麻衣的日常

食人晚宴

Alexandra Lesch,Kristiana Rohder,Lara Baum

　　A group of models find themselves trapped in a factory inhabited by a cannibalistic degenerated family.

南部僵尸來襲

Megan Few,Jeremy Sande,Michael Joiner

　　Lonnie, a crop duster pilot, must lead a mismatched group of survivors to escape the deadly zombie horde after an experimental chemical, intended to control the invasive kudzu vine, transforms the citizens of Charleston, MS into zombies.

特雷弗·諾亞：苦中作樂

特雷弗·諾亞

從社交媒體差評(píng)到治療師的真相炸彈， 特雷弗·諾亞在這場(chǎng)搞笑、犀利又輕快的單口喜劇演出中將混亂變?yōu)橄矂　?/p>

月球

薛景求,都敬秀,金喜愛,趙漢哲,崔炳模,Byeong-eun Park,洪承熙,趙勝淵,Gina Theresa Williamson,Laura Fitch Yang,Shim Young-Eun

　　2029年，韓國(guó)載人飛船“探月號(hào)”出發(fā)前往月球，即將產(chǎn)生第二個(gè)成功登月的國(guó)家，任務(wù)備受全世界矚目。然而“探月號(hào)”不幸遇上太陽黑子爆發(fā)所引致的太陽風(fēng)暴，發(fā)生嚴(yán)重意外，宇航員黃善宇（都暻秀 飾）成為“探月號(hào)”的唯一幸存者。為了營(yíng)救流浪月球的黃善宇，隱居小白山天文臺(tái)的前載人飛船飛行總監(jiān)金載國(guó)（薛景求 飾），加入了救援行動(dòng)，同時(shí)韓國(guó)政府亦要求美國(guó)太空總署（NASA）的總監(jiān)尹文英（金喜愛 飾）及月球門戶太空站介入?yún)f(xié)助，但卻一直遇上重重阻撓。載人飛船的燃料將近耗盡，氧氣亦正在倒數(shù)，再加上流星雨撞擊與月震，被孤立在38.4萬公里以外月球上的宇航員黃善宇，個(gè)人的一小步也足以令全球人類緊張屏息，到底營(yíng)救行動(dòng)會(huì)如何發(fā)展？

吹笛人

夏洛特·霍普,朱利安·山德斯,菲利普·克里斯托弗,Alexis Rodney,Kate Nichols,皮帕·溫斯洛,Aoibhe O'Flanagan,Oliver Savell,Salomé Chandler

當(dāng)一位作曲家的任務(wù)是完成她已故導(dǎo)師的協(xié)奏曲時(shí)，她很快發(fā)現(xiàn)演奏音樂會(huì)帶來致命的后果，這讓她發(fā)現(xiàn)了旋律的令人不安的起源和已經(jīng)覺醒的邪惡。

阿坎達(dá)2

巴拉克利須那,哈莎莉·馬洛特拉,Samyuktha Menon

一段溫馨的旅程探索了兒童的純真、自然世界和精神信仰之間的聯(lián)系，因?yàn)樯鐓^(qū)正在努力取得進(jìn)步。                                                                      　　?? ?????? ?????????? ?????? ????? ???????? ??????? ????? ??????? ?? ??????????????? ?? ???????????????? ?????????? ??????? ???? ???? ?????????? ??????????? ????? ??????? ?????? ????????. ????? ????????? ?????? ????? ???? ??? ????? ???? ?????? ??????? ?? ????? ??????? ????? ?????? ?????????? ?????????... ??????? ???? ??? ????? ????????? ???????? ?????????? ?? ?? ????? ?????? ?????? ??? ???????

好像一切都很糟糕

Melis Sevin?,Melisa Bostanc?o?lu,?brahim Ar?c?,Mert Can Sevimli

Ay?e, Ali, Mehmet and Zeynep are middle-class millennials struggling to make ends meet in Istanbul. Either still living with their parents or hardly getting by without help from their families, they are all beset by similar woes: money crunch, joblessness, social isolation. In view of the world’s horrors that Zeynep enumerates in her diary entries, these are minor problems, ‘slight disasters’, but they are all-consuming, at least to the extent of making them cry in the still of the night. 　　However, Umut Subasi’s first feature, Almost Entirely a Slight Disaster, is not a melodrama. With an appealingly light touch, it diagnoses the malaise of a generation that has run up against a dead end, one whose future prospects are indistinguishable from a game of chance. This is a world where astrology, the lottery and online personality tests compete with visa and job applications as life-shaping elements. 　　Fittingly, the film is structured around chance and coincidence, with its handful of characters encountering each other in every permutation, as though there were no world outside this small social bubble. With self-aware, frontal framing that pins characters to their surroundings and a counterintuitive musical score that turns pathos into humour, Subasi offers a social-media movie without social media, one whose characters are united in their double lives and frustrated desires. 　　源自：https://iffr.com/en/iffr/2023/films/almost-entirely-a-slight-disaster