劇情簡(jiǎn)介
一個(gè)色情演員的真實(shí)性愛(ài)錄影帶-?????暫無(wú)內(nèi)容??暫無(wú)內(nèi)容????暫無(wú)內(nèi)容???-獨(dú)家高清首發(fā)稀缺資源
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他人即地獄(日影)
八村倫太郎,柳俊太郎,岡田結(jié)實(shí),三浦健人,青木さやか,大倉(cāng)空人,萩原圣人,鈴木武,星耕介,濱津隆之,日比美思,松角洋平,大野泰廣「他人は地獄だ」は、地方から上京してきたユウが、不気味な入居者が暮らすシェアハウス「方舟」への入居をきっかけに、不可解な出來(lái)事が発生するサスペンスホラーだ。ヨンキ氏が描いたスリラー漫畫(huà)の舞臺(tái)を日本に置き換え、八村はユウ、柳は「方舟」のリーダー的存在のキリシマ、そしてユウの戀人?メグミを?qū)铯荬袱搿?/p>
地下室居民
瑪利亞·埃沃利,Vanesa Restrepo,卡拉·雅道爾一晚，三位姊妹潛入一位參議員的家，欲偷走他透過(guò)賄賂得來(lái)的錢(qián)。進(jìn)行到一半時(shí)，她們聽(tīng)見(jiàn)地下室傳來(lái)奇怪的聲音，決定前往調(diào)查。她們發(fā)現(xiàn)一位看似受到殘忍虐待的女孩被綁在床上?！ ∵@個(gè)半身不遂的女孩請(qǐng)求她們救她，她們也決定幫她。但她們不知道的是，這個(gè)女孩並不是受到虐待，而是被一個(gè)強(qiáng)大的黑暗力量附身，它將打開(kāi)另一個(gè)世界的大門(mén)。
感恩節(jié)
帕特里克·德姆西,泰·奧爾森,吉娜·格申,加布里埃爾·達(dá)文波特,凱倫·克里奇,內(nèi)爾·維拉克,里克·霍夫曼,德里克·麥克加特,凱瑟琳·特羅維爾,杰倫·托馬斯·布魯克斯,米卡·阿蒙森,阿曼達(dá)·巴克,沙琳·格里芬,提姆·狄龍,克里斯·桑迪福德,艾蒂森·蕾,托馬索·薩內(nèi)里,珍娜·沃倫,林恩·格里芬一個(gè)連環(huán)殺人犯前往馬薩諸塞州小鎮(zhèn)，想把鎮(zhèn)上居民打造成感恩節(jié)活人雕刻版。
尋找身體2
橋本環(huán)奈,真榮田鄉(xiāng)敦,櫻井海音,安齊星來(lái),鈴木福,本田真凜,吉田明彥森崎明日香在破解校園詛咒后消失，三年后，新一批高中生被困在深夜游樂(lè)園，陷入 “被紅衣人殺死就重復(fù)同一天” 的循環(huán)。而追殺他們的紅衣人，正是被詛咒吞噬的明日香。眾人一邊求生，一邊試圖解開(kāi)詛咒、拯救變回怪物的她。
俘虜國(guó)度
約翰·古德曼,艾什頓·桑德斯,喬納森·梅杰斯,維拉·法米加,凱文·杜恩,詹姆斯·蘭索恩,阿蘭·盧克,瑪?shù)铝铡げ剪敔?機(jī)關(guān)槍凱利,凱文·J·奧康納,本·丹尼爾斯,凱特琳·埃瓦爾德,D·B·斯威尼,瑞內(nèi)·L·莫雷諾,珊農(nóng)·克奇蘭,琪琪·萊恩,馬克·格拉佩,丹尼·高德林,簡(jiǎn)·巴克斯特·米勒,賽勒斯·亞歷山大,伊立沙·弗雷丁,莉茲·麗,巴爾巴拉·伊麗莎白·馬萊斯基,魯斯·帕薩雷拉影片講述在地球已被外星人占領(lǐng)了10年之后的芝加哥市區(qū)，一股反抗勢(shì)力異軍突起，與服從派的政府勢(shì)力產(chǎn)生了不可調(diào)和的矛盾，一場(chǎng)戰(zhàn)斗由此而生?！斗攪?guó)度》由焦點(diǎn)影業(yè)出品，將于3月29日在北美上映。
寶島2025
妻夫木聰,廣瀨鈴,洼田正孝,永山瑛太,冢本晉也,中村蒼,瀧內(nèi)公美,榮莉彌,尚玄,瀧正則,木幡龍,奧野瑛太,村田秀亮,Derrick Dover在二戰(zhàn)后尚未歸還日本的沖繩島上，有一群人自可怕的「鐵暴風(fēng)」中幸存下來(lái)。他們像動(dòng)物般活在殘破的世界，眼前是垂死的島民和尸體。于是他們從美軍的倉(cāng)庫(kù)和基地?fù)寠Z物資，延續(xù)這座島上未完的戰(zhàn)爭(zhēng)，他們被叫做「戰(zhàn)果撈客」。直到那一夜，阿恩（永山瑛太 飾）在嘉手納基地的逃亡過(guò)程中神秘失蹤，一場(chǎng)曾將故鄉(xiāng)燒毀殆盡的鐵暴風(fēng)再度席卷這座島嶼而來(lái)。 「活下去，生還才是最大的戰(zhàn)果?！苟嗄曛?，島上女孩接連慘遭殺害，一名菜鳥(niǎo)琉球警察（妻夫木聰 飾）奉令偵辦命案。追捕疑犯的過(guò)程中，在兇手車(chē)子里發(fā)現(xiàn)的人骨和一名神秘出現(xiàn)的男孩，讓他兒時(shí)身為戰(zhàn)果撈客的記憶與一道道未解謎團(tuán)又重回腦海。
等待方舟
耶日·斯圖爾,克里斯提娜·楊達(dá),卡里娜·謝魯斯克,馬里烏什·德莫霍夫斯基,馬雷克·瓦爾切夫斯基,揚(yáng)·諾維茨基,亨里克·比斯塔,萊昂·涅姆奇克,克茲佐夫·馬扎克,斯坦尼斯瓦夫·伊加爾Set in an underground dungeon inhabited by bundled, ragged human beings, after the nuclear holocaust. The story follows the wanderings of a hero through the situations of survival. People wait for the Ark to arrive and rescue them while their habitat falls apart. Delving deep into the dusty and long abandonded vaults of b-cinema in search of lost gems always leaves me with a bittersweet taste. On one hand the discovery of unexpected gems where no one would think them possible is