我經(jīng)過風(fēng)暴
看似事業(yè)有成、兒女雙全的徐敏(佟麗婭 飾)卻有著難以啟齒的秘密:她被丈夫陳均(吳昱翰 飾)長期家暴。徐敏不是所有人想象中受害者的模樣,她堅毅勇敢且有自己的事業(yè),在與律師李小萌(王影璐 飾)艱難抗?fàn)幵噲D離婚的過程中,面對小心謹(jǐn)慎不留證據(jù)的丈夫、周遭人冷言冷語嘲諷質(zhì)疑、社會系統(tǒng)的不作為、為了兩個孩子……當(dāng)離婚不是家暴的終點(diǎn),當(dāng)家不是避風(fēng)港而是暴雨本身,她究竟能否沖破這場風(fēng)暴?
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耶日·斯圖爾,克里斯提娜·楊達(dá),卡里娜·謝魯斯克,馬里烏什·德莫霍夫斯基,馬雷克·瓦爾切夫斯基,揚(yáng)·諾維茨基,亨里克·比斯塔,萊昂·涅姆奇克,克茲佐夫·馬扎克,斯坦尼斯瓦夫·伊加爾Set in an underground dungeon inhabited by bundled, ragged human beings, after the nuclear holocaust. The story follows the wanderings of a hero through the situations of survival. People wait for the Ark to arrive and rescue them while their habitat falls apart. Delving deep into the dusty and long abandonded vaults of b-cinema in search of lost gems always leaves me with a bittersweet taste. On one hand the discovery of unexpected gems where no one would think them possible is a rewarding experience. On the other hand though it makes one wonder how many of these remarkable low-budget oddities, personal love affairs of directors never quite famous and now all but forgotten, have almost forever slipped from memory? n any case what we have here is a little post-apocalyptic gem from Poland that is really better than it has any right to. The dystopian near future of O-BI, O-BA finds a group of survivors of the nuclear war that ravaged the Earth inhabiting an underworld concrete bunker and biding their time as they wait for the mysterious Ark, an air ship of some kind that will come and save them. The Ark proves to be an elaborate hoax, carefully designed to give hope to the malnourished and desperate denizens of the bunker, while in the meantime the dome that separates their miserable existence from the nuclear winter outside is slowly caving in. What first striked me about the movie is the design of the bunker and the depiction of the survivors. The survivors are gaunt, filthy and terrible-looking penitents, dressed in rags and aimlessly wandering the neon-lit halls of the bunker like automatons. The bunker is a rundown, seedy place, with bright neon lights peering from all sides like the eyes of malignant beasts. On one hand it is a slightly 80's depiction of the dystopian future but the movie never stoops down to MAD MAX cheese. Instead it combines biting political satire with the bleak outlook of a world with no future, black comedy with barbs on apathy, religion and power. The survivors, for example, are fed some kind of flour dropping from a tube that hovers in the air - later on we discover the food supervisor uses books and the Bible itself as filler for this meagre meal. There are many such short symbolic touches, perhaps not life-changing or faith-restoring, yet playful, clever and inspired. One thing is for sure; O-BI, O-BA is not your run-of-the-mill sci-fi schlock. It overcomes its modest budget with creativity and has genuine artistic aspirations both from a writing and directing perspective. My opinion is that it should have been filmed in black and white instead of colour though. The director uses atmospheric light and shadow to great effect and it would have registered even better in stark black and white. The blue-green neon on the other hand outstays its welcome after a while. Just a minor gripe in an otherwise solid b-movie with its heart set in all the right places. Imagine a less bleak THE ROAD (Cormac McCarthy) being injected with the satire and humour of DR.STRANGELOVE and you're getting there. See it if you can find it.
小鎮(zhèn)突襲
雷·利奧塔,多米尼克·珀塞爾,邁克爾·帕爾巴倫為首的四個刺客,偽造成特勤局特工去到艾倫家里,艾倫是一個因?yàn)閼?zhàn)爭失去了丈夫的女人.她家的位置很適合偷襲總統(tǒng),那些人騙過了當(dāng)?shù)氐木?只有托德頭腦依然清晰明了,他是個伊拉克的戰(zhàn)爭英雄,曾經(jīng)和艾倫的丈夫一起服役,托德想辦法殺了他們的一個手下,但被抓了.他們必須在總統(tǒng)被刺殺之前找到一個辦法阻止刺客。。。。。
極樂
歐文·威爾遜,薩爾瑪·海耶克,瑪?shù)铝铡て娆?內(nèi)斯塔·庫珀,喬舒華·萊納德,小豪爾赫·蘭登伯格,錢信伊,德龍·霍頓,史蒂夫·齊西斯,梅西·麥克利,凱蒂·麥克凱布,Debbie Fan,Erin Flannery,凱拉·亞當(dāng)斯,Megan Le,達(dá)林·庫珀,克里斯托弗·艾伯,斯科特·道格拉斯麥·克拉克倫故事講述剛離婚不久的格雷格(威爾遜飾)遇到了迷人的伊莎貝爾(海耶克飾)。伊莎貝爾住在大街上,認(rèn)為這個被污染、破敗不堪的世界并不是真實(shí)的。她相信這個丑陋的世界是在一個美麗、和平、“真實(shí)”的極樂世界的內(nèi)部。起初格雷格表示懷疑,但他最終發(fā)現(xiàn)這個理論很有道理。