劇情簡介
正讀高三的志孝（金來沅飾）從首爾轉校來，就與美麗的女學生漢娜（尹智慧飾）談起了戀愛。熱戀中的兩人發(fā)生了關系，可是兩人的關系并沒有進一步發(fā)展，而是深感不安。志孝因此有意無意的躲著漢娜，受到冷落的漢娜也十分傷心。沒想到漢娜竟然用死來讓男友永遠記住自己。暫無內容;此后，志孝開始對男歡女愛感到反感，越來越放縱自己了。志孝的好友蘇永（金正鉉飾）深深喜歡上了自己的老師，但老師與學生之間的鴻溝太大了。長大后的兩人，有著各異的性格與各異的生活態(tài)度。
為你推薦
北部叢林
尼克·斯塔爾,奧利維亞·王爾德,達什·米霍克Allen Meneric is committed to a psychiatric institution for the criminally insane because of a brutal revenge murder. There he is forced to deal with the very ill and the dangerous until, as part of a socialization program, he is transferred to minimum security where he meets Mia, a beautiful bipolar female inmate. Ever haunted by his past, Allen seeks his redemption when sudden events demand that he protect Mia from the violence and chaos of the institution.
為了所有的女孩
埃里卡·韋塞爾斯,Hlubi Mboya,Leshego Molokwane,Nomvelo Makhanya,德翁·洛茨,莫蘇西·麥格諾,Brendon Daniels,J.P. du Plessis,Lizz Meiring,Rafiq Jajbhay,Masasa Mbangeni,本·克魯格,Tamarin du Toit,Marcus Mabusela,Cindy Swanepoel,馬特·斯特恩一名探員和一名連環(huán)殺手組成了看似不可思議的小分隊，共同對抗全球拐賣兒童和性奴販運網(wǎng)絡。
餓狼傳說：滿月殺手
蒂娜·露易絲,伊?！ざ鞑祭?艾琳·庫明斯,凱倫·琳恩·高妮,湯姆·諾南,蘭斯·蓋斯特,阿爾·薩皮恩扎,拉瑞·凡斯登,拉特安亞·阿爾達,尼克·丹米奇,Caitlin O'Heaney,Haythem Noor曾經(jīng)馳騁戰(zhàn)場的退伍老兵安布羅斯·麥金利（Nick Damici 飾）終究也抵擋不了衰老和死亡的侵襲，妻子早年去世，兒子威爾（伊?！ざ鞑祭?Ethan Embry 飾）兀自忙著事業(yè)，父子關系雖不冷淡卻也絕非親近，雙目失明的安布羅斯搭乘著兒子的汽車搬入名為克萊森特灣的老年社區(qū)，陪伴他的只有一條忠誠的狗狗。搬入當晚，住在隔壁的老婦人被一只餓狼模樣的怪獸襲擊身亡，而安布羅斯則經(jīng)歷了極其恐怖且終生難忘的夜晚。從醫(yī)生口中得知，該社區(qū)每個月都會發(fā)生一次類似案件，但警方無一例外都將其歸咎為普通的野獸所為。 得不到親人的救助，更無法奢望父母的庇護，安布羅斯只能融入社區(qū)，尋找拯救自己的辦法……
等待方舟
耶日·斯圖爾,克里斯提娜·楊達,卡里娜·謝魯斯克,馬里烏什·德莫霍夫斯基,馬雷克·瓦爾切夫斯基,揚·諾維茨基,亨里克·比斯塔,萊昂·涅姆奇克,克茲佐夫·馬扎克,斯坦尼斯瓦夫·伊加爾Set in an underground dungeon inhabited by bundled, ragged human beings, after the nuclear holocaust. The story follows the wanderings of a hero through the situations of survival. People wait for the Ark to arrive and rescue them while their habitat falls apart. Delving deep into the dusty and long abandonded vaults of b-cinema in search of lost gems always leaves me with a bittersweet taste. On one hand the discovery of unexpected gems where no one would think them possible is a rewarding experience. On the other hand though it makes one wonder how many of these remarkable low-budget oddities, personal love affairs of directors never quite famous and now all but forgotten, have almost forever slipped from memory? n any case what we have here is a little post-apocalyptic gem from Poland that is really better than it has any right to. The dystopian near future of O-BI, O-BA finds a group of survivors of the nuclear war that ravaged the Earth inhabiting an underworld concrete bunker and biding their time as they wait for the mysterious Ark, an air ship of some kind that will come and save them. The Ark proves to be an elaborate hoax, carefully designed to give hope to the malnourished and desperate denizens of the bunker, while in the meantime the dome that separates their miserable existence from the nuclear winter outside is slowly caving in. What first striked me about the movie is the design of the bunker and the depiction of the survivors. The survivors are gaunt, filthy and terrible-looking penitents, dressed in rags and aimlessly wandering the neon-lit halls of the bunker like automatons. The bunker is a rundown, seedy place, with bright neon lights peering from all sides like the eyes of malignant beasts. On one hand it is a slightly 80's depiction of the dystopian future but the movie never stoops down to MAD MAX cheese. Instead it combines biting political satire with the bleak outlook of a world with no future, black comedy with barbs on apathy, religion and power. The survivors, for example, are fed some kind of flour dropping from a tube that hovers in the air - later on we discover the food supervisor uses books and the Bible itself as filler for this meagre meal. There are many such short symbolic touches, perhaps not life-changing or faith-restoring, yet playful, clever and inspired. One thing is for sure; O-BI, O-BA is not your run-of-the-mill sci-fi schlock. It overcomes its modest budget with creativity and has genuine artistic aspirations both from a writing and directing perspective. My opinion is that it should have been filmed in black and white instead of colour though. The director uses atmospheric light and shadow to great effect and it would have registered even better in stark black and white. The blue-green neon on the other hand outstays its welcome after a while. Just a minor gripe in an otherwise solid b-movie with its heart set in all the right places. Imagine a less bleak THE ROAD (Cormac McCarthy) being injected with the satire and humour of DR.STRANGELOVE and you're getting there. See it if you can find it.
