在線播放
劇情簡介
不滿足于與男友的關(guān)系,智熙通過姐姐美妍的介紹,在出差時接受了一次按摩服務(wù)。自此之后,智熙上癮了,癡迷于出差期間享受到的特殊按摩服務(wù)。
同類好片
圍困3
尤里·索洛明,葉甫蓋尼·列別杰夫,伊琳娜·阿庫洛娃,弗拉季斯拉夫·斯特爾熱利奇克,亞歷山大·拉辛,鮑里斯·戈爾巴托夫,謝爾蓋·哈欽科,Roman Gromadsky,Aleksei Presnetsov,米哈伊爾·烏里揚諾夫,丹尼爾·薩加爾,Stanislav Fesyunov,Vladimir Voronov,列夫·佐洛圖欣,Igor Komarov,Gerbert Dmitriev,German Khovanov,Oleg Khromenkov,Rudolf Chelishchev,Vladimir夜逃屋本鋪2
中村雅俊,高木美保,益岡徹,中島陽典,風(fēng)間杜夫,松居一代,中山忍,余貴美子食人晚宴
Alexandra Lesch,Kristiana Rohder,Lara Baum青出于藍2025
索菲婭·莉莉絲,戴夫·巴蒂斯塔,鮑比·坎納瓦爾,凱特·德爾·卡斯蒂洛,杰克·尚皮永,托尼·達爾頓,布魯·德爾·巴里奧,印達·納瓦雷特,惠特尼·皮克,澤爾·亞當(dāng)斯孩子們安好
卡米爾·科坦,莫妮亞·喬柯里,朱麗葉·阿曼尼特,Mano? Varvat,Nina Birman,紀堯姆·谷伊,瑪麗亞姆·阿赫迪歐,弗蘭基·瓦拉赫,Tania Dessources,Camille Lethuillier,馬克西姆·施邦古,Zoé Briau,Jean-Fran?ois Hoche,Pauline Roux,阿麗亞娜·納齊里,Zakariya Gouram,Anna-Marie Filippi,Zbigniew Jankowski,William Louis,Jean-René Stani怪物2023
安藤櫻,永山瑛太,黑川想矢,柊木陽太,高畑充希,角田晃広,中村獅童,田中裕子導(dǎo)演精選
父影之下
雷米與阿金這對小哥倆,終得與疏離多年的父親弗拉林共享難得一日。三人游走在初次相見的巨型都市拉各斯,少年窺見鋼筋森林的奇觀,亦目睹父親謀生路上的重重難關(guān)。此刻整座城市正籠罩在1993年總統(tǒng)大選結(jié)果的巨大陰云之下,而父子三人的歸家之路,竟也成了選票漩渦中飄搖的未知數(shù)。
馬騰你別走
沒錢沒愛還沒心沒肺的馬騰(林更新 飾)人近中年一事無成,是旁人眼里公認的“廢柴”!鋼廠退休骨干老林(李幼斌 飾)遵守鐵打的紀律活了一輩子本該安享晚年,身體和心理卻雙雙“亮起紅燈”!本無生活交集的兩人因為一場歪打正著的護工面試相遇,展開了一段啼笑皆非的有趣互救。老林為求解脫,將“協(xié)助自殺”的希望寄托在這個不靠譜的護工身上。馬騰雖然想賺錢完成女兒的心愿,但無膽害命,只能發(fā)揮自己的樂觀心態(tài)在日常中提供情緒價值給老林。二人在一段特殊的旅途中建立起生死友誼,于病痛與死亡的陰影里找到了活下去的小小微光,攜手大膽迎接未知的生活。
公寓2024
Following her mother’s death, manga artist Soriya travels to her ancestral home in Phnom Penh, with hopes of reconnecting with her distant family and using the visit as inspiration for her work. All goes well initially. Renting an apartment in Metta, a rundown Khmer Rouge-era housing complex, her visit to her maternal relatives finds her welcomed with open arms. But Soriya’s waking hours in the apartment and its surroundings are punctuated by terrifying, bloody visions, almost as though she were a conduit for horrors of the past wanting to seep into the present. Inrasothythep Neth and Sokyou Chea’s blood-chilling psychological horror explores a personal and political past through the present, transforming a characterful space into an insidious environment. Surrounded by modern high-rises, this decrepit structure, with its brutalist architecture and peeling surfaces, is a relic from a dark period in history whose painful memories it has absorbed. In tracing Soriya’s ominous journey back to her roots, Tenement hints at a necessary reckoning with Cambodia’s political past without overplaying its historical dimension. It’s an impressive work from a woefully underrepresented national cinema.