劇情簡(jiǎn)介
希望學(xué)園是一所集結(jié)了全日本眾多不良少女頭目的恐怖女子高中，而擔(dān)任風(fēng)紀(jì)委員長(zhǎng)的野坂洋子（衣麻遼子 飾）更與教頭石原千太郎（今井健二 飾）沆瀣一氣，在校內(nèi)掀起血雨腥風(fēng)，傷害死亡事件時(shí)有發(fā)生。
為你推薦
414區(qū)
蓋·皮爾斯,崔維斯·費(fèi)米爾,約翰內(nèi)斯·豪克爾·約翰內(nèi)森,科林·薩蒙,奈德·丹內(nèi)利,瑪?shù)贍栠_(dá)·魯茨,喬納森·阿里斯,安東尼婭·坎貝爾-休斯,歐文·弗熱瑞,瑪吉·克羅寧,Jorin Cooke,Holly Demaine故事背景設(shè)置在不遠(yuǎn)的未來(lái)世界，在414區(qū)的人型機(jī)器人殖民地中，私家偵探大衛(wèi)·卡邁克爾(皮爾斯飾)受雇于癡迷商業(yè)世界的財(cái)閥馬龍·維特(費(fèi)米爾飾)去尋找后者叛逆的女兒。卡邁克爾需要與高度智能的機(jī)器人(魯茨飾)通力合作，而在這個(gè)過(guò)程中，關(guān)于414區(qū)和“機(jī)器人之城”起源的罪行也浮出了水面。
異變者
綾野剛,成田凌,岸井雪乃,石井杏奈,內(nèi)野圣陽(yáng)一位無(wú)家可歸的失憶男子接受一場(chǎng)實(shí)驗(yàn)性醫(yī)學(xué)手術(shù)，術(shù)后醒來(lái)發(fā)現(xiàn)自己獲得新的能力，可以看穿人們內(nèi)心最深處的傷痛，真實(shí)和幻象之間的界線也因而模糊難辨。
富貴再逼人
沈殿霞,董驃在報(bào)館任職的驃叔（董驃 飾）因?yàn)楣ぷ鞯年P(guān)系帶著全家到加拿大工作。一家五口都全身心投入新環(huán)境新生活中，驃叔卻因得罪上司被解雇了。由于大女兒、二女兒（李麗珍 飾）已開始了學(xué)業(yè)，他唯有帶著妻子驃嬸（沈殿霞 飾）與最小的女兒回到香港繼續(xù)生活，生活卻比以前更艱難了。驃嬸無(wú)意中發(fā)現(xiàn)了一張加拿大的頭獎(jiǎng)彩票，獎(jiǎng)金是兩千萬(wàn)加幣?！ ∮捎诓粔蝈X到加國(guó)，驃叔硬著頭皮向舊上司借。同樣受到經(jīng)濟(jì)危機(jī)的上司設(shè)法要奪取驃叔的彩票。驃叔一家頑強(qiáng)對(duì)抗，保住了彩票，卻無(wú)法在領(lǐng)獎(jiǎng)時(shí)限截止前趕到?！ ∫患胰藗牧鳒I，悲傷之中發(fā)現(xiàn)時(shí)間上出現(xiàn)了時(shí)差，領(lǐng)獎(jiǎng)的時(shí)間還沒截止。
審判者1
尹子維,李燦森,郭常輝,方川,陳禹銘,李夏佩,彭波,周超峰,孫鳴蔚,趙旭,陳青曄,劉靜怡,李歡攝影師王樹因一次“死亡拍攝”獲獎(jiǎng)并一舉成名，于此同時(shí)他也斷送了自己的攝影生涯。在輿論的審判下，沒有一家攝影公司愿意接納他，王樹不得不轉(zhuǎn)行維持生計(jì)，不想?yún)s變成了網(wǎng)絡(luò)爆紅的“審判者”，并陷入了一宗撲朔迷離的死亡綁架事件，踏上了“心靈審判”的漫漫長(zhǎng)路......
牛排
埃里克·朱多爾,朗齊·貝迪亞,喬納森·朗貝爾,Vincent Belorgey,Sebastian Akchoté,Laurent Nicolas,Sébastien Tellier,Alain Gendreau,Mark Latrémouille,Marie-Claude Michaud,雨果林·什維特·蘭黛斯科,Caroline Bernard,Steve BarryGeorge is the scapegoat of his classmates. One day he cracks and shoots them. His best and only friend Blaise is accused in his place and sentenced to 7 years in a psychiatric hospital. At the day of his release, Blaise realizes he only has one family: his best friend George. But he does not want to hear about his childhood friend, as he tries to integrate with the "Chivers" a gang whose members wear red jackets and boots, drink milk, drive sport trucks and play an incomprehensible and violent game that mixes cricket and mental arithmetic.
