奪命裙

看不見(jiàn)的他們

　　一場(chǎng)車(chē)禍后，林月家里怪事連連，全身冰冷的姐姐，鏡子里看不見(jiàn)家人的身影，黑夜里爸爸窺探的雙眼，每天凌晨閣樓傳來(lái)的彈珠聲，林月循聲而上，當(dāng)閣樓的門(mén)被打開(kāi)，卻發(fā)現(xiàn)里面緊鎖的卻是自己的遺像……

火箭手

　　《火箭人》（The Rocketeer）是迪士尼１９９１年推出的電影，故事題材是由 Dave Stevens 同名的圖文小說(shuō)改編而成?！　”酒前l(fā)生在１９３０年代的好萊塢，有一個(gè)軍方的秘密武器意外落在一位競(jìng)技表演飛行員 Cliff Secord 手中，他對(duì)此一推進(jìn)器頗感驚奇， 最后他背上了這付怪東西、戴上面具，成了行俠仗義的『火箭人』，然而各方人馬都想奪得這項(xiàng)秘密武器，尤其有一位好萊塢影壇的知名男演員 Neville Sinclair ，他其實(shí)是納粹潛伏在好萊塢的情報(bào)份子，為了奪得火箭，他還挾持了 Cliff 的女友 Jenny Blake，火箭人 Cliff 于是展開(kāi)他的救援行動(dòng)?！　”酒伞队H愛(ài)的我把孩子縮小了》、《野蠻游戲》、《侏羅紀(jì)公園３》以及《百勝天龍》影集的知名導(dǎo)演 Joe Johnston 所執(zhí)導(dǎo)，他同時(shí)也是《星際大戰(zhàn)》系列的特效大師。至于演員方面，男主角 Cliff 由 Bill Campbell 擔(dān)任，女主角則是 Jennifer Connelly，至于片中那位大反派間諜演員，則是由曾演過(guò)００７的 Timothy Dalton 擔(dān)任?！　”酒錁?lè)的是 James Horner ，原本原聲帶都已經(jīng)絕版多年，但在前幾年《鐵達(dá)尼號(hào)》造成發(fā)燒的時(shí)候， James Horner 的作品又造成熱潮，迪士尼旗下的好萊塢唱片于是再版發(fā)行了這張電影原聲帶，如今則又絕版了。

沖動(dòng)2023

　　一位內(nèi)向的俄羅斯父親和十幾歲的女兒住在一輛面包車(chē)?yán)铩Ｃ姘?chē)裝著他們的全部生活，包括一套電影放映設(shè)備。那是他們微薄收入的來(lái)源。這對(duì)無(wú)名的父女從南到北，在他們廣闊國(guó)家的極端氣候中漫游。

等待方舟

　　Set in an underground dungeon inhabited by bundled, ragged human beings, after the nuclear holocaust. The story follows the wanderings of a hero through the situations of survival. People wait for the Ark to arrive and rescue them while their habitat falls apart.　　Delving deep into the dusty and long abandonded vaults of b-cinema in search of lost gems always leaves me with a bittersweet taste. On one hand the discovery of unexpected gems where no one would think them possible is a rewarding experience. On the other hand though it makes one wonder how many of these remarkable low-budget oddities, personal love affairs of directors never quite famous and now all but forgotten, have almost forever slipped from memory?　　n any case what we have here is a little post-apocalyptic gem from Poland that is really better than it has any right to. The dystopian near future of O-BI, O-BA finds a group of survivors of the nuclear war that ravaged the Earth inhabiting an underworld concrete bunker and biding their time as they wait for the mysterious Ark, an air ship of some kind that will come and save them. The Ark proves to be an elaborate hoax, carefully designed to give hope to the malnourished and desperate denizens of the bunker, while in the meantime the dome that separates their miserable existence from the nuclear winter outside is slowly caving in.　　What first striked me about the movie is the design of the bunker and the depiction of the survivors. The survivors are gaunt, filthy and terrible-looking penitents, dressed in rags and aimlessly wandering the neon-lit halls of the bunker like automatons. The bunker is a rundown, seedy place, with bright neon lights peering from all sides like the eyes of malignant beasts.　　On one hand it is a slightly 80's depiction of the dystopian future but the movie never stoops down to MAD MAX cheese. Instead it combines biting political satire with the bleak outlook of a world with no future, black comedy with barbs on apathy, religion and power. The survivors, for example, are fed some kind of flour dropping from a tube that hovers in the air - later on we discover the food supervisor uses books and the Bible itself as filler for this meagre meal. There are many such short symbolic touches, perhaps not life-changing or faith-restoring, yet playful, clever and inspired.　　One thing is for sure; O-BI, O-BA is not your run-of-the-mill sci-fi schlock. It overcomes its modest budget with creativity and has genuine artistic aspirations both from a writing and directing perspective. My opinion is that it should have been filmed in black and white instead of colour though. The director uses atmospheric light and shadow to great effect and it would have registered even better in stark black and white. The blue-green neon on the other hand outstays its welcome after a while. Just a minor gripe in an otherwise solid b-movie with its heart set in all the right places.　　Imagine a less bleak THE ROAD (Cormac McCarthy) being injected with the satire and humour of DR.STRANGELOVE and you're getting there. See it if you can find it.

別怕，是我

雙瞳

 由于兩年前揭發(fā)同僚貪污，臺(tái)北警官黃火土（梁家輝）被上級(jí)報(bào)復(fù)調(diào)入冷門(mén)的外事組工作，利益也曾連帶受損的新同事對(duì)他怒言相向，加上妻子清芳（劉若英）受不了他長(zhǎng)期不回家要求離婚，黃火土感覺(jué)他的世界正在逐漸四分五裂。就在此時(shí)，三宗受害者的身份并無(wú)關(guān)聯(lián)的震驚了臺(tái)灣社會(huì)的離奇命案發(fā)生，法醫(yī)（楊貴媚）驗(yàn)尸發(fā)現(xiàn)他們都是因中一種神秘的黑霉菌產(chǎn)生幻覺(jué)而死，因?yàn)槿狈Υ朔矫娴娜瞬?，?dāng)局從美國(guó)請(qǐng)來(lái)此種案例的偵辦專(zhuān)家凱文萊特（David Morse）協(xié)助破案，黃火土重被任用。隨著一樁令所有人都目瞪口呆的事實(shí)的被發(fā)現(xiàn)，一場(chǎng)圍繞政治利益與民眾利益的斗爭(zhēng)也在黃火土和辦案伙伴李豐博（戴立忍）及整個(gè)警察隊(duì)伍之間展開(kāi)。