吸血女王蜂

★ 9.7 播放：88萬 更新：2026-05-02
主演：小澤愛麗絲 

一個女性上班族需要一個黃蜂轉(zhuǎn)換成性，她的飲食中補充餓了黃蜂的女人。 　　

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劇情簡介

一個女性上班族需要一個黃蜂轉(zhuǎn)換成性，她的飲食中補充餓了黃蜂的女人。 　　

導(dǎo)演精選

時速二十五

　　許久不見的克里斯提安(43歲)與吉奧(45歲)，終於在他們父親的葬禮上重逢。個性截然不同的兄弟難得聚在一起，在守靈夜酒酣耳熱之際，臨時起意決定去實現(xiàn)小時候的夢想-騎著電動自行車進行一趟從黑森林到波羅的海、橫越整片德國的冒險旅程。在這段時速最高僅25公里的漫活旅程中，兩人經(jīng)歷了許多意想不到的遭遇，也重新認識了彼此，甚至改變了他們往後的人生。

好像一切都很糟糕

Ay?e, Ali, Mehmet and Zeynep are middle-class millennials struggling to make ends meet in Istanbul. Either still living with their parents or hardly getting by without help from their families, they are all beset by similar woes: money crunch, joblessness, social isolation. In view of the world’s horrors that Zeynep enumerates in her diary entries, these are minor problems, ‘slight disasters’, but they are all-consuming, at least to the extent of making them cry in the still of the night. 　　However, Umut Subasi’s first feature, Almost Entirely a Slight Disaster, is not a melodrama. With an appealingly light touch, it diagnoses the malaise of a generation that has run up against a dead end, one whose future prospects are indistinguishable from a game of chance. This is a world where astrology, the lottery and online personality tests compete with visa and job applications as life-shaping elements. 　　Fittingly, the film is structured around chance and coincidence, with its handful of characters encountering each other in every permutation, as though there were no world outside this small social bubble. With self-aware, frontal framing that pins characters to their surroundings and a counterintuitive musical score that turns pathos into humour, Subasi offers a social-media movie without social media, one whose characters are united in their double lives and frustrated desires. 　　源自：https://iffr.com/en/iffr/2023/films/almost-entirely-a-slight-disaster

何以陽光

肖首英是一位放浪不羈的拳擊手，因為參加拳擊比賽，而失去了患病的妻子，從此一蹶不振，他答應(yīng)妻子以后退出拳臺，絕不會讓兒子肖凱去打拳。肖凱從小就有打拳的天賦，但肖首英一直在阻攔，肖凱偷偷的報名參加了拳擊比賽，最后贏得了冠軍，從此打開了父親的心結(jié)