的天使面孔魔鬼身材，70年代歐洲最性感的女星。 Christina Lindberg說這是她的第一部電影，她是在海灘被星探發(fā)現(xiàn)的（以她的身材在海灘瞎子才看不到她），拍這部電影的時候還不到18歲，她說并不是很介意裸露，L體沒有使她不自在。她也是第一次才知道原來電影里的大多數(shù)裸露鏡頭就是真的是......... 　　

播放通道

詳細(xì)簡介

講述了一個16歲的女孩兒從鄉(xiāng)下到城市拜訪自己的姐姐，其間萌發(fā)了性意識的故事... 克莉絲汀 middot;林德伯格 Christina Lindberg，號稱是斯堪的納維亞半島的性感女神，標(biāo)準(zhǔn)的天使面孔魔鬼身材，70年代歐洲最性感的女星。 Christina Lindberg說這是她的第一部電影，她是在海灘被星探發(fā)現(xiàn)的（以她的身材在海灘瞎子才看不到她），拍這部電影的時候還不到18歲，她說并不是很介意裸露，L體沒有使她不自在。她也是第一次才知道原來電影里的大多數(shù)裸露鏡頭就是真的是......... 　　

同類推薦

有情感的機器人

巴萊特·奧利佛,瑪麗·貝絲·赫特,邁克爾·麥基恩,Kathryn Walker

　　一名叫達(dá)爾的走失男孩被小鎮(zhèn)人們發(fā)現(xiàn)，由于沒人認(rèn)領(lǐng)，他被帶到福利院。經(jīng)過檢查，醫(yī)生發(fā)現(xiàn)他身體各項機能正常，而且智商很高，只是失去了一部分的記憶?！　∵_(dá)爾被安排暫時居住在安迪家。安迪和妻子喬依斯一直希望能夠領(lǐng)養(yǎng)一個孩子，達(dá)爾的到來令他們異常興奮。在相處的過程中，達(dá)爾和鄰居家的小男孩特塔成為了非常要好的朋友，他們一起上學(xué)、一起玩耍、一起為安迪的棒球隊贏得了勝利，大家都覺得達(dá)爾是個非常聰明而且惹人喜愛的男孩。　　忽然有一天，兩個自稱是達(dá)爾父母的人來接走了達(dá)爾，這令安迪全家和特塔非常傷心。達(dá)爾也對他們產(chǎn)生了深厚的感情，戀戀不舍地離開了安迪家?！　∈聦嵣线_(dá)爾是一個在大腦中被植入芯片的機器人，但他現(xiàn)在具備了一個正常孩子的一切生理機能。來接他的也并非他的父母，而是制造他的博士。博士被達(dá)爾和安迪他們的深厚情感所感動，他希望達(dá)爾能像正常孩子一樣生活，但國家的高級官員卻要求摧毀達(dá)爾。博士在同事的配合下，將達(dá)爾帶出試驗基地，遭到警察的追擊，途中博士為了掩護(hù)達(dá)爾中彈身亡?！　∵_(dá)爾潛入空軍基地，開著戰(zhàn)斗機向安迪家的方向飛去?？哲娀氐孛孢b控飛機在飛行過程中自動摧毀，達(dá)爾彈出飛機，降落在安迪家旁邊的湖中。達(dá)爾終于回到了屬于他的“家”中。

看護(hù)中

李裕英,芮秀貞,廉惠蘭,尹敬浩

　　晴仁（李裕英飾）的母親十年前成為了植物人，長時間獨自照顧、看護(hù)母親讓她身心俱疲。代號為“看護(hù)中”（李裕英飾）的護(hù)工機器人不僅幫助晴仁照顧母親，也成為了悉心照料自己的好幫手。然而，看似只聽人類指揮的機器人卻產(chǎn)生了自己的苦惱，它認(rèn)為：“只有一人死去，另一人才能活”……　　《看護(hù)中》曾是科幻系列電視劇《SF8》中的一部，在播映后獲得空前關(guān)注，于是決定正式在院線上映。

