紫羅蘭

國(guó)王理查德

 該片劇本排2018年好萊塢“劇本黑名單”第二，講述理查德·威廉姆斯的真實(shí)故事，這位精明務(wù)實(shí)、不屈不撓、沒(méi)有任何網(wǎng)球背景的父親培養(yǎng) 出了兩個(gè)網(wǎng)球天才，她們后來(lái)成了超級(jí)巨星——維納斯·威廉姆斯和塞雷娜·威廉姆斯(大威小威)。理查德·威廉姆斯為女兒們的職業(yè)網(wǎng)球生涯起草了一份78頁(yè)的計(jì)劃，女孩們?cè)诳灯疹D破舊、雜草叢生的公共球場(chǎng)上學(xué)會(huì)了這項(xiàng)運(yùn)動(dòng)。據(jù)報(bào)道，在那之前，她們的父親與一些不喜歡這項(xiàng)運(yùn)動(dòng)、不肯讓位的年輕硬漢發(fā)生了爭(zhēng)執(zhí)。威廉姆斯姐妹后來(lái)成為了網(wǎng)球史上最偉大的女選手之二。

凌晨是神的時(shí)間

　　據(jù)日本警方統(tǒng)計(jì)，每年僅提交申請(qǐng)的失蹤人口就達(dá)10萬(wàn)人，其中9萬(wàn)人的行蹤可疑確認(rèn)，但仍有1萬(wàn)人下落不明。位于遠(yuǎn)郊的一座深山叢林，似乎具有著強(qiáng)烈的魔性，無(wú)數(shù)人進(jìn)入這里，從此消失無(wú)蹤。少女繭（日南響子 飾）偶然和父親目擊一輛綁架了少女的車，父女倆一路追蹤，走上了不歸之途；家庭主婦真奈（桐島れいか 飾）十年前曾在林中丟失長(zhǎng)女，如今他的小女兒阿櫻離家上學(xué)后也一去不返；正在拍攝恐怖電影的新人女演員麗奈（飛鳥(niǎo)凜 飾）結(jié)束工作后，不得不穿越那座恐怖的森林，其中的景象與聲音令她戰(zhàn)栗不已；小女孩薰（藤本七海 飾）受托照顧?quán)徏业暮⒆?，可是她卻遭遇了一個(gè)恐怖的人形?！　〔煌娜?，不同的故事，同樣的恐怖……

世外逃劫

　　喪尸危機(jī)爆發(fā)后，一家人躲到一處偏僻的農(nóng)場(chǎng)。然而，當(dāng)他們?cè)谶@個(gè)荒涼的世界求生時(shí)，隱藏多年的痛苦秘密給這家人造成了巨大陰影。

養(yǎng)鬼吃人9：?jiǎn)⑹句?/h3> 史蒂文·布蘭德,丹尼爾·布蘭,Jolene Andersen

　　某個(gè)晴朗假日，美國(guó)青年尼克（Jay Gillespie 飾）和好友史蒂文（Nick Eversman 飾）驅(qū)車穿越國(guó)境線，打算前往墨西哥的提華納尋找一次絕佳的艷遇。他們很快便鎖定了一個(gè)性感尤物，但是突如其來(lái)的意外讓二人的狂歡設(shè)想灰飛煙滅。正當(dāng)他們垂頭喪氣之際，某當(dāng)?shù)厝怂徒o二人一個(gè)精致的魔方。尼克和史蒂文的命運(yùn)就此改寫，他們也有如人間蒸發(fā)一般消失?！　∧峥撕褪返傥牡氖й櫧o各自家人莫大的打擊，在一次家庭聚會(huì)中，艾瑪（Tracey Fairaway 飾）從兩人的行李中找到了那枚魔方，而渾身是血的史蒂文也突然出現(xiàn)在房間內(nèi)。家人們對(duì)此感到驚奇喜悅，卻不知道丁頭鬼的魔爪正慢慢伸向他們……

