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午夜之花
北川景子,森田望智,佐久間大介,渋谷龍?zhí)?澀川清彥,田中麗奈,光石研,池內(nèi)博之科洛弗悖論
古古·姆巴塔-勞,大衛(wèi)·奧伊羅,丹尼爾·布魯赫,約翰·奧提茲,克里斯·奧多德,阿卡塞爾·亨涅,章子怡,伊麗莎白·德比茨基,羅杰·戴維斯,唐納爾·羅格,蘇珊·克萊爾,肯·奧林,西蒙·佩吉,格雷戈·格倫伯格我的阿米什人雙重生活
萊克西·邁恩特里,萊薩·威爾遜,Rachel Coopes悲情槍手
周里京,何麟,高穎,潘婕,黃達亮,談鵬飛,譚增衛(wèi),陳偉國極地大冒險3
Matthew Whelan,Emma Jenkins,Dermot Magennis,保羅·泰來克,Roger Gregg,艾琳·米森,Lucy Smith,Harry Weld-Moore,Justin Daniels Anene,盧克·格瑞芬,Brendan McDonald,Mary Murray,Susan Slott,Michael Sheehan,Cameron Simpson,Evan O'Connor,Michelle Read,羅爾夫·伯格,Tobias Breckl寂靜的朋友
梁朝偉,盧娜·韋德勒,恩佐·布魯姆,蕾雅·賽杜,西爾維斯特·格羅特,黃云,盧卡·瓦倫蒂尼,菲利克斯·布羅斯,賴納·博克,瑪萊內(nèi)·布羅,厄文·吉瑟,約翰內(nèi)斯·赫格曼,斯凱·霍夫曼,約翰內(nèi)斯·沙伊德魏勒,馬丁·烏特克同類推薦
即興謀殺
李庚希,鄧家佳,劉奕鐵,黃曉明,岳佳頤,趙胤胤,楊皓宇,宗俊濤,呂鑫,龔毅星,于晞悅神秘孤島上只有一座何家古堡，以前死過很多人。半癱少女何思怡（李庚希 飾）離家17年后歸來，父親卻離奇失蹤，迎接她的是美艷溫柔的繼母（鄧家佳 飾）、風(fēng)度翩翩的私人醫(yī)生（黃曉明 飾）、年輕健碩的司機（劉奕鐵 飾）和萬般貼心的女傭等人。這一切看似平靜，但不時響起的古怪聲音，似有若無的血腥氣味，似乎都藏著這座古堡不可言說的秘密，一步步將這家人 拖入萬劫不復(fù)的深淵，一場蓄謀已久的復(fù)仇大戲漸漸拉開帷幕……
獵夢人
陳孝良,米咪故事發(fā)生在2050年，藍(lán)小瑋是一個研究員，她研發(fā)了“零接觸”的技術(shù)--通過佩戴特殊的頭盔，將兩個人的腦電波連接起來實現(xiàn)夢境的連接。這天，一個便衣警探余警官找到研究所，要求小瑋使用零接觸的技術(shù)幫他偵破一個極為棘手的案件。小瑋覺得這案件跟母親的昏迷案件有關(guān)，盡管知道危險，還是不聽父親的阻止，接受這個任務(wù)了。小瑋通過網(wǎng)絡(luò)連接的方式進入昏迷者易田的夢境，隨后搗蛋的余警官也偷偷尾隨而來，兩人在這個奇怪的世界跌跌撞撞，搞笑百出，也危險重重，兩人配合警探父親，終于找到真兇竟然就是實驗室的研究員，至此故事告一段落。
白石州往事
內(nèi)詳是中國獨立電影導(dǎo)演蔣潤庭創(chuàng)作的科幻小說，在番茄小說網(wǎng)連載，以虛構(gòu)城市白石州市爆發(fā)“WOC-13”新型狂犬病毒為背景，通過多角色故事展現(xiàn)末日危機下的人類求生選擇。
等待方舟
耶日·斯圖爾,克里斯提娜·楊達,卡里娜·謝魯斯克,馬里烏什·德莫霍夫斯基,馬雷克·瓦爾切夫斯基,揚·諾維茨基,亨里克·比斯塔,萊昂·涅姆奇克,克茲佐夫·馬扎克,斯坦尼斯瓦夫·伊加爾Set in an underground dungeon inhabited by bundled, ragged human beings, after the nuclear holocaust. The story follows the wanderings of a hero through the situations of survival. People wait for the Ark to arrive and rescue them while their habitat falls apart. Delving deep into the dusty and long abandonded vaults of b-cinema in search of lost gems always leaves me with a bittersweet taste. On one hand the discovery of unexpected gems where no one would think them possible is a rewarding experience. On the other hand though it makes one wonder how many of these remarkable low-budget oddities, personal love affairs of directors never quite famous and now all but forgotten, have almost forever slipped from memory? n any case what we have here is a little post-apocalyptic gem from Poland that is really better than it has any right to. The dystopian near future of O-BI, O-BA finds a group of survivors of the nuclear war that ravaged the Earth inhabiting an underworld concrete bunker and biding their time as they wait for the mysterious Ark, an air ship of some kind that will come and save them. The Ark proves to be an elaborate hoax, carefully designed to give hope to the malnourished and desperate denizens of the bunker, while in the meantime the dome that separates their miserable existence from the nuclear winter outside is slowly caving in. What first striked me about the movie is the design of the bunker and the depiction of the survivors. The survivors are gaunt, filthy and terrible-looking penitents, dressed in rags and aimlessly wandering the neon-lit halls of the bunker like automatons. The bunker is a rundown, seedy place, with bright neon lights peering from all sides like the eyes of malignant beasts. On one hand it is a slightly 80's depiction of the dystopian future but the movie never stoops down to MAD MAX cheese. Instead it combines biting political satire with the bleak outlook of a world with no future, black comedy with barbs on apathy, religion and power. The survivors, for example, are fed some kind of flour dropping from a tube that hovers in the air - later on we discover the food supervisor uses books and the Bible itself as filler for this meagre meal. There are many such short symbolic touches, perhaps not life-changing or faith-restoring, yet playful, clever and inspired. One thing is for sure; O-BI, O-BA is not your run-of-the-mill sci-fi schlock. It overcomes its modest budget with creativity and has genuine artistic aspirations both from a writing and directing perspective. My opinion is that it should have been filmed in black and white instead of colour though. The director uses atmospheric light and shadow to great effect and it would have registered even better in stark black and white. The blue-green neon on the other hand outstays its welcome after a while. Just a minor gripe in an otherwise solid b-movie with its heart set in all the right places. Imagine a less bleak THE ROAD (Cormac McCarthy) being injected with the satire and humour of DR.STRANGELOVE and you're getting there. See it if you can find it.
人肉炸彈
莉斯?fàn)枴ぐ⒗账?蕾內(nèi)·斯沃特,肖恩·卡梅倫·邁克爾九個朋友，去森林露營過程中他們經(jīng)歷了一個瘋狂的奪命之夜。派對醒來時，九個人胸前綁著自殺式炸彈，倒計時鐘上都有不同的時間。當(dāng)他們發(fā)現(xiàn)可以通過殺死對方來“占用”對方的時間時，自相殘殺開始了。