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又名: 無阿爾卑斯牧人的性玩偶傳說 這是一部由瑞士導(dǎo)演邁克 middot;施坦納根據(jù)《牧人的人偶》傳說執(zhí)導(dǎo)的驚悚片.在阿爾卑斯高山上孤獨(dú)的牧人缺乏女性的陪伴,而制作出一個(gè)女性人偶來滿足需要.這個(gè)人偶最終成了活人,開始向折磨她的人進(jìn)行復(fù)仇.《牧人的人偶》被宣傳為一個(gè)關(guān)于悲劇、肉欲、瘋狂和謀殺的故事。
又名: 無阿爾卑斯牧人的性玩偶傳說 這是一部由瑞士導(dǎo)演邁克 middot;施坦納根據(jù)《牧人的人偶》傳說執(zhí)導(dǎo)的驚悚片.在阿爾卑斯高山上孤獨(dú)的牧人缺乏女性的陪伴,而制作出一個(gè)女性人偶來滿足需要.這個(gè)人偶最終成了活人,開始向折磨她的人進(jìn)行復(fù)仇.《牧人的人偶》被宣傳為一個(gè)關(guān)于悲劇、肉欲、瘋狂和謀殺的故事。
又名: 無阿爾卑斯牧人的性玩偶傳說 這是一部由瑞士導(dǎo)演邁克 middot;施坦納根據(jù)《牧人的人偶》傳說執(zhí)導(dǎo)的驚悚片.在阿爾卑斯高山上孤獨(dú)的牧人缺乏女性的陪伴,而制作出一個(gè)女性人偶來滿足需要.這個(gè)人偶最終成了活人,開始向折磨她的人進(jìn)行復(fù)仇.《牧人的人偶》被宣傳為一個(gè)關(guān)于悲劇、肉欲、瘋狂和謀殺的故事。
一個(gè)外星人家庭在不幸意外地被美國(guó)探測(cè)太空船攜回地球,他們?cè)谝魂嚮靵y中沖出太空總署逃向沙漠,但小外星人麥克與家人失散,溜上了不良于行的艾瑞克家人的旅行車而跟著車到了內(nèi)華達(dá)州。麥克在一次意外事件中救了艾瑞克之后,與艾瑞克兄弟和鄰居女童黛比等人結(jié)為好友,并要求他們協(xié)助搜救在沙漠中垂死的家人。艾瑞克一行人終于在麥克的指引下找到他的家人并帶他們回家,卻不意在超級(jí)市場(chǎng)中造成騷動(dòng),警方及尾隨而來的科學(xué)家們企圖抓住他們而引發(fā)了沖擊…
1994年,一隊(duì)野蠻的緝毒警察來到一處倉(cāng)庫,并在其中發(fā)現(xiàn)大量邪教信徒和散播的錄像:①霍莉和攝影師去下水道探尋神秘生物,卻在這遇上此生難忘的恐怖經(jīng)歷。②守靈教堂內(nèi),守夜人平靜守夜,但風(fēng)暴來臨后會(huì)發(fā)生什么?③印尼科學(xué)家妄圖創(chuàng)造人機(jī)合一的神話,卻不料一隊(duì)特警早以虎視眈眈 ④一隊(duì)反社會(huì)份子盯上國(guó)會(huì)大廈打算引爆大廈,卻不料他們的計(jì)劃將會(huì)迎來怎樣的變數(shù)?鏡頭之外,死亡的魔爪正緩緩伸向小隊(duì)成員…
Ay?e, Ali, Mehmet and Zeynep are middle-class millennials struggling to make ends meet in Istanbul. Either still living with their parents or hardly getting by without help from their families, they are all beset by similar woes: money crunch, joblessness, social isolation. In view of the world’s horrors that Zeynep enumerates in her diary entries, these are minor problems, ‘slight disasters’, but they are all-consuming, at least to the extent of making them cry in the still of the night. However, Umut Subasi’s first feature, Almost Entirely a Slight Disaster, is not a melodrama. With an appealingly light touch, it diagnoses the malaise of a generation that has run up against a dead end, one whose future prospects are indistinguishable from a game of chance. This is a world where astrology, the lottery and online personality tests compete with visa and job applications as life-shaping elements. Fittingly, the film is structured around chance and coincidence, with its handful of characters encountering each other in every permutation, as though there were no world outside this small social bubble. With self-aware, frontal framing that pins characters to their surroundings and a counterintuitive musical score that turns pathos into humour, Subasi offers a social-media movie without social media, one whose characters are united in their double lives and frustrated desires. 源自:https://iffr.com/en/iffr/2023/films/almost-entirely-a-slight-disaster
亨利(加里·庫柏 Gary Cooper 飾)是一位熱血沸騰的青年,戰(zhàn)爭(zhēng)爆發(fā)了,他自愿前往意大利,成為了一名救護(hù)車駕駛員。在意大利,亨利結(jié)識(shí)了名為凱瑟琳(海倫·海絲 Helen Hayes 飾)的美麗護(hù)士,之后,亨利因?yàn)槭軅凰瓦M(jìn)了米蘭醫(yī)院,在那里,他和凱瑟琳重逢了。住院期間,亨利和凱瑟琳墜入了情網(wǎng),凱瑟琳的腹中亦懷上了亨利的骨肉。傷愈之后,亨利回到了戰(zhàn)場(chǎng),卻發(fā)現(xiàn)我軍的士氣大跌,處處彌漫著慘淡的氣氛。上司開始大量處決涉嫌逃跑的士兵,亨利亦難以幸免,他僥幸逃脫了自己人的槍子,他決定找到凱瑟琳,兩人逃離戰(zhàn)場(chǎng),去過他們與世無爭(zhēng)的日子。然而,意大利警察的追捕緊隨其后,兩人踏上了逃亡的旅途。