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梵蒂岡錄像帶
杰曼·翰蘇,凱瑟琳·羅伯特森,邁克爾·佩納,多格雷·斯科特,邁克爾·帕爾,約翰·帕特里克·阿梅多利,丹尼爾·伯哈特,奧利維亞·泰勒·達德利,彼得·安德森,卡斯·安瓦爾,布魯諾·岡恩,肯特·紹克內(nèi)克,梅爾·法爾,Noemi Gonzalez,泰米娜·森尼安吉拉是27歲的普通女孩，生活平淡無奇。有天，她意外發(fā)現(xiàn)與自己親近的人都死于非命。梵蒂岡教徒得知此事后，對安吉拉展開了一系列調(diào)查?？蛇@次調(diào)查卻引出了安吉拉背后古老的邪惡力量……
千億之吻
段天恩,黎春進,麻蘭都,秋莊,范進祿...
祝你好運2024
亞歷山德拉·達達里奧,柯瑞·福格爾瑪尼斯,邁爾斯·古鐵雷斯-賴利,科爾·斯普羅斯,莉娜·鄧納姆,艾米·蘭德克,萊克西·安德伍德,麗莎·山田,賈德森·米爾斯,布萊恩·邁克爾·史密斯It follows a teen who after being kicked out of the house by their parents, embarks upon a journey of self-discovery that teaches them about love, friendship, and family.
非禮勿視
Glen Jacobs,克雷格·霍納,Michael J. Pagan八個感化院的青年在兩名警官的監(jiān)督下，前往鄉(xiāng)間一所破敗的客棧中接受社區(qū)服務(wù)，但是他們的到來卻無意中驚醒一個沉寂已久的惡魔。雅克布?古德奈特 飾（Glen Jacobs 格蘭“凱恩”雅克布 飾），身高七英尺，體重四百磅，頭骨里嵌著一個生銹的鐵盤，鋒利的指甲足夠戳穿對手眼睛的精神病患者?！ ⊙趴瞬妓哪昵霸痪俑ヌm克?威廉姆斯（Steven Vidler 飾）槍擊頭部，卻僥幸逃生。如今弗蘭克正是這群青年的督導員。弗蘭克和孩子們的出現(xiàn)激起了雅克布屠殺的欲望，他舉起巨斧，將客棧變作血腥的屠宰場……
心中的惡魔
Fernanda Andrade,Simon Quarterman,Evan Helmuth,Ionut Grama,Suzan Crowley1989年的寂靜深夜，南哈特福特三名神職人員遭到屠殺。行兇者名叫瑪莉婭·羅西（蘇珊·克蘿蕾 Suzan Crowley 飾），事后被診斷體內(nèi)藏有七重人格。在此后的歲月里，她被帶往意大利驅(qū)魔。時隔20年，瑪莉婭的女兒伊莎貝拉·羅西（費爾南達·安德拉德 Fernanda Andrade 飾）決定拍攝一部關(guān)于母親的紀錄片，她啟程前往羅馬，見到了久違的母親，而瑪莉婭所說的話令她頗為震驚。為了探明母親的病因，她在當?shù)卣业搅藘晌徊m著教會偷偷進行驅(qū)魔的教士年輕驅(qū)魔師（賽門·克特曼 Simon Quarterman 與 伊凡·海慕特 Evan Helmuth 飾）。在他們的努力下，瑪莉婭體內(nèi)的魔鬼們漸漸顯現(xiàn)出來…… 本片榮獲2012年BMI電影與電視獎最佳電影配樂獎。
好像一切都很糟糕
Melis Sevin?,Melisa Bostanc?o?lu,?brahim Ar?c?,Mert Can SevimliAy?e, Ali, Mehmet and Zeynep are middle-class millennials struggling to make ends meet in Istanbul. Either still living with their parents or hardly getting by without help from their families, they are all beset by similar woes: money crunch, joblessness, social isolation. In view of the world’s horrors that Zeynep enumerates in her diary entries, these are minor problems, ‘slight disasters’, but they are all-consuming, at least to the extent of making them cry in the still of the night. However, Umut Subasi’s first feature, Almost Entirely a Slight Disaster, is not a melodrama. With an appealingly light touch, it diagnoses the malaise of a generation that has run up against a dead end, one whose future prospects are indistinguishable from a game of chance. This is a world where astrology, the lottery and online personality tests compete with visa and job applications as life-shaping elements. Fittingly, the film is structured around chance and coincidence, with its handful of characters encountering each other in every permutation, as though there were no world outside this small social bubble. With self-aware, frontal framing that pins characters to their surroundings and a counterintuitive musical score that turns pathos into humour, Subasi offers a social-media movie without social media, one whose characters are united in their double lives and frustrated desires. 源自：https://iffr.com/en/iffr/2023/films/almost-entirely-a-slight-disaster