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調(diào)味的房子
西恩·帕特維,安娜·沃爾頓,羅希·戴,凱文 霍華斯,杰瑪·鮑威爾,丹尼爾·維維安,阿德里安·布薛特,Christopher Rithin,肖恩·克羅寧首都消失
渡瀨恒彥,名取裕子,山下真司,江角英明,大瀧秀治,石橋蓮司,石野陽子,加藤治子,岸部一德,三木紀(jì)平,夏八木勛,龍雷太,相馬剛?cè)?丹波哲郎,津村鷹志,渡邊文雄,財津一郎,海老名美どり象山發(fā)光事件
小沈陽,王唯,張登平,倪景陽,田理,董芷依,胡涂,李歐,孟和烏力吉家族秘密2025
金惠恩,金范來,金寶侖蒙特利爾,我的美人
陳沖,夏洛特·奧賓,埃米莉·科泰,John Xu,Pei Yao Xu,Anzhe Angelo Zhang特種部隊(duì):毀尸滅盡
Kevin Tanski,Robert Woodley,Chris Clark,Will Mutka,Mike Sarcinelli,Kahley Cuff,Rick Primerano,Patrick Mallette,Salvatore Sabia,Gary Sundown,Daniel James,Artimus Pyle,Ashlee Amoia,Aleksandar Ivicic,Darrin Stock同類推薦
煙花1995
山崎裕太,奧菜惠,反田孝幸,蘭迪·黑文斯,小橋賢兒,櫻木研仁,麻木久仁子,光石研,小山勵基,山崎一,深浦加奈子,田口智朗,石井苗子,酒井敏也,蛭子能收,中島陽子小學(xué)生典道(山崎裕太)與佑價(反田孝幸)等同伴們就煙花升騰而起時是扁是圓展開爭論,無果后,眾人困惑起來,為了將困惑解決,他們決定趁夏季花火大會的機(jī)會去燃放煙花的燈塔上一探究竟。典道和佑價同時暗戀的同學(xué),早熟的少女奈砂(奧菜惠)因?yàn)楦改鸽x異懷起心事。一場在典道和佑價之間進(jìn)行的五十米游泳比賽結(jié)束后,奈砂單約勝利者佑價陪她去看煙花,不想對方最終決定同大伙一起去燈塔。奈砂最終拉上比賽失敗的典道上路,目的地卻變成了火車站甚至更遠(yuǎn)的東京。
我的老婆是女優(yōu)
Artur Ignatenko,莉莉婭·茨維利科娃,亞歷山大·梅爾尼克馬丁是一名成人電影行業(yè)的經(jīng)紀(jì)人,在一家夜總會偵察時,他遇到了達(dá)莎。她在洗手間里給他看了一些非常有才華的東西,他開始考慮讓她在一部成人電影中扮演一個角色。這個行業(yè)最近變得非常時髦,他向她承諾,她將成為超級明星,她的電影將炸毀網(wǎng)絡(luò)。然而,。..
絕種好男人
任賢齊,張柏芝,李珊珊,葛民輝,杜汶澤,黃浩然,王天林,森美,阮小儀,劉愷威,李思捷,李楓,張文慈,黃泆潼,吳慧冰,黃琛如,王晶,張仕鏗,李霆鋒,何肇晃,黃卡娜,發(fā)爛渣,吳成達(dá),楊嘉雯,高寶云,文詩琪,葉景文,董偉強(qiáng),陸劍青,李正津因忍受不了男友Moses(任賢齊)的平凡,阿Mi狠心與他分手,塞翁失馬焉知禍福,Moses在老人院做義工時,與怪脾氣老頭蛤蚧王成為忘年之交,后者死后,給他留下巨額遺產(chǎn)。蛤蚧王的此舉招致其律師Allen的不滿,他在夜總會發(fā)泄時無意中將此事告訴了小姐Didi(張柏芝)?! 閷oses釣到手,Didi使出渾身解數(shù),無奈均不奏效。發(fā)現(xiàn)Moses是絕種好男人后,Didi對他動了真心,兩人開始熱戀,不久,Allen將Didi的原來身份相告Moses,令他異常傷心,此時,阿Mi又前來要與他復(fù)合。
養(yǎng)鬼吃人3
Terry Farrell , Paula Marshall , Kevin Bernhardt , Doug Bradley在經(jīng)歷了前兩集的失敗之后,修道士還不死心.他發(fā)現(xiàn)那個邪惡的魔方被一個花花公子買走了,于是他以這個花花公子做誘餌來吸引犧牲品,在人間大開殺戒.修道士打算把魔方毀去,這樣他就永遠(yuǎn)不用再回到地獄.但是一個女記者發(fā)現(xiàn)了這些可怕的兇殺案,并將修道士又一次送回了地獄.....
公寓2024
斯文·索奇塔,細(xì)田善彥,Rous Mony,Touch Narady,ManikaFollowing her mother’s death, manga artist Soriya travels to her ancestral home in Phnom Penh, with hopes of reconnecting with her distant family and using the visit as inspiration for her work. All goes well initially. Renting an apartment in Metta, a rundown Khmer Rouge-era housing complex, her visit to her maternal relatives finds her welcomed with open arms. But Soriya’s waking hours in the apartment and its surroundings are punctuated by terrifying, bloody visions, almost as though she were a conduit for horrors of the past wanting to seep into the present. Inrasothythep Neth and Sokyou Chea’s blood-chilling psychological horror explores a personal and political past through the present, transforming a characterful space into an insidious environment. Surrounded by modern high-rises, this decrepit structure, with its brutalist architecture and peeling surfaces, is a relic from a dark period in history whose painful memories it has absorbed. In tracing Soriya’s ominous journey back to her roots, Tenement hints at a necessary reckoning with Cambodia’s political past without overplaying its historical dimension. It’s an impressive work from a woefully underrepresented national cinema.