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終歸為塵
安吉拉·莫利納,阿爾佛萊德·卡斯特羅,莫妮卡·阿爾米拉爾,Patrícia Bargalló,Alván Prado,Manuela Biedermann,Emma Corbacho,Pol Garibaldi Gris,Nicolás Fuentes,Vito Pietroburgo,Irene Ta,Valeria Scheilen,Aleix Plademunt,Lissy Pernthaler,Silvan Luley,Lorena Nogal,Shay Partush,Oriol Genís,M在被診斷出患有絕癥后，克萊爾決定進(jìn)行最后一次旅行，前往瑞士。在那里，她可以在一家協(xié)助自殺協(xié)會(huì)的幫助下決定如何以及何時(shí)結(jié)束自己的生命。陪伴她超過(guò)四十年的查洛決定與她一同踏上這段單程之旅。與此同時(shí)，摩根娜在父母之間以及他們即將離開(kāi)的所有事物之間成為了一個(gè)不情愿的調(diào)解人，同時(shí)也在努力尋找自己在這個(gè)故事中的位置。
上?？燔?chē)
瑪琳·黛德麗,克里夫·布洛克,黃柳霜,華納·歐蘭德,尤金·佩里特,勞倫斯·格蘭特,Louise Closser Hale,古斯塔夫·馮·賽費(fèi)蒂茨,埃米爾·肖塔爾,George Blagoi,李?yuàn)W納多·凱瑞,George Chung,Wong Chung,Jack Deery,赫伯特·埃文斯,馮威利,福里斯特·哈維,Claude King,James B. Leong,Miki Morita,黃自強(qiáng)故事發(fā)生在一列行駛在中國(guó)大地的火車(chē)上，背景是中國(guó)內(nèi)戰(zhàn)時(shí)期。黛德麗扮演“上海莉莉”，從事茶花女式的職業(yè)。她在列車(chē)上跟舊情人邂逅，由此引發(fā)出一些故事。對(duì)于這位她一直念念不忘的英國(guó)軍官，她百般示好挑逗，他卻妒恨交加，不肯重拾舊愛(ài)。在半途被軍閥攔檢時(shí)，他為了阻止軍閥對(duì)她動(dòng)手動(dòng)腳，出手打人；她則為了救他，同意委身軍閥。往上海的路上，對(duì)生命跟愛(ài)情，都是一場(chǎng)嚴(yán)酷的考驗(yàn)。
等待方舟
耶日·斯圖爾,克里斯提娜·楊達(dá),卡里娜·謝魯斯克,馬里烏什·德莫霍夫斯基,馬雷克·瓦爾切夫斯基,揚(yáng)·諾維茨基,亨里克·比斯塔,萊昂·涅姆奇克,克茲佐夫·馬扎克,斯坦尼斯瓦夫·伊加爾Set in an underground dungeon inhabited by bundled, ragged human beings, after the nuclear holocaust. The story follows the wanderings of a hero through the situations of survival. People wait for the Ark to arrive and rescue them while their habitat falls apart. Delving deep into the dusty and long abandonded vaults of b-cinema in search of lost gems always leaves me with a bittersweet taste. On one hand the discovery of unexpected gems where no one would think them possible is a rewarding experience. On the other hand though it makes one wonder how many of these remarkable low-budget oddities, personal love affairs of directors never quite famous and now all but forgotten, have almost forever slipped from memory? n any case what we have here is a little post-apocalyptic gem from Poland that is really better than it has any right to. The dystopian near future of O-BI, O-BA finds a group of survivors of the nuclear war that ravaged the Earth inhabiting an underworld concrete bunker and biding their time as they wait for the mysterious Ark, an air ship of some kind that will come and save them. The Ark proves to be an elaborate hoax, carefully designed to give hope to the malnourished and desperate denizens of the bunker, while in the meantime the dome that separates their miserable existence from the nuclear winter outside is slowly caving in. What first striked me about the movie is the design of the bunker and the depiction of the survivors. The survivors are gaunt, filthy and terrible-looking penitents, dressed in rags and aimlessly wandering the neon-lit halls of the bunker like automatons. The bunker is a rundown, seedy place, with bright neon lights peering from all sides like the eyes of malignant beasts. On one hand it is a slightly 80's depiction of the dystopian future but the movie never stoops down to MAD MAX cheese. Instead it combines biting political satire with the bleak outlook of a world with no future, black comedy with barbs on apathy, religion and power. The survivors, for example, are fed some kind of flour dropping from a tube that hovers in the air - later on we discover the food supervisor uses books and the Bible itself as filler for this meagre meal. There are many such short symbolic touches, perhaps not life-changing or faith-restoring, yet playful, clever and inspired. One thing is for sure; O-BI, O-BA is not your run-of-the-mill sci-fi schlock. It overcomes its modest budget with creativity and has genuine artistic aspirations both from a writing and directing perspective. My opinion is that it should have been filmed in black and white instead of colour though. The director uses atmospheric light and shadow to great effect and it would have registered even better in stark black and white. The blue-green neon on the other hand outstays its welcome after a while. Just a minor gripe in an otherwise solid b-movie with its heart set in all the right places. Imagine a less bleak THE ROAD (Cormac McCarthy) being injected with the satire and humour of DR.STRANGELOVE and you're getting there. See it if you can find it.
智能女傭
尼克·卡魯喬,Hailey Mauk,朱麗葉·塞茜爾在妻子的意識(shí)被轉(zhuǎn)移到機(jī)器人中后，一個(gè)鰥夫發(fā)現(xiàn)自己陷入了一個(gè)致命的三角戀中，嫉妒的人工智能竭盡全力阻止他與一個(gè)新女人繼續(xù)前進(jìn)。
午夜微博
鄧紫衣,唐禹哲,杜娟,劉羽琦,洪一平,劉鵬夜深人靜，荒郊野嶺。幾名青年男女去永寧縣某廢棄工廠探險(xiǎn)，并全程微博直播。他們?yōu)樽约旱臒o(wú)知和膽大妄為付出巨大代價(jià)，最終一死一瘋，另外兩人昏迷不醒，還有一人下落不明。美麗女記者蕭薇（鄧紫衣 飾）的妹妹霈霈及其朋友子妍正是這場(chǎng)意外的受害者，從醫(yī)生口中得知，妹妹她們出事前一定受到常人難以想象的驚嚇。蕭薇的搭檔阿康（唐禹哲 飾）調(diào)查后發(fā)現(xiàn)，霈霈她們前幾日都曾被某神秘微博帳戶@，之后在她們微博中便各自出現(xiàn)一個(gè)倒計(jì)時(shí)的畫(huà)面，而業(yè)已歸零的正是當(dāng)前的死者子妍?！ 〗^不相信鬼神傳說(shuō)的蕭薇，決定親自涉足永寧工廠一探究竟。伴隨蕭薇和阿康的追查，恐怖真相慢慢浮出水面……
隱藏殺手2
Raphael Sbarge,Kate Hodge上集中異形并沒(méi)有被消滅掉，她又回來(lái)了，變得更加的強(qiáng)大，這次的主角輪到別克的女兒朱麗婭了，她和另一個(gè)伙伴要繼續(xù)面對(duì)新的挑戰(zhàn)了