紅鞋日記

評分:2.4 播放:55萬 更新:2026-04-26

在情色片這個(gè)領(lǐng)域中,薩曼京無疑可以稱之為大師。膾炙人口的名作就有愛你九周半/Nine暫無內(nèi)容1/2暫無內(nèi)容Weeks、野蘭花/Wild暫無內(nèi)容Orchid等,但更值得一提的就是紅鞋日記系列,這個(gè)電視系列自1992年推出首部后,至2002共拍了19部,第一部由X檔案系列男主角大衛(wèi)杜楚尼主演,為單獨(dú)的一個(gè)故事,之后其角色轉(zhuǎn)換為讀信人角色,其它各部均由3個(gè)小故事組成,深刻剖析女性面對性與愛的心理。其作品風(fēng)格與另一大師丁圖布拉斯相比更加唯美,也更易為人所接受。

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張子楓,宋佳,朱亞文,陳飛宇,彭昱暢,肖央,王硯輝,郭濤,王傳君,周政杰,張宥浩,吳昊宸,王挺,郭曉東,李晨,杜江,馮紹峰,閆妮,阿如那,曲禾,王雨甜,于謹(jǐn)維,王陽,張雪迎,劉軍,朱一龍,辛柏青,袁凱,梁靖康,于清斌

極樂

歐文·威爾遜,薩爾瑪·海耶克,瑪?shù)铝铡て娆?內(nèi)斯塔·庫珀,喬舒華·萊納德,小豪爾赫·蘭登伯格,錢信伊,德龍·霍頓,史蒂夫·齊西斯,梅西·麥克利,凱蒂·麥克凱布,Debbie Fan,Erin Flannery,凱拉·亞當(dāng)斯,Megan Le,達(dá)林·庫珀,克里斯托弗·艾伯,斯科特·道格拉斯麥·克拉克倫

布偶秀50周年特別節(jié)目

塞斯·羅根,塞布麗娜·卡彭特,瑪婭·魯?shù)婪?馬特·沃格爾,大衛(wèi)·戈?duì)柶?邁克林·西提,比爾·巴雷塔,Peter Linz,史黛芬妮·迪亞布卓,埃里克·雅各布森,Elizabeth Stenmoen,泰勒·邦奇,David Rudman,Alice Dinnean,Bruce Lanoil,科琳·史密斯,James Murray,Haley Jenkins,Kevin Carlson,Artie Esposito

暗夜呢喃

Stephen Blackehart,Mark Colson,Lance J. Holt

我的老婆是明星

周柏豪 ,劉心悠,林德信,蔡潔,蔣志光,李尚正,郭偉亮,葉佩雯,朱薰,李日朗,杜德偉,連詩雅,盧海鵬,林盛斌,邵美琪,車婉婉,莊鍶敏,田啟文,趙碩之,古天祥,符曉薇,黃文慧,余慕蓮,王曉君,李潤庭,可宜

妃子笑

蕭正楠,黃婉伶,黃婉君,陳逸寧,戴夢夢,朱咪咪,李兆基,江欣燕,梅小惠,謝雪心,楊羚,李思捷,王嘉明

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影視排行

無法饒恕的愛

薩拉·克利夫蘭,Matt Wells

...

等待方舟

耶日·斯圖爾,克里斯提娜·楊達(dá),卡里娜·謝魯斯克,馬里烏什·德莫霍夫斯基,馬雷克·瓦爾切夫斯基,揚(yáng)·諾維茨基,亨里克·比斯塔,萊昂·涅姆奇克,克茲佐夫·馬扎克,斯坦尼斯瓦夫·伊加爾

