敦煌夜譚
;好一部人鬼戀,水袖的飄忽,漫妙的歌曲,美麗的構(gòu)圖, 加上敦煌莫高窟的氣勢,使《敦煌夜譚》更具可觀性。 瓜川節(jié)度使李懷讓因憶亡女,遂請名畫師桑子明為其女兒畫供養(yǎng)人像。 因桑之畫稿被人涂改及洞中有紅項黑背花面狐貍出現(xiàn),助手于飛遂勸師父謹慎,但桑一笑置之。一夜,風狂雨暴,閃電雷鳴,桑在洞外樹林中救回一女子,自稱蓮香,乃敦煌鎮(zhèn)上名妓,容貌冶艷蝕骨,在她的勾引下,桑遂與她共寢。 數(shù)日后,蓮香有事離去,桑在月牙泉邊撿回一張古琴,入夜,桑 擲弄琴弦,琴聲引來一妙齡少女,自言是李懷讓侄女李燕兒,認得此琴,并邊撫邊唱,訴說知音難覓。燕兒能扶琴,更善舞,婀娜多姿,桑被其迷,終夜歡娛,至五更始離去。 蓮香返回,見桑子明面色晦黯,一身鬼氣,問清原由,設計困住李燕兒。燕兒訴說哀腸,謂乃李懷讓已亡之女李燕兒,因羨慕人生,不甘為鬼,暗中隨父前來,不料遇桑郎一見傾心,并無害人之意。言罷,聲淚俱下。蓮香受其感動,表示愿意成全他倆好事。 蓮香攜燕兒魂游地府,用財色買通判官身邊小鬼,偷看生死簿,巧使借尸還魂去,使用權(quán)燕兒再世人生。 浩浩蕩蕩的迎親行列中,桑子明與燕兒互相偎依,蓮香漸漸隱去,登敦煌城上,遙望結(jié)婚隊伍遠去,空留漫漫黃沙,無邊瀚海。
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靈幻夾克
艾德里安·布洛迪,凱拉·奈特莉,克里斯·克里斯托佛森,詹妮弗·杰森·李,丹尼爾·克雷格,凱莉·林奇,布拉德·蘭弗洛,斯蒂文·麥金托什,布蘭登·柯伊爾,麥肯茲·菲利浦斯,勞拉·馬蘭洛,詹森·劉易斯,喬哈·羅坦,安琪兒·庫碧時空的轉(zhuǎn)換,現(xiàn)在與未來的穿梭,都在杰克(亞德里安·布洛迪 Adrien Brody 飾)身上神奇的發(fā)生著。他本來是一個參與過海灣戰(zhàn)爭的美國軍人。意外中彈令他喪失了記憶,成為一個失憶者。繼而更倒霉的是,他被警方認作殺人疑犯拉回審訊。因為判定為精神疾病,杰克免于坐牢,只是被帶到精神病院,作為某項科學實驗的樣品。 醫(yī)生為杰克穿上了緊身衣物,把他放進停尸間。這里黑暗冰冷,只剩下零散的記憶碎片陪伴杰克。碎片中有著他將來的模樣,有著一個心愛的叫杰基(凱拉·奈特利 Keira Knightley飾)的女子,更有著自己快要死去的訊息。在記憶中看到將來的杰克,在一線希望中尋找著通往生機的鑰匙。
等待方舟
耶日·斯圖爾,克里斯提娜·楊達,卡里娜·謝魯斯克,馬里烏什·德莫霍夫斯基,馬雷克·瓦爾切夫斯基,揚·諾維茨基,亨里克·比斯塔,萊昂·涅姆奇克,克茲佐夫·馬扎克,斯坦尼斯瓦夫·伊加爾Set in an underground dungeon inhabited by bundled, ragged human beings, after the nuclear holocaust. The story follows the wanderings of a hero through the situations of survival. People wait for the Ark to arrive and rescue them while their habitat falls apart. Delving deep into the dusty and long abandonded vaults of b-cinema in search of lost gems always leaves me with a bittersweet taste. On one hand the discovery of unexpected gems where no one would think them possible is a rewarding experience. On the other hand though it makes one wonder how many of these remarkable low-budget oddities, personal love affairs of directors never quite famous and now all but forgotten, have almost forever slipped from memory? n any case what we have here is a little post-apocalyptic gem from Poland that is really better than it has any right to. The dystopian near future of O-BI, O-BA finds a group of survivors of the nuclear war that ravaged the Earth inhabiting an underworld concrete bunker and biding their time as they wait for the mysterious Ark, an air ship of some kind that will come and save them. The Ark proves to be an elaborate hoax, carefully designed to give hope to the malnourished and desperate denizens of the bunker, while in the meantime the dome that separates their miserable existence from the nuclear winter outside is slowly caving in. What first striked me about the movie is the design of the bunker and the depiction of the survivors. The survivors are gaunt, filthy and terrible-looking penitents, dressed in rags and aimlessly wandering the neon-lit halls of the bunker like automatons. The bunker is a rundown, seedy place, with bright neon lights peering from all sides like the eyes of malignant beasts. On one hand it is a slightly 80's depiction of the dystopian future but the movie never stoops down to MAD MAX cheese. Instead it combines biting political satire with the bleak outlook of a world with no future, black comedy with barbs on apathy, religion and power. The survivors, for example, are fed some kind of flour dropping from a tube that hovers in the air - later on we discover the food supervisor uses books and the Bible itself as filler for this meagre meal. There are many such short symbolic touches, perhaps not life-changing or faith-restoring, yet playful, clever and inspired. One thing is for sure; O-BI, O-BA is not your run-of-the-mill sci-fi schlock. It overcomes its modest budget with creativity and has genuine artistic aspirations both from a writing and directing perspective. My opinion is that it should have been filmed in black and white instead of colour though. The director uses atmospheric light and shadow to great effect and it would have registered even better in stark black and white. The blue-green neon on the other hand outstays its welcome after a while. Just a minor gripe in an otherwise solid b-movie with its heart set in all the right places. Imagine a less bleak THE ROAD (Cormac McCarthy) being injected with the satire and humour of DR.STRANGELOVE and you're getting there. See it if you can find it.