等待方舟
耶日·斯圖爾,克里斯提娜·楊達(dá),卡里娜·謝魯斯克,馬里烏什·德莫霍夫斯基,馬雷克·瓦爾切夫斯基,揚(yáng)·諾維茨基,亨里克·比斯塔,萊昂·涅姆奇克,克茲佐夫·馬扎克,斯坦尼斯瓦夫·伊加爾Set in an underground dungeon inhabited by bundled, ragged human beings, after the nuclear holocaust. The story follows the wanderings of a hero through the situations of survival. People wait for the Ark to arrive and rescue them while their habitat falls apart. Delving deep into the dusty and long abandonded vaults of b-cinema in search of lost gems always leaves me with a bittersweet taste. On one hand the discovery of unexpected gems where no one would think them possible is a rewarding experience. On the other hand though it makes one wonder how many of these remarkable low-budget oddities, personal love affairs of directors never quite famous and now all but forgotten, have almost forever slipped from memory? n any case what we have here is a little post-apocalyptic gem from Poland that is really better than it has any right to. The dystopian near future of O-BI, O-BA finds a group of survivors of the nuclear war that ravaged the Earth inhabiting an underworld concrete bunker and biding their time as they wait for the mysterious Ark, an air ship of some kind that will come and save them. The Ark proves to be an elaborate hoax, carefully designed to give hope to the malnourished and desperate denizens of the bunker, while in the meantime the dome that separates their miserable existence from the nuclear winter outside is slowly caving in. What first striked me about the movie is the design of the bunker and the depiction of the survivors. The survivors are gaunt, filthy and terrible-looking penitents, dressed in rags and aimlessly wandering the neon-lit halls of the bunker like automatons. The bunker is a rundown, seedy place, with bright neon lights peering from all sides like the eyes of malignant beasts. On one hand it is a slightly 80's depiction of the dystopian future but the movie never stoops down to MAD MAX cheese. Instead it combines biting political satire with the bleak outlook of a world with no future, black comedy with barbs on apathy, religion and power. The survivors, for example, are fed some kind of flour dropping from a tube that hovers in the air - later on we discover the food supervisor uses books and the Bible itself as filler for this meagre meal. There are many such short symbolic touches, perhaps not life-changing or faith-restoring, yet playful, clever and inspired. One thing is for sure; O-BI, O-BA is not your run-of-the-mill sci-fi schlock. It overcomes its modest budget with creativity and has genuine artistic aspirations both from a writing and directing perspective. My opinion is that it should have been filmed in black and white instead of colour though. The director uses atmospheric light and shadow to great effect and it would have registered even better in stark black and white. The blue-green neon on the other hand outstays its welcome after a while. Just a minor gripe in an otherwise solid b-movie with its heart set in all the right places. Imagine a less bleak THE ROAD (Cormac McCarthy) being injected with the satire and humour of DR.STRANGELOVE and you're getting there. See it if you can find it.
RRR
小老虎,拉姆·查蘭,阿賈耶·德烏干,阿莉雅·布哈特,奧利維亞·莫里斯,施芮婭·薩蘭,雷·史蒂文森,艾莉森·杜迪,塞繆拉卡尼,錢德拉·塞卡,馬卡蘭德·德斯潘德,拉杰夫·卡納卡拉,拉胡爾·拉瑪克里斯納,Edward Sonnenblick,Varun Buddhadev,Spandan Chaturvedi,馬克·班寧頓1920年，英國(guó)總督斯科特和他的妻子凱瑟琳訪問(wèn)阿迪拉巴德的一個(gè)部落，并強(qiáng)行帶走了部落里歌唱天賦異稟的小女孩瑪莉，部落的保護(hù)者比姆（小老虎 飾演）為了救回瑪莉，偽裝成穆斯林。斯科特得知消息后，總督府的底層衛(wèi)兵拉朱（拉姆·查蘭·特哈 飾演）為了升職也同時(shí)為了完成他父親遺愿和他對(duì)部落承諾，主動(dòng)請(qǐng)?jiān)缸约嚎梢詫⒈饶反?。比姆和拉朱因共同拯救了一個(gè)差點(diǎn)葬身火海的小男孩而巧遇，他們并不認(rèn)識(shí)對(duì)方，然而兩人也隱藏了自己的真實(shí)身份，相互聯(lián)系，成為摯友。拉朱在一次調(diào)查中發(fā)現(xiàn)自己的摯友就是總督要逮捕的比姆，他一邊是承載了父親的遺愿和整個(gè)部落的承諾，一邊是自己的摯友，他該如何抉擇…..