a rewarding experience. On the other hand though it makes one wonder how many of these remarkable low-budget oddities, personal love affairs of directors never quite famous and now all but forgotten, have almost forever slipped from memory? n any case what we have here is a little post-apocalyptic gem from Poland that is really better than it has any right to. The dystopian near future of O-BI, O-BA finds a group of survivors of the nuclear war that ravaged the Earth inhabiting an underworld concrete bunker and biding their time as they wait for the mysterious Ark, an air ship of some kind that will come and save them. The Ark proves to be an elaborate hoax, carefully designed to give hope to the malnourished and desperate denizens of the bunker, while in the meantime the dome that separates their miserable existence from the nuclear winter outside is slowly caving in. What first striked me about the movie is the design of the bunker and the depiction of the survivors. The survivors are gaunt, filthy and terrible-looking penitents, dressed in rags and aimlessly wandering the neon-lit halls of the bunker like automatons. The bunker is a rundown, seedy place, with bright neon lights peering from all sides like the eyes of malignant beasts. On one hand it is a slightly 80's depiction of the dystopian future but the movie never stoops down to MAD MAX cheese. Instead it combines biting political satire with the bleak outlook of a world with no future, black comedy with barbs on apathy, religion and power. The survivors, for example, are fed some kind of flour dropping from a tube that hovers in the air - later on we discover the food supervisor uses books and the Bible itself as filler for this meagre meal. There are many such short symbolic touches, perhaps not life-changing or faith-restoring, yet playful, clever and inspired. One thing is for sure; O-BI, O-BA is not your run-of-the-mill sci-fi schlock. It overcomes its modest budget with creativity and has genuine artistic aspirations both from a writing and directing perspective. My opinion is that it should have been filmed in black and white instead of colour though. The director uses atmospheric light and shadow to great effect and it would have registered even better in stark black and white. The blue-green neon on the other hand outstays its welcome after a while. Just a minor gripe in an otherwise solid b-movie with its heart set in all the right places. Imagine a less bleak THE ROAD (Cormac McCarthy) being injected with the satire and humour of DR.STRANGELOVE and you're getting there. See it if you can find it.