超渡
王欣,陳立謙,張嘉殷,李子昭沒有任何人氣的鬼怪小說作家嚴冬自命不凡,雖然專寫靈異題材,但是卻從不相信世上有鬼。他的經(jīng)紀人兼好友包勁希望他能盡快寫出真正恐怖且吸引人的作品,為此和他打賭世上到底有沒有鬼。兩人來到鄉(xiāng)下,在專門為他人做法事的三姐的庵堂住了下來。三姐的徒弟們活潑三八,獨有沉默的阿樂不與眾人為伍。阿樂自幼擁有天眼,能夠看到另一個世界的眾生,為了不惹麻煩上身而小心回避他們。另一方面,嚴冬在包勁和女孩們的幫助下終于見到了鬼,卻險些嚇破膽,關(guān)鍵時刻多虧阿樂相救?! ∽源酥笏麄冊絹碓绞欤姽淼娜兆右苍絹碓蕉?,盤桓在人間的眾生希望借助他們得到超度……
尸骨袋2
皮爾斯·布魯斯南,梅利莎·喬治,安娜貝絲·吉什,阿尼卡·諾尼·羅斯,馬特·弗里沃,杰森·普雷斯利,凱特琳·卡邁克爾,彼得·麥克內(nèi)爾,威廉·沙勒特,黛博拉·艾倫,Gary Levert,Joel Freckelton,喬迪·布朗《尸骨袋》改編自斯蒂芬·金(Stephen King)的同名恐怖小說。 暢銷小說作家Mike Noonan(皮爾斯·布魯斯南 Pierce Brosnan 飾),在妻子Jo(安娜貝絲·吉什 Annabeth Gish 飾)死后,無法走出悲痛的深淵。他不斷地夢到和Jo一 起購買的緬因州湖畔別墅,夢到裝在袋子里的腐爛尸骨,夢見Jo也從裹尸袋中奔跑而出。終于他在Jo的召喚下回到了那棟詭異的別墅。在那里,他卷入了一樁年輕美貌寡婦與家財萬貫的祖父對小女孩的撫養(yǎng)權(quán)爭奪戰(zhàn),并不時遭遇神秘鬼魂的騷擾。那些不斷升級的噩夢,還有神秘鬼魂的騷擾,都讓他意識到,這個小鎮(zhèn)隱藏著一些秘密,而死去的Jo也有事情想要告訴他……
綁架2016
西耶娜·蓋爾利,威廉·B·戴維斯,梅麗·卡爾維A girl flees her orphanage in a paranoid belief that otherworldly forces are after her. She seeks refuge in the remote town of Fate, Texas, but is met with hostility. The residents are about to enter her Hell.
監(jiān)控錄像
Akaranitimetharat《幽靈人間》:一幢豪華的別墅內(nèi),年邁的主人坤桑遇刺身亡。他曾留下遺囑,將房子留給一對連體的雙胞胎姐妹花。但是條件只有一個,姐妹倆必須為祖父首領(lǐng)三天。守靈之夜,怪事頻發(fā),鬼影幢幢,殺機四伏;《第11層天堂》:在名為“Heaven 11”的超市內(nèi),開業(yè)不到兩個月內(nèi),接連4名店員自殺身亡。從收銀臺前的監(jiān)視器內(nèi),可以清楚看到自殺收銀員的身影。所見之人,不寒而栗,死亡詛咒仍在繼續(xù),純情的收銀女孩步入死局;《第八層地獄》 :命運凄慘的女孩在大廈電梯間被粗暴蠻橫的負心漢殘忍殺害。美人香銷玉殞,但冤魂久久不散。電梯間內(nèi),血腥的一幕重復上演,輪回不止……