善良的嫂子3

★ 6.3 播放:49萬 更新:2026-05-05
主演:閔度允 

男主偶遇曾經(jīng)的好友,已經(jīng)混的相當落魄,給別人做著代價,收入很低,連老婆都養(yǎng)活不了,無奈只能求助于男主,而這一切都是男主計劃之中的事情,因為他覬覦好友的老婆,也就是這個性感的嫂子,并一直渴望得到她的肉體,為了支開好友,男主推薦他去了一家發(fā)展前景很好的公司上班,而讓嫂子留住在自己家中,孤男寡女獨處一室,男主更是色心大起,開始計劃著一步步將嫂子淪為自己的玩物...   

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劇情簡介

男主偶遇曾經(jīng)的好友,已經(jīng)混的相當落魄,給別人做著代價,收入很低,連老婆都養(yǎng)活不了,無奈只能求助于男主,而這一切都是男主計劃之中的事情,因為他覬覦好友的老婆,也就是這個性感的嫂子,并一直渴望得到她的肉體,為了支開好友,男主推薦他去了一家發(fā)展前景很好的公司上班,而讓嫂子留住在自己家中,孤男寡女獨處一室,男主更是色心大起,開始計劃著一步步將嫂子淪為自己的玩物...   

導演精選

養(yǎng)鬼吃人4

時間轉眼到達2127年,修老道又從地獄中走了出來,這一次,他發(fā)覺自個兒在外宇宙的一艘飛船上,原來這是Merchant博士的一個規(guī)劃,他計劃將地獄之門永恒的閉合.Merchant博士的祖輩,一個18百年的七巧板制作商,就是魔方的制作者.固然幾個百年以往了,但Merchant一家始末為關閉地獄之門而盡力盡量.這一次,Merchant博士要在外宇宙將修老道徹底消泯……

異形:奪命艦

  影片時間線設定在1979年第一部《異形》與1986年的續(xù)集《異形2》之間,圍繞一群年輕而勇敢的太空殖民者展開。講述他們?yōu)樘与x外星采礦殖民地的沉悶生活,在冒險探索一座廢棄的太空站時,意外遭遇了宇宙中最可怕的生命體——異形?! —M窄幽暗、危機四伏的空間站中,大逃殺的序幕已經(jīng)被無情拉開,人類再次成為異形生物捕獵的目標。在無盡的黑暗與死亡威脅的籠罩之下,太空探險隊員們能否在每一次心跳的瞬間,察覺到未知生物潛伏的絲絲寒意?在這場你死我活的追逐戰(zhàn)中,他們將直面怎樣的信任挑戰(zhàn)和道德掙扎?當一個又一個同伴被殘忍吞噬,求救無門的他們究竟能否在這場太空殺戮中尋得一線生機?

公寓2024

  Following her mother’s death, manga artist Soriya travels to her ancestral home in Phnom Penh, with hopes of reconnecting with her distant family and using the visit as inspiration for her work. All goes well initially. Renting an apartment in Metta, a rundown Khmer Rouge-era housing complex, her visit to her maternal relatives finds her welcomed with open arms. But Soriya’s waking hours in the apartment and its surroundings are punctuated by terrifying, bloody visions, almost as though she were a conduit for horrors of the past wanting to seep into the present.  Inrasothythep Neth and Sokyou Chea’s blood-chilling psychological horror explores a personal and political past through the present, transforming a characterful space into an insidious environment. Surrounded by modern high-rises, this decrepit structure, with its brutalist architecture and peeling surfaces, is a relic from a dark period in history whose painful memories it has absorbed. In tracing Soriya’s ominous journey back to her roots, Tenement hints at a necessary reckoning with Cambodia’s political past without overplaying its historical dimension. It’s an impressive work from a woefully underrepresented national cinema.