午夜天使

★ 7.6 播放：23萬 更新：2026-05-05

麻美由真主演2011最新日本限制級性感劇情大片；性感尤物「午夜天使」(由麻美ゆま飾)，立誓削除世上騷擾婦女的y-蟲。她能施展強力的「天使踢」及「波霸擊」，尤其「波霸擊」是「午夜天使」48種殺人招數(shù)的一種，可吸收地球上的能量，匯集在胸部，給敵人予爆炸性的致命一擊，如此斃命的暗殺拳，敵人將動彈不得，或喪膽潰敗而逃，簡直就是必殺絕技?！肝缫固焓埂?麻美ゆま)開設(shè)「yumacofeshop」，隱藏身分在其內(nèi)當(dāng)老.........

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劇情簡介

麻美由真主演2011最新日本限制級性感劇情大片；性感尤物「午夜天使」(由麻美ゆま飾)，立誓削除世上騷擾婦女的y-蟲。她能施展強力的「天使踢」及「波霸擊」，尤其「波霸擊」是「午夜天使」48種殺人招數(shù)的一種，可吸收地球上的能量，匯集在胸部，給敵人予爆炸性的致命一擊，如此斃命的暗殺拳，敵人將動彈不得，或喪膽潰敗而逃，簡直就是必殺絕技?！肝缫固焓埂?麻美ゆま)開設(shè)「yumacofeshop」，隱藏身分在其內(nèi)當(dāng)老.........

導(dǎo)演精選

恐怖回音

　　安娜·帕克（凱特·法蘭奇 Kate French 飾）是一個美麗的女作家，當(dāng)下她正為新書做最后的沖刺，可是擔(dān)任出版編輯的男友保羅·瓦格納（史蒂文·布蘭德 Steve Brand 飾）卻提出了較為尖刻的修改意見。心情頗有些低落的安娜找不到靈感，創(chuàng)作陷入僵局。為了幫她完成工作，保羅將安娜帶到一處位于沙漠中央的別墅進行創(chuàng)作，不過他突然有事離開，只留下安娜和一條狗。到了夜晚，安娜驚訝地發(fā)現(xiàn)有一個恐怖的人逡巡在別墅附近。她嘗試著向保羅求助，然而無法得到有效回應(yīng)?！　?012-3-2，一組奇怪的數(shù)字，讓安娜陷入前所未有的恐懼之中。而在無盡的恐慌中，她終于發(fā)現(xiàn)了可怕的秘密……

月球奇幻旅

　　肖恩·利維將再次合作老搭檔二十世紀(jì)福斯，執(zhí)導(dǎo)新片[隕石坑](Crater，暫譯)，利維也將約翰·J·格里芬執(zhí)筆的原創(chuàng)劇本進行改編。故事被描述為科幻版的[ 伴我同行 ]，講述在月球殖民地長大的男孩，和三個小伙伴共同前往一處神秘隕石坑探秘，不料卻發(fā)生意外。影片劇本曾經(jīng)入選2015年“好萊塢劇本黑名單”。

好像一切都很糟糕

Ay?e, Ali, Mehmet and Zeynep are middle-class millennials struggling to make ends meet in Istanbul. Either still living with their parents or hardly getting by without help from their families, they are all beset by similar woes: money crunch, joblessness, social isolation. In view of the world’s horrors that Zeynep enumerates in her diary entries, these are minor problems, ‘slight disasters’, but they are all-consuming, at least to the extent of making them cry in the still of the night. 　　However, Umut Subasi’s first feature, Almost Entirely a Slight Disaster, is not a melodrama. With an appealingly light touch, it diagnoses the malaise of a generation that has run up against a dead end, one whose future prospects are indistinguishable from a game of chance. This is a world where astrology, the lottery and online personality tests compete with visa and job applications as life-shaping elements. 　　Fittingly, the film is structured around chance and coincidence, with its handful of characters encountering each other in every permutation, as though there were no world outside this small social bubble. With self-aware, frontal framing that pins characters to their surroundings and a counterintuitive musical score that turns pathos into humour, Subasi offers a social-media movie without social media, one whose characters are united in their double lives and frustrated desires. 　　源自：https://iffr.com/en/iffr/2023/films/almost-entirely-a-slight-disaster