紅樓殘夢之董小宛
秦淮名妓董小宛和江南才子冒辟疆兩情相悅,但是董小宛的美貌使得富家公子和皇室子弟都垂涎不已,終是難逃被迷奸和被強暴的命運...冒襄屢試不中,仕途坎坷,此刻美人在抱,心靈得到暫時的慰藉,便萌發(fā)了與佳人歸隱田園,過一種恬淡生活的想法。董小宛風(fēng)塵打滾多年,亦早已厭倦那種任人攀折的生活,對冒襄的決定,她表示贊同與舍命追隨。一夜承歡,通宵長談。翌晨,冒襄籌措銀兩,向鴇母提出幫董小宛贖身。豈料,董小宛正當(dāng)走紅,不論冒襄出多少銀兩,鴇母始終不想放走這棵搖錢樹。好夢難成,兩人正為此事煩惱,適逢錢謙益偕同柳如是游覽至此。柳如是與董小宛是歡場的好姐妹,交情篤深。柳如是知道他們的處境之后,懇求錢謙益出面相助調(diào)解。錢謙益在江南一帶官望頗高,鴇母礙于情面,勉強同意追加巨額銀兩,讓冒襄為董小宛贖身。冒襄傾盡積蓄,仍然遠(yuǎn)遠(yuǎn)不夠鴇母提出來的銀兩數(shù)目。錢謙益慷慨解囊,冒襄才得以順利贖回了董小宛的自由身。冒襄與董小宛,雙雙跪倒在錢謙益腳下,千恩萬謝之后,灑淚而別,相攜返鄉(xiāng)而去。冒襄的結(jié)發(fā)妻子,體弱多病,通情達(dá)理,雖知董小宛是青樓出身,但仍欣然接受。董小宛作為冒襄的侍妾,在冒家住了下來,她知恩圖報,替冒妻承擔(dān)家庭的重?fù)?dān),孝順公婆,尊敬大婦,悉心照料冒襄的一雙兒女。董小宛把冒家打理得井井有條,家人有目共睹,眾人皆交口稱贊。董小宛亦覺得自己的選擇沒有錯,自然心無旁騖,心滿足足地在冒家平靜生活。董小宛除了把冒家的事情安排得有條不紊,還無微不至地照顧丈夫。冒襄閑居在家,潛心著書立說,她則在一旁紅袖添香,送茶備食,間或相幫著查考資料、抄寫書稿;又或彈奏一曲古箏,給丈夫消倦解困,清醒頭腦。這種夫唱婦隨的日子,可是董小宛一生夢相的生活。無奈,好景不長,董小宛只享受了這種寧靜而幸福的家庭生活一年多,明王朝內(nèi)憂外患,連天烽火,燒毀了她所擁有的一切。李自成攻占北京,吳三桂沖冠一怒為紅顏,引清兵入關(guān),瞬間時局動蕩,兵荒馬亂。冒襄家鄉(xiāng),也燃起了熊熊戰(zhàn)火。清軍肆虐橫行,燒殺搶掠,無惡不作。冒襄舉家逃避戰(zhàn)亂,輾轉(zhuǎn)深林僻路,風(fēng)餐露宿,饑寒交迫,苦不堪言。董小宛出身風(fēng)塵,風(fēng)雨飄搖,膽識智謀過人,逃難中常在前開路,或在后護(hù)衛(wèi),意在危難之時,以自己的姿色,換取保存冒家上下老少性命。
即刻觀影
劇情賞析
編輯推薦
等待方舟
耶日·斯圖爾,克里斯提娜·楊達(dá),卡里娜·謝魯斯克,馬里烏什·德莫霍夫斯基,馬雷克·瓦爾切夫斯基,揚·諾維茨基,亨里克·比斯塔,萊昂·涅姆奇克,克茲佐夫·馬扎克,斯坦尼斯瓦夫·伊加爾Set in an underground dungeon inhabited by bundled, ragged human beings, after the nuclear holocaust. The story follows the wanderings of a hero through the situations of survival. People wait for the Ark to arrive and rescue them while their habitat falls apart. Delving deep into the dusty and long abandonded vaults of b-cinema in search of lost gems always leaves me with a bittersweet taste. On one hand the discovery of unexpected gems where no one would think them possible is a rewarding experience. On the other hand though it makes one wonder how many of these remarkable low-budget oddities, personal love affairs of directors never quite famous and now all but forgotten, have almost forever slipped from memory? n any case what we have here is a little post-apocalyptic gem from Poland that is really better than it has any right to. The dystopian