等待方舟

耶日·斯圖爾,克里斯提娜·楊達(dá),卡里娜·謝魯斯克,馬里烏什·德莫霍夫斯基,馬雷克·瓦爾切夫斯基,揚·諾維茨基,亨里克·比斯塔,萊昂·涅姆奇克,克茲佐夫·馬扎克,斯坦尼斯瓦夫·伊加爾

　　Set in an underground dungeon inhabited by bundled, ragged human beings, after the nuclear holocaust. The story follows the wanderings of a hero through the situations of survival. People wait for the Ark to arrive and rescue them while their habitat falls apart.　　Delving deep into the dusty and long abandonded vaults of b-cinema in search of lost gems always leaves me with a bittersweet taste. On one hand the discovery of unexpected gems where no one would think them possible is a rewarding experience. On the other hand though it makes one wonder how many of these remarkable low-budget oddities, personal love affairs of directors never quite famous and now all but forgotten, have almost forever slipped from memory?　　n any case what we have here is a little post-apocalyptic gem from Poland that is really better than it has any right to. The dystopian near future of O-BI, O-BA finds a group of survivors of the nuclear war that ravaged the Earth inhabiting an underworld concrete bunker and biding their time as they wait for the mysterious Ark, an air ship of some kind that will come and save them. The Ark proves to be an elaborate hoax, carefully designed to give hope to the malnourished and desperate denizens of the bunker, while in the meantime the dome that separates their miserable existence from the nuclear winter outside is slowly caving in.　　What first striked me about the movie is the design of the bunker and the depiction of the survivors. The survivors are gaunt, filthy and terrible-looking penitents, dressed in rags and aimlessly wandering the neon-lit halls of the bunker like automatons. The bunker is a rundown, seedy place, with bright neon lights peering from all sides like the eyes of malignant beasts.　　On one hand it is a slightly 80's depiction of the dystopian future but the movie never stoops down to MAD MAX cheese. Instead it combines biting political satire with the bleak outlook of a world with no future, black comedy with barbs on apathy, religion and power. The survivors, for example, are fed some kind of flour dropping from a tube that hovers in the air - later on we discover the food supervisor uses books and the Bible itself as filler for this meagre meal. There are many such short symbolic touches, perhaps not life-changing or faith-restoring, yet playful, clever and inspired.　　One thing is for sure; O-BI, O-BA is not your run-of-the-mill sci-fi schlock. It overcomes its modest budget with creativity and has genuine artistic aspirations both from a writing and directing perspective. My opinion is that it should have been filmed in black and white instead of colour though. The director uses atmospheric light and shadow to great effect and it would have registered even better in stark black and white. The blue-green neon on the other hand outstays its welcome after a while. Just a minor gripe in an otherwise solid b-movie with its heart set in all the right places.　　Imagine a less bleak THE ROAD (Cormac McCarthy) being injected with the satire and humour of DR.STRANGELOVE and you're getting there. See it if you can find it.

賭俠大戰(zhàn)拉斯維加斯

劉德華,張家輝,陳百祥,林熙蕾,郁芳,萬梓良,李菲,王晶,南燕

　　合力擊敗馬交文之后，king（劉德華 飾）與化骨龍（張家輝 飾）聯(lián)合化骨龍的表哥阿叻（陳百祥 飾）騙取了惡人大眼文一筆錢。當(dāng)他們打算享受一番之際，大眼文把化骨龍抓走了。King與阿叻則被警方帶到與中方高層見面，他們被派往拉斯維加斯捉拿大老千Peter朱（萬梓良 飾）。為了得到巨款拯救化骨龍，king接受了這次任務(wù)，前往拉斯維加斯。　　在拉斯維加斯，小心（郁芳 飾）與阿扁（林熙蕾 飾）一心想找到金龜婿，后來加入了king的老千行列。終于他們遇到了Peter，兩人互相欺騙更多次交手，敵意漸生?！　ing用阿扁做餌勾引Peter成功，他們經(jīng)由沙漠公路到洛杉磯，途中Peter極力逃脫。眾人在沙漠奮力搏斗。Peter的手下竟然用直升機拯救，幸好king神機妙算，順利把Peter帶回香港。

超暴力機斗

Ben Naasz,Teddy Ca?ez,Jennifer Sydney

　　主要講述了未來世界人與機械武器之間的愛恨情仇。