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穿越山海走向你
劉婉露,周浩東,海拉提·哈木,帕拉沙提·阿依克什復(fù)仇之溪
多米尼克·珀塞爾,亨利·卡維爾,邁克爾·法斯賓德,Emma Booth傷心童話
劉詩詩,胡夏,大左,謝楠,徐正超,伊力奇,楊悅,付滃,張子棟,趙佳怡,鞠泓宇,張一鳴,葉清源透明人與蠅男
北原義郎,品川隆二,葉順子,毛利郁子,南部彰三,見明凡太朗安妮·霍爾
伍迪·艾倫,黛安·基頓,托尼·羅伯茨,卡羅爾·凱恩,保羅·西蒙,謝莉·杜瓦爾,珍妮特·瑪戈林,科琳·杜赫斯特,克里斯托弗·沃肯,唐納德·賽明頓,瓊紐曼,馬丁羅森布拉特,亨澤爾,拉舍爾·諾維科芙,拉塞爾·霍頓,馬歇爾·麥克盧漢,瑪麗·博伊蘭,約翰·多馬尼安,波波·馬羅夫,Rick Petrucelli,克里斯·甘佩爾,迪克·卡維特,馬克·雷納德,約翰·格洛弗,約翰·丹尼斯·約翰斯頓,勞麗·伯德,杰夫·高布倫,查爾斯·萊文,Johnny Haymer,邁克爾·阿羅寧,Ved Bandhu,Jim McKrel汽車旅館人生
Emile Hirsch,達(dá)科塔·范寧精武陳真:租界風(fēng)云
陳國坤,呂艷蓓,王宏哲,馬群雄,張姝陽,孫盈藝,張永華,阿諾同系列推薦
雜交種
Angela Durazo,Nathan Schellerup,Malinda Farrington,Danny Winn,Katy Bentz繼續(xù)跳舞
繆騫人,林建明,黃霑,周文健,孟海警察與外星人
路易·德·菲奈斯,米歇爾·加拉布呂,莫里斯里什,朗貝爾·維爾森一個(gè)叫小小船的男孩
J·K·西蒙斯,杰克·布塞,諾爾·古格雷米,盧·坦普爾,麗莎·德·拉佐,伯納德·庫里,Patricia Kalis,Jamille James,尼克·法內(nèi)爾,Julian Atocani Sanchez,Addam Bramich,Miranda Skerman,Keanu Wilson,Zeyah Pearson,杰西卡佩斯被時(shí)間遺忘的人
帕特里克·韋恩,道格·麥克洛,莎拉·道格拉斯重大發(fā)現(xiàn)
尼爾·布林,丹妮爾·安德雷德幕后花絮
赤赤煉戀
熙攘喧囂的大都會(huì)東京,游魂漫無目的地行走在城市的每一個(gè)角落。身穿校服的女高中生樹里(土屋太鳳 飾)曾經(jīng)將自己深鎖屋中,拒不登校,后來則選擇從公寓樓頂一躍而下,結(jié)束了自己十幾年匆匆的人生。此去經(jīng)年,她早已忘記當(dāng)初自殺的理由,甚至有時(shí)忽略了已經(jīng)死去的事實(shí)。細(xì)細(xì)回想生前事,曾有交到的傾心好友,也曾有運(yùn)動(dòng)出色的青梅竹馬,而如今俱成過眼云煙。曾經(jīng)討厭嘈雜低端的她,現(xiàn)在反而喜歡身處其中。樹里仿佛是城市中唯一一個(gè)亡靈,沒有任何說話對象,除了那些慫恿失落的人自殺的蟲男?! ∵@是她的孤獨(dú)地獄,沒有止境的旅程……
公寓2024
Following her mother’s death, manga artist Soriya travels to her ancestral home in Phnom Penh, with hopes of reconnecting with her distant family and using the visit as inspiration for her work. All goes well initially. Renting an apartment in Metta, a rundown Khmer Rouge-era housing complex, her visit to her maternal relatives finds her welcomed with open arms. But Soriya’s waking hours in the apartment and its surroundings are punctuated by terrifying, bloody visions, almost as though she were a conduit for horrors of the past wanting to seep into the present. Inrasothythep Neth and Sokyou Chea’s blood-chilling psychological horror explores a personal and political past through the present, transforming a characterful space into an insidious environment. Surrounded by modern high-rises, this decrepit structure, with its brutalist architecture and peeling surfaces, is a relic from a dark period in history whose painful memories it has absorbed. In tracing Soriya’s ominous journey back to her roots, Tenement hints at a necessary reckoning with Cambodia’s political past without overplaying its historical dimension. It’s an impressive work from a woefully underrepresented national cinema.