near future of O-BI, O-BA finds a group of survivors of the nuclear war that ravaged the Earth inhabiting an underworld concrete bunker and biding their time as they wait for the mysterious Ark, an air ship of some kind that will come and save them. The Ark proves to be an elaborate hoax, carefully designed to give hope to the malnourished and desperate denizens of the bunker, while in the meantime the dome that separates their miserable existence from the nuclear winter outside is slowly caving in. What first striked me about the movie is the design of the bunker and the depiction of the survivors. The survivors are gaunt, filthy and terrible-looking penitents, dressed in rags and aimlessly wandering the neon-lit halls of the bunker like automatons. The bunker is a rundown, seedy place, with bright neon lights peering from all sides like the eyes of malignant beasts. On one hand it is a slightly 80's depiction of the dystopian future but the movie never stoops down to MAD MAX cheese. Instead it combines biting political satire with the bleak outlook of a world with no future, black comedy with barbs on apathy, religion and power. The survivors, for example, are fed some kind of flour dropping from a tube that hovers in the air - later on we discover the food supervisor uses books and the Bible itself as filler for this meagre meal. There are many such short symbolic touches, perhaps not life-changing or faith-restoring, yet playful, clever and inspired. One thing is for sure; O-BI, O-BA is not your run-of-the-mill sci-fi schlock. It overcomes its modest budget with creativity and has genuine artistic aspirations both from a writing and directing perspective. My opinion is that it should have been filmed in black and white instead of colour though. The director uses atmospheric light and shadow to great effect and it would have registered even better in stark black and white. The blue-green neon on the other hand outstays its welcome after a while. Just a minor gripe in an otherwise solid b-movie with its heart set in all the right places. Imagine a less bleak THE ROAD (Cormac McCarthy) being injected with the satire and humour of DR.STRANGELOVE and you're getting there. See it if you can find it.
