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? 7.2 播放：54萬 2026-05-02

很久很久以前，狼人部落沒有女人。所有的男性狼人通過襲擊和XX女性人類的方式來延續(xù)他們的物種。但狼人部落有一個可怕的傳說，每一百年，在一個紅色的月亮的夜晚，一個小女孩將會出生，她注定會消滅狼人部落。這些好色的男性狼人對女性產(chǎn)生恐懼感，他們在女嬰出生后不久就會殺死她們。但是，只有可愛的Beniko逃過了這可怕的命運。 　　

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劇情提要

很久很久以前，狼人部落沒有女人。所有的男性狼人通過襲擊和XX女性人類的方式來延續(xù)他們的物種。但狼人部落有一個可怕的傳說，每一百年，在一個紅色的月亮的夜晚，一個小女孩將會出生，她注定會消滅狼人部落。這些好色的男性狼人對女性產(chǎn)生恐懼感，他們在女嬰出生后不久就會殺死她們。但是，只有可愛的Beniko逃過了這可怕的命運。 　　

幕后花絮

恐怖回音

　　安娜·帕克（凱特·法蘭奇 Kate French 飾）是一個美麗的女作家，當下她正為新書做最后的沖刺，可是擔任出版編輯的男友保羅·瓦格納（史蒂文·布蘭德 Steve Brand 飾）卻提出了較為尖刻的修改意見。心情頗有些低落的安娜找不到靈感，創(chuàng)作陷入僵局。為了幫她完成工作，保羅將安娜帶到一處位于沙漠中央的別墅進行創(chuàng)作，不過他突然有事離開，只留下安娜和一條狗。到了夜晚，安娜驚訝地發(fā)現(xiàn)有一個恐怖的人逡巡在別墅附近。她嘗試著向保羅求助，然而無法得到有效回應?！　?012-3-2，一組奇怪的數(shù)字，讓安娜陷入前所未有的恐懼之中。而在無盡的恐慌中，她終于發(fā)現(xiàn)了可怕的秘密……

等待方舟

　　Set in an underground dungeon inhabited by bundled, ragged human beings, after the nuclear holocaust. The story follows the wanderings of a hero through the situations of survival. People wait for the Ark to arrive and rescue them while their habitat falls apart.　　Delving deep into the dusty and long abandonded vaults of b-cinema in search of lost gems always leaves me with a bittersweet taste. On one hand the discovery of unexpected gems where no one would think them possible is a rewarding experience. On the other hand though it makes one wonder how many of these remarkable low-budget oddities, personal love affairs of directors never quite famous and now all but forgotten, have almost forever slipped from memory?　　n any case what we have here is a little post-apocalyptic gem from Poland that is really better than it has any right to. The dystopian near future of O-BI, O-BA finds a group of survivors of the nuclear war that ravaged the Earth inhabiting an underworld concrete bunker and biding their time as they wait for the mysterious Ark, an air ship of some kind that will come and save them. The Ark proves to be an elaborate hoax, carefully designed to give hope to the malnourished and desperate denizens of the bunker, while in the meantime the dome that separates their miserable existence from the nuclear winter outside is slowly caving in.　　What first striked me about the movie is the design of the bunker and the depiction of the survivors. The survivors are gaunt, filthy and terrible-looking penitents, dressed in rags and aimlessly wandering the neon-lit halls of the bunker like automatons. The bunker is a rundown, seedy place, with bright neon lights peering from all sides like the eyes of malignant beasts.　　On one hand it is a slightly 80's depiction of the dystopian future but the movie never stoops down to MAD MAX cheese. Instead it combines biting political satire with the bleak outlook of a world with no future, black comedy with barbs on apathy, religion and power. The survivors, for example, are fed some kind of flour dropping from a tube that hovers in the air - later on we discover the food supervisor uses books and the Bible itself as filler for this meagre meal. There are many such short symbolic touches, perhaps not life-changing or faith-restoring, yet playful, clever and inspired.　　One thing is for sure; O-BI, O-BA is not your run-of-the-mill sci-fi schlock. It overcomes its modest budget with creativity and has genuine artistic aspirations both from a writing and directing perspective. My opinion is that it should have been filmed in black and white instead of colour though. The director uses atmospheric light and shadow to great effect and it would have registered even better in stark black and white. The blue-green neon on the other hand outstays its welcome after a while. Just a minor gripe in an otherwise solid b-movie with its heart set in all the right places.　　Imagine a less bleak THE ROAD (Cormac McCarthy) being injected with the satire and humour of DR.STRANGELOVE and you're getting there. See it if you can find it.