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鬼鏡
基弗·薩瑟蘭,寶拉·巴頓,Cameron Boyce,Erica Gluck,艾米·斯馬特錯誤指控
萊斯利·尼爾森,理查德·克里納,凱莉·勒布洛克,美琳達·麥格勞,麥克爾·約克,桑德拉·伯恩哈德,艾倫·坡爾,本杰明·拉特納,杰拉德·普倫科特,鄧肯·弗雷澤,John Walsh,Chick Hearn,瑪麗·布萊克,阿萊克斯·迪亞坤,阿德里安·多瓦爾,埃莉·哈維,Charles Payne,帕特·普羅夫特,薇娜·蘇德,比爾·塔爾林,Shari Lewis義務(wù)警員
奧利維亞·王爾德,摩根·斯佩克特,凱爾·凱特萊特,托妮·帕塔諾,貝特西·艾頓,切麗絲·迪倫,朱迪·馬爾特,C·J·威爾遜,查克·庫珀,馬塞林·休格特,佩奇·瑞亞,埃斯特凡妮婭·特杰達,貝弗利·阿特金森,希瑟·哈金斯,麗貝卡·斯皮羅,大衛(wèi)·尚布里斯,吉姆·福特,J·D·威廉姆斯,馬格特·賓漢,瑪麗·特斯塔短暫的戀情
瓦萊麗亞·戈利諾,皮拉爾·福格莉亞蒂,阿德里亞諾·吉安尼尼,塞萊涅·卡拉馬扎,茱莉雅·蒙薩,Cristian Stelluti急凍奇?zhèn)b
元彪,元華,張曼玉,林聰,吳志雄,黃耀明 Anthony Wong Yiu,黎燕姍,徐錦江,元奎,王晶馬路天使
珍妮·蓋諾,查爾斯·法萊爾,娜塔莉·金斯頓,亨利·阿爾梅塔,圭多·特倫托,阿爾貝托·拉巴利亞蒂,路易斯·利格特,彌爾頓·迪克森同類推薦
DB
來自河北廊坊的說唱少年,王笑,因一次意外打架事件背負巨額欠款。王笑母親在不明真相的情況下替王笑支付了該筆欠款,王笑知道后和母親大吵一架并且決定前往北京打工還債。來到北京之后王笑接連租房受騙,感情受挫,說唱事業(yè)也無法繼續(xù)發(fā)展,而且再次欠下巨額欠款。王笑該如何面對這一切?
陰陽鏡
淮文,鄧靖弘 Jinghong Deng,江萊,張躍濱,曾廣泉,司珂華,肖沅希,王軍,李榮博宋真宗晚年,青春年少的包拯和好友公孫策,一同破獲一起塵封多年冤案。女主角月亮十多年前,全家被奸人所害,為了翻案,打聽到傳聞中陰陽鏡能斷是非真假,于是去墓地盜取,結(jié)果觸碰機關(guān)導(dǎo)致展昭被困,為了將其解救,必須破解地穴里的各種機關(guān)算術(shù)。一籌莫展的月亮剛好遇到聰慧過人的包拯,巧設(shè)伎倆利用鬼怪傳說,想引包拯去地穴救展昭。但包拯心中秉持正義、公平,從不相信鬼怪傳說,救出展昭后,月亮拿到陰陽鏡后,坦白自己一家遭奸人所害的事實,兇手還在逍遙法外。為了翻案包拯,利用陰陽鏡的傳說,使得案件重演,兇手心緒恐懼坦白從寬,認罪伏法。從此,年少的包拯一舉成名,所代表的公平、公正和正義的形象,慢慢被民眾熟知,被民眾所擁戴。
等待方舟
耶日·斯圖爾,克里斯提娜·楊達,卡里娜·謝魯斯克,馬里烏什·德莫霍夫斯基,馬雷克·瓦爾切夫斯基,揚·諾維茨基,亨里克·比斯塔,萊昂·涅姆奇克,克茲佐夫·馬扎克,斯坦尼斯瓦夫·伊加爾Set in an underground dungeon inhabited by bundled, ragged human beings, after the nuclear holocaust. The story follows the wanderings of a hero through the situations of survival. People wait for the Ark to arrive and rescue them while their habitat falls apart. Delving deep into the dusty and long abandonded vaults of b-cinema in search of lost gems always leaves me with a bittersweet taste. On one hand the discovery of unexpected gems where no one would think them possible is a rewarding experience. On the other hand though it makes one wonder how many of these remarkable low-budget oddities, personal love affairs of directors never quite famous and now all but forgotten, have almost forever slipped from memory? n any case what we have here is a little post-apocalyptic gem from Poland that is really better than it has any right to. The dystopian near future of O-BI, O-BA finds a group of survivors of the nuclear war that ravaged the Earth inhabiting an underworld concrete bunker and biding their time as they wait for the mysterious Ark, an air ship of some kind that will come and save them. The Ark proves to be an elaborate hoax, carefully designed to give hope to the malnourished