引誘

★ 3.8 播放：30萬(wàn) 更新：2026-04-27

A young female journalist gets a chance to follow a famous football star for three days to write an article about him, as her first assignment. What seems at first like a lavish, luxurious lifestyle turns into a dangerous situation.

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劇情簡(jiǎn)介

A young female journalist gets a chance to follow a famous football star for three days to write an article about him, as her first assignment. What seems at first like a lavish, luxurious lifestyle turns into a dangerous situation.

導(dǎo)演精選

得閑謹(jǐn)制

　　機(jī)械廠鉗工莫得閑（肖戰(zhàn) 飾）拖家?guī)Э陔S逃難隊(duì)伍躲進(jìn)山區(qū)，與被大部隊(duì)遺忘的防空炮長(zhǎng)肖衍（彭昱暢 飾）及手下在“戈止鎮(zhèn)”落腳。然而，莫得閑和妻子夏橙（周依然 飾）、老太爺（楊新鳴 飾）以及兒子莫等閑（嚴(yán)知度 飾）的平靜生活因?yàn)橐恍￡?duì)日本偵察兵的意外到來(lái)被打破。全鎮(zhèn)百姓不忍不退，拼死守護(hù)家園，一場(chǎng)民間智慧對(duì)抗正規(guī)武裝的殊死較量轟然展開(kāi)。

QB壞男孩和我2

　　Star QB Drayton and dancer Dallas face relationship challenges amid his recovery from a setback and her doubts about her future. Their bond strains as they deal with distance and personal changes.

好像一切都很糟糕

Ay?e, Ali, Mehmet and Zeynep are middle-class millennials struggling to make ends meet in Istanbul. Either still living with their parents or hardly getting by without help from their families, they are all beset by similar woes: money crunch, joblessness, social isolation. In view of the world’s horrors that Zeynep enumerates in her diary entries, these are minor problems, ‘slight disasters’, but they are all-consuming, at least to the extent of making them cry in the still of the night. 　　However, Umut Subasi’s first feature, Almost Entirely a Slight Disaster, is not a melodrama. With an appealingly light touch, it diagnoses the malaise of a generation that has run up against a dead end, one whose future prospects are indistinguishable from a game of chance. This is a world where astrology, the lottery and online personality tests compete with visa and job applications as life-shaping elements. 　　Fittingly, the film is structured around chance and coincidence, with its handful of characters encountering each other in every permutation, as though there were no world outside this small social bubble. With self-aware, frontal framing that pins characters to their surroundings and a counterintuitive musical score that turns pathos into humour, Subasi offers a social-media movie without social media, one whose characters are united in their double lives and frustrated desires. 　　源自：https://iffr.com/en/iffr/2023/films/almost-entirely-a-slight-disaster