  Set in an underground dungeon inhabited by bundled, ragged human beings, after the nuclear holocaust. The story follows the wanderings of a hero through the situations of survival. People wait for the Ark to arrive and rescue them while their habitat falls apart.  Delving deep into the dusty and long abandonded vaults of b-cinema in search of lost gems always leaves me with a bittersweet taste. On one hand the discovery of unexpected gems where no one would think them possible is a rewarding experience. On the other hand though it makes one wonder how many of these remarkable low-budget oddities, personal love affairs of directors never quite famous and now all but forgotten, have almost forever slipped from memory?  n any case what we have here is a little post-apocalyptic gem from Poland that is really better than it has any right to. The dystopian near future of O-BI, O-BA finds a group of survivors of the nuclear war that ravaged the Earth inhabiting an underworld concrete bunker and biding their time as they wait for the mysterious Ark, an air ship of some kind that will come and save them. The Ark proves to be an elaborate hoax, carefully designed to give hope to the malnourished and desperate denizens of the bunker, while in the meantime the dome that separates their miserable existence from the nuclear winter outside is slowly caving in.  What first striked me about the movie is the design of the bunker and the depiction of the survivors. The survivors are gaunt, filthy and terrible-looking penitents, dressed in rags and aimlessly wandering the neon-lit halls of the bunker like automatons. The bunker is a rundown, seedy place, with bright neon lights peering from all sides like the eyes of malignant beasts.  On one hand it is a slightly 80's depiction of the dystopian future but the movie never stoops down to MAD MAX cheese. Instead it combines biting political satire with the bleak outlook of a world with no future, black comedy with barbs on apathy, religion and power. The survivors, for example, are fed some kind of flour dropping from a tube that hovers in the air - later on we discover the food supervisor uses books and the Bible itself as filler for this meagre meal. There are many such short symbolic touches, perhaps not life-changing or faith-restoring, yet playful, clever and inspired.  One thing is for sure; O-BI, O-BA is not your run-of-the-mill sci-fi schlock. It overcomes its modest budget with creativity and has genuine artistic aspirations both from a writing and directing perspective. My opinion is that it should have been filmed in black and white instead of colour though. The director uses atmospheric light and shadow to great effect and it would have registered even better in stark black and white. The blue-green neon on the other hand outstays its welcome after a while. Just a minor gripe in an otherwise solid b-movie with its heart set in all the right places.  Imagine a less bleak THE ROAD (Cormac McCarthy) being injected with the satire and humour of DR.STRANGELOVE and you're getting there. See it if you can find it.

絕命孤城

施駿喆,婁宇瑤,徐永革,趙曉明,馮可

明朝中葉,西北邊城,青樓女子接連被殘殺,隱匿線索直指邊關(guān)軍營,神捕白展飛奉命調(diào)查,卻屢屢受阻,無奈下只得暗中探查。然而當(dāng)他撥開層層迷霧,竟發(fā)現(xiàn)此案潛藏著一場不可告人的驚天陰謀。喋血孤城,命懸一線。(影劇備字〔2023〕第1669號)

兩張彩票

多里安·波古策,德拉戈什·布庫爾,亞歷山德魯-維克多·內(nèi)姆特亞努,諾拉·庫普辛庫,安迪·瓦斯盧亞努,尤安娜·弗洛倫蒂娜·迪米特流,米爾卡·巴努,伊萊亞斯·費(fèi)金,艾麗莎·卡林,伊琳娜·諾阿特斯,亞歷山德魯·帕帕多波爾,謝爾班·帕夫盧

  是由保羅·內(nèi)戈埃斯庫編劇執(zhí)導(dǎo)的一部羅馬尼亞喜劇片,主要講述了一個(gè)小城鎮(zhèn)的三名男子尋找遺失的彩票的過程中發(fā)生的有趣故事。迪奈勒是這個(gè)城鎮(zhèn)的一名修車工人,幸運(yùn)之神似乎從未光顧過他,因?yàn)樗目蛻艨偸菍λ幕钣?jì)不滿意、他的工資少到連酒都喝不起、就連他的妻子都因此離開了他。然而,有一天迪奈勒買彩票,意外中了大獎(jiǎng),這讓他重新燃起了生活的希望。但他似乎高興過了頭,導(dǎo)致他丟失了那張彩票。于是迪奈勒和他的朋友思萊、帕皮里優(yōu)一起踏上了尋找彩票的旅程。