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劇情提要
一個女人目睹了一樁命案暫無內(nèi)容暫無內(nèi)容可惜真正的殺人兇手就是.......卡羅維發(fā)利
暗夜精選
河流如血
泰雅·迪格斯,約翰·庫薩克,喬治·洛佩茲,盧克·海姆斯沃斯,Gianni Capaldi,布萊恩娜·伊維根,RJ·米特,Steven Berrebi,賈克琳·弗萊明,陶竤,伊薇特·帕里什吸血夜驚魂
麥克·道爾,艾斯黛拉·沃倫,馬西莫·多布羅維奇,喬納森·斯卡奇,比利·布萊爾,瑪麗安娜·寶拉·韋森特,Danny Agha外出時刻
羅蘭·拉斐特,埃馬紐埃爾·貝克特,帕斯卡爾·格雷戈里,格雷戈里·蒙泰爾,安娜·盧瓦雷,Cyrille Hertel,盧安娜·巴杰拉米,Victor Bonnel,格林奇,托馬斯·西梅卡,蓋伊·托馬斯,Véronique Ruggia瘟疫
喬爾·埃哲頓,埃利奧特·赫弗南,埃弗雷特·布倫克,凱奧·馬丁,肯尼·羅斯牧森,盧卡斯·阿德勒,科爾頓·李,Kolton Lee線人1973
羅伯特·米徹姆,彼得·博伊爾,理查德·喬丹,史蒂文·基茨,阿歷克斯·羅克,喬·桑托斯,米奇·瑞恩,Peter MacLean,凱文·歐莫里森,Marvin Lichterman,卡羅琳·皮克曼,詹姆斯·托根,瑪格麗特·拉德,馬修·考爾斯,Helena Carroll,杰克·基歐,Jan Egleson,Michael McCleery,Robert Anthony,Gustave Johnson沒問題2021
梁龍,徐潔兒,范帥琦,賈天明,王宏偉,遲志強(qiáng),鄒德江,丁鶴,黃靖芯,謝昀杉,大兵鐵拳硬漢
徐少強(qiáng),郜喬,邱彬幕后花絮
賭俠1999
阿king(劉德華 飾)當(dāng)年因出千被捕,事實上他是被人陷害的。出獄時他為他接風(fēng)的是崇拜他已久的化骨龍(張家輝 飾),化骨龍是個終日無所事事的人,希望能跟著king有所作為。出獄后的king到處尋找已懷孕的妻子(張慧儀 飾),與當(dāng)日的得力助手(張錦程 飾), 后來King與化骨龍妹妹晴(朱茵 飾)產(chǎn)生了好感?! ing得到Rocky(吳志雄 飾)的幫助上了賭船,碰見了多年前便想交手的馬交文(高捷 飾),king想與之一決高低,卻遭到馬交文的手下省鏡(李子雄 飾)陷害,揭開了king的底細(xì)更想進(jìn)一步迫害king,king又能否躲過劫數(shù)呢?
好像一切都很糟糕
Ay?e, Ali, Mehmet and Zeynep are middle-class millennials struggling to make ends meet in Istanbul. Either still living with their parents or hardly getting by without help from their families, they are all beset by similar woes: money crunch, joblessness, social isolation. In view of the world’s horrors that Zeynep enumerates in her diary entries, these are minor problems, ‘slight disasters’, but they are all-consuming, at least to the extent of making them cry in the still of the night. However, Umut Subasi’s first feature, Almost Entirely a Slight Disaster, is not a melodrama. With an appealingly light touch, it diagnoses the malaise of a generation that has run up against a dead end, one whose future prospects are indistinguishable from a game of chance. This is a world where astrology, the lottery and online personality tests compete with visa and job applications as life-shaping elements. Fittingly, the film is structured around chance and coincidence, with its handful of characters encountering each other in every permutation, as though there were no world outside this small social bubble. With self-aware, frontal framing that pins characters to their surroundings and a counterintuitive musical score that turns pathos into humour, Subasi offers a social-media movie without social media, one whose characters are united in their double lives and frustrated desires. 源自:https://iffr.com/en/iffr/2023/films/almost-entirely-a-slight-disaster