and desperate denizens of the bunker, while in the meantime the dome that separates their miserable existence from the nuclear winter outside is slowly caving in. What first striked me about the movie is the design of the bunker and the depiction of the survivors. The survivors are gaunt, filthy and terrible-looking penitents, dressed in rags and aimlessly wandering the neon-lit halls of the bunker like automatons. The bunker is a rundown, seedy place, with bright neon lights peering from all sides like the eyes of malignant beasts. On one hand it is a slightly 80's depiction of the dystopian future but the movie never stoops down to MAD MAX cheese. Instead it combines biting political satire with the bleak outlook of a world with no future, black comedy with barbs on apathy, religion and power. The survivors, for example, are fed some kind of flour dropping from a tube that hovers in the air - later on we discover the food supervisor uses books and the Bible itself as filler for this meagre meal. There are many such short symbolic touches, perhaps not life-changing or faith-restoring, yet playful, clever and inspired. One thing is for sure; O-BI, O-BA is not your run-of-the-mill sci-fi schlock. It overcomes its modest budget with creativity and has genuine artistic aspirations both from a writing and directing perspective. My opinion is that it should have been filmed in black and white instead of colour though. The director uses atmospheric light and shadow to great effect and it would have registered even better in stark black and white. The blue-green neon on the other hand outstays its welcome after a while. Just a minor gripe in an otherwise solid b-movie with its heart set in all the right places. Imagine a less bleak THE ROAD (Cormac McCarthy) being injected with the satire and humour of DR.STRANGELOVE and you're getting there. See it if you can find it.
清算
高捷,姜皓文,侯桐江,湛佳明 Jiaming Zhan,張榮祥 Cheung Wing-Cheung,屈剛,張媛鈺,賈天明,景樂,韓則怡 Zeyi Han,武岳 Yue Wu,張懷公,洪子龍 Zilong Hong,劉浩嵐 Haolan Liu,劉開心 Kaixin Liu黃浦江畔,殺機四伏,規(guī)則是否能由“她”重寫?刀光里是黑幫的血腥,陰影下是性別枷鎖的崩裂——多年銀幕未見之大女主暴力爽片?! ∨P龍幫少主武青青,家族遭戮,自身遭叛,從獵物化身獵手;她隱于暗處,每一張笑臉背后,都可能藏著致命的匕首,日本商會登堂入室,內(nèi)鬼隱匿于至親之間,無間道中再掀無間,信任是奢侈品,每一步都是懸崖!她將如何撕下那一張張?zhí)搨蚊婢??奸,是叛幫之徒,是入侵之?dāng)常€是枕邊之人? 風(fēng)暴已至,“除奸”成為唯一信條……
金屬之聲
里茲·阿邁德,奧利維亞·庫克,保羅·拉西,勞倫·利德洛夫,馬修·阿馬立克,克里斯·佩爾費蒂,邁克爾·陶,威廉·澤法爾茨,亞歷克斯·基爾戈爾,杰米·加扎里安一個搖滾樂隊的鼓手(里茲·阿邁德)突然發(fā)現(xiàn)自己失聰,他的樂隊搭檔露(奧利維亞·庫克)和他都很懊惱,但又不得不面對這殘酷的現(xiàn)實。影片去年在多倫多電影節(jié)首映,作為導(dǎo)演處女作獲得媒體好評。