等待方舟

　　Set in an underground dungeon inhabited by bundled, ragged human beings, after the nuclear holocaust. The story follows the wanderings of a hero through the situations of survival. People wait for the Ark to arrive and rescue them while their habitat falls apart.　　Delving deep into the dusty and long abandonded vaults of b-cinema in search of lost gems always leaves me with a bittersweet taste. On one hand the discovery of unexpected gems where no one would think them possible is a rewarding experience. On the other hand though it makes one wonder how many of these remarkable low-budget oddities, personal love affairs of directors never quite famous and now all but forgotten, have almost forever slipped from memory?　　n any case what we have here is a little post-apocalyptic gem from Poland that is really better than it has any right to. The dystopian near future of O-BI, O-BA finds a group of survivors of the nuclear war that ravaged the Earth inhabiting an underworld concrete bunker and biding their time as they wait for the mysterious Ark, an air ship of some kind that will come and save them. The Ark proves to be an elaborate hoax, carefully designed to give hope to the malnourished and desperate denizens of the bunker, while in the meantime the dome that separates their miserable existence from the nuclear winter outside is slowly caving in.　　What first striked me about the movie is the design of the bunker and the depiction of the survivors. The survivors are gaunt, filthy and terrible-looking penitents, dressed in rags and aimlessly wandering the neon-lit halls of the bunker like automatons. The bunker is a rundown, seedy place, with bright neon lights peering from all sides like the eyes of malignant beasts.　　On one hand it is a slightly 80's depiction of the dystopian future but the movie never stoops down to MAD MAX cheese. Instead it combines biting political satire with the bleak outlook of a world with no future, black comedy with barbs on apathy, religion and power. The survivors, for example, are fed some kind of flour dropping from a tube that hovers in the air - later on we discover the food supervisor uses books and the Bible itself as filler for this meagre meal. There are many such short symbolic touches, perhaps not life-changing or faith-restoring, yet playful, clever and inspired.　　One thing is for sure; O-BI, O-BA is not your run-of-the-mill sci-fi schlock. It overcomes its modest budget with creativity and has genuine artistic aspirations both from a writing and directing perspective. My opinion is that it should have been filmed in black and white instead of colour though. The director uses atmospheric light and shadow to great effect and it would have registered even better in stark black and white. The blue-green neon on the other hand outstays its welcome after a while. Just a minor gripe in an otherwise solid b-movie with its heart set in all the right places.　　Imagine a less bleak THE ROAD (Cormac McCarthy) being injected with the satire and humour of DR.STRANGELOVE and you're getting there. See it if you can find it.

月球

　　未來(lái)世界，隨著科技的飛速進(jìn)步，地球的污染也越來(lái)越嚴(yán)重。為了遏制這種現(xiàn)狀，一家名為月能工業(yè)有限公司的企業(yè)應(yīng)運(yùn)而生。該公司致力于月球能源的開(kāi)發(fā)，通過(guò)采集氦-3來(lái)滿足地球?qū)δ茉吹男枨?。月能公司在月球設(shè)有基地，山姆·貝爾（山姆·洛克威爾 Sam Rockwell 飾）正是該基地 上唯一的工作人員。山姆是公司聘用的合同工，他已在月球孤零零地生活3年，陪伴他的只有智能機(jī)器人戈蒂（凱文·斯派西 Kevin Spacey 飾）?？菰锓ξ兜纳盍钌侥窔w心似箭，在還有兩周就離開(kāi)月球的時(shí)候，山姆偶然遭遇一起事故。醒來(lái)后的他發(fā)現(xiàn)戈蒂似乎對(duì)其有所隱瞞，公司高層也拒絕他的回程請(qǐng)求。山姆借機(jī)逃出基地，卻在事故發(fā)生地點(diǎn)發(fā)現(xiàn)另一個(gè)自己……　　本片榮獲2009年愛(ài)丁堡國(guó)際電影節(jié)最佳英國(guó)影片獎(jiǎng)、2009年西雅圖國(guó)際電影節(jié)最佳男主角獎(jiǎng)。

漆黑如夜

　　故事發(fā)生在某個(gè)毗鄰原始森林的小鎮(zhèn)，一家伐木公司正在林中作業(yè)，這時(shí)白雪飄然落下，作業(yè)暫時(shí)停止，然而隨即便發(fā)生了殘酷血腥的事件。與此同時(shí)，警長(zhǎng)保羅·希爾德（凱文·杜蘭德 Kevin Durand 飾）和新來(lái)的搭檔唐尼剛剛敷衍完幾個(gè)報(bào)警事件，隨后驅(qū)車來(lái)到前妻蘇珊（Bianca Kajlich 飾）的家中，接走兒子亞當(dāng)（Ethan Khusidman 飾）回自家居住。一夜無(wú)事，次日一早，保羅在門口發(fā)現(xiàn)碩大的腳印，而且腳印遍布小鎮(zhèn)主干道，一直延伸到森林深處。巨大的腳印在小鎮(zhèn)鬧得人心惶惶，保羅起初絕不相信妖精怪物一類的傳說(shuō)，但是恐怖血腥的事件接二連三發(fā)生，讓小鎮(zhèn)陷入前所未有的恐慌之中。　　危機(jī)漸次逼近……