反叛行動
麗茲·格林尼,梅根·布恩,思凱·卡茨,菲利普·文切斯特,阿麗克斯·維拉雷特,Ollie Roddy,Kaine Buffonge,Will Pierson,約納斯·阿姆斯特朗,Errol Trotman-Harewood,Orlin Pavlov,Hristo Mitzkov,馬克斯·克勞斯,Charlotte Weston,Alexsandria Ralev,瑪麗安娜·斯塔尼切娃,內森·庫珀,伊麗莎白·吉布森,丹·凱德,Anaya Yalamov,William Smalley,Todor Todoro一名冷酷且訓練有素的殺手，自幼被培養(yǎng)于一個名為 The Internship 的 CIA 最高機密項目中。多年后，她決定摧毀這個奪走自己青春的機構。她召集昔日的“實習生”同伴，發(fā)動了一場血腥的反抗行動——迫使 CIA 動用同樣致命的力量來鎮(zhèn)壓他們。
孩子們安好
卡米爾·科坦,莫妮亞·喬柯里,朱麗葉·阿曼尼特,Mano? Varvat,Nina Birman,紀堯姆·谷伊,瑪麗亞姆·阿赫迪歐,弗蘭基·瓦拉赫,Tania Dessources,Camille Lethuillier,馬克西姆·施邦古,Zoé Briau,Jean-Fran?ois Hoche,Pauline Roux,阿麗亞娜·納齊里,Zakariya Gouram,Anna-Marie Filippi,Zbigniew Jankowski,William Louis,Jean-René Stani多年以后，蘇珊和她的兩個孩子意外地出現(xiàn)在她姐姐珍妮的家中。起初看起來像是蘇珊在試探性地試圖重新與姐姐建立關系。但隨著晨光的出現(xiàn)，這種幻覺破滅了：蘇珊消失了……內森·安布羅西奧尼的這部親密電影，描繪了一位被迫成為母親的女人，而她對自己的孩子幾乎一無所知。他那極簡主義的敘事方式，卻充滿了深刻的共情，讓觀眾得以觀察這個新生家庭逐漸凝聚的緩慢過程，以及他們內心的恐懼與猶豫，還有那毫無效率的國家機器的荒謬之處。這是一部法國電影，它反映了因必要性而產(chǎn)生的共同生活本質的脆弱性，以及當它源于愛時，它會變得多么強大。
死在那年夏天
吉拉育·拉翁馬尼,Suthatta Udomsilp,????????? ???????????,??? ???????????????,???????? ???????????喬伊是學校里公認的校花，她擁有著美麗的面孔和優(yōu)越的身世，毫無疑問每日生活在幸福之中。然而某一日，這位集萬千寵愛于一身的可愛姑娘卻在社交網(wǎng)絡上留下了“我想死”的絕望信息。阿信是喬伊的男友，兩人之間感情十分要好，看到女友悶悶不樂的樣子，阿信決定同好友阿敢一起，帶著喬伊和她的閨蜜小敏前往海邊度假?！ ”娙吮疽詾?，這會是一場充滿了瘋狂和歡樂的旅程，然而，喬伊的慘死卻為這場派對蒙上了驚悚恐怖的陰影。余下的三人受到了不小的驚嚇，他們決定隱瞞整個死亡事件，希望生活能夠就此回歸平靜。不過顯現(xiàn)，喬伊的冤魂并不愿意放過他們。