劇情縱覽
俊良與若蘭結(jié)婚,當(dāng)新郎解下新娘的禮服共渡新婚之夜之時(shí)
俊良與若蘭結(jié)婚,當(dāng)新郎解下新娘的禮服共渡新婚之夜之時(shí)
霧山捕蛇人深陷苛政與蛇禍雙重絕境,異變的陰影籠罩村落,一場(chǎng)關(guān)乎救贖與守護(hù)的博弈悄然開(kāi)啟。
一個(gè)手忙腳亂的父親(莫羅尼 飾)購(gòu)買了一個(gè)家政服務(wù)機(jī)器人(??怂?飾)來(lái)幫忙打理家務(wù)、照顧家人,然而隨著機(jī)器人的意識(shí)覺(jué)醒,一家人反而陷入了危機(jī)之中……
A dog gains superpowers after his is abducted by aliens. Together they battle an evil cat threatening humanity while the dog becomes a famous superhero.
Ay?e, Ali, Mehmet and Zeynep are middle-class millennials struggling to make ends meet in Istanbul. Either still living with their parents or hardly getting by without help from their families, they are all beset by similar woes: money crunch, joblessness, social isolation. In view of the world’s horrors that Zeynep enumerates in her diary entries, these are minor problems, ‘slight disasters’, but they are all-consuming, at least to the extent of making them cry in the still of the night. However, Umut Subasi’s first feature, Almost Entirely a Slight Disaster, is not a melodrama. With an appealingly light touch, it diagnoses the malaise of a generation that has run up against a dead end, one whose future prospects are indistinguishable from a game of chance. This is a world where astrology, the lottery and online personality tests compete with visa and job applications as life-shaping elements. Fittingly, the film is structured around chance and coincidence, with its handful of characters encountering each other in every permutation, as though there were no world outside this small social bubble. With self-aware, frontal framing that pins characters to their surroundings and a counterintuitive musical score that turns pathos into humour, Subasi offers a social-media movie without social media, one whose characters are united in their double lives and frustrated desires. 源自:https://iffr.com/en/iffr/2023/films/almost-entirely-a-slight-disaster