黑暗收割
卡塞伊·萊克斯,艾默莉·克魯奇菲爾德,Dustin Ceithamer,亞歷杭德羅·阿卡拉,以斯拉·巴茲頓,杰瑞米·戴維斯,伊莉莎白·里瑟,盧克·柯比,Austin Autry,梅根·貝斯特,杰克·布雷楠,布里坦·道爾頓,史蒂文·麥卡錫,Maclean Fish,納扎利·德姆克維奇,West Mulholland,Carter Heintz,Logan Tomanek,Dylan McEwan,Ryder Dueck大衛(wèi)·斯雷德(《漢尼拔》)將為米高梅執(zhí)導(dǎo)新片[黑暗收割](Dark Harvest,暫譯)。影片根據(jù)同名恐怖小說改編,邁克爾·吉里奧([龍與地下城])撰寫劇本。故事發(fā)生在1963年的萬圣節(jié),圍繞著一個叫“十月男孩”展開。每年萬圣節(jié),他都會手拿屠刀,從玉米地里爬起來,走向小鎮(zhèn)。無論是獵人還是獵物,“十月男孩”都是一年一度生死儀式的獎品。皮特知道,殺死“十月男孩”是他逃離這個窮途末路的小鎮(zhèn)的唯一機會。他愿意冒著生命危險去贏得勝利。但在夜晚結(jié)束之前,皮特將發(fā)現(xiàn)“十月男孩”可怕的真正秘密。
克萊默夫婦
達(dá)斯汀·霍夫曼,梅麗爾·斯特里普,簡·亞歷山大,賈斯汀·亨利,霍華德·達(dá)夫,喬治·科,喬貝茲·威廉姆斯,比爾·穆爾,豪蘭·張伯倫,杰克·拉梅奇,杰斯·奧蘇納,尼古拉斯·霍曼,埃朗·帕克,謝爾比·布拉默,卡蘿爾·納德爾,唐納德·甘特里,朱迪絲·考爾德,彼得·洛茲,凱瑟琳·凱勒,丹·蒂拉,彼得拉·金,梅利莎·莫雷爾克萊默夫婦像普通的美國夫婦一樣,克萊默先生(達(dá)斯汀?霍夫曼 Dustin Hoffman 飾)在外工作掙錢,克萊默夫人(梅麗爾?斯特里普 Meryl Streep 飾)則在家照料照料6歲的兒子比利(賈斯汀?亨利 Justin Henry 飾)。由于克萊默先生忙于工作忽略了家庭,克萊默夫人某天憤然出走,留下了父子兩??巳R默先生現(xiàn)在一方面要忙于工作,一方面又要照顧比利,生活一時陷入麻煩中。克萊默先生不善家務(wù),在照料比利時洋相百出:第一次為比利煎西多士、過程十分恐怖;比利不吃飯要吃雪糕,克萊默先生想阻止卻不懂溝通……幸好在女鄰居的幫助下,克萊默先生逐漸適應(yīng)了單身父親的生活。父子兩越來越親密,互相依賴。這時,克萊默夫人回來了,她已經(jīng)是紐約一名出色的設(shè)計師了。她回來要拿回比利的撫養(yǎng)權(quán)……
大佛回國
Philip Granger,Toshi Toda,寶田明,森田友希,Shelley Sweeney,久保明,Peggy Neal,Robert Scott Field,螢雪次朗,Francisco de Borja De la Bella,小林夕岐子,Inge Murata,Yoshiro Uchida,Ippei ?sako,Norman England
秩序的守護(hù)者
Cécile De France,Julien Boisselier在一次例行的夜間巡邏,警察朱莉和西蒙不慎傷了一個副局長的兒子,在昏迷狀態(tài),沒有明顯的理由下,他暴力的殺死了他們的同事,面對紀(jì)律處分,他們得不到上級的支持,在為他們的報告進(jìn)行調(diào)查的過程中,發(fā)現(xiàn)在這個年輕人的房子有一個奇怪的藥物。他們決定自己進(jìn)行調(diào)查,發(fā)現(xiàn)一個新的網(wǎng)絡(luò)化制造販賣非法毒品的組織……
摩登神探
鄭則士,廖偉雄,羅烈阿燦(廖偉雄飾)與肥則(鄭則士飾)一對活貝警界立下不豐功偉績。但每次都是烏龍百出,錯有錯著之下破案的,一次因涉嫌收藏大陸的非法人蛇,倆人同被革除職務(wù)。二人于無意中得悉一名叫契爺?shù)暮谏鐣^子,擄去一富翁的小孫,但倆人是被革退的警員,又怎樣去處理或能否撲滅契的犯罪集團(tuán)呢! 肥則為了娶阿芳(鄭麗芳飾)為妻,收留了從大陸偷渡過來的大姨媽及其女阿珍(阮佩玲飾)。阿燦愛上了賢淑可愛的阿珍,兩人很快墮入愛河。另一方面,犯罪集團(tuán)主腦契爺(羅烈飾)及得力女助手阿JOE策劃一樁勒索案,但取贖金時險比警方捉拿。無計可施時,契爺捉走阿珍及阿芳來威脅阿燦及肥則替他們?nèi)≮H金,并在他們身上裝了一遙控計時炸彈…