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杜塞
瓦萊麗亞·布魯尼·泰德斯基,諾米·梅蘭特,文森佐·內(nèi)莫拉托,范尼·伍羅奇納,福斯托·魯索·阿萊西,馬切羅·馬扎雷拉,文森佐·皮羅塔,費德里科·帕西菲奇,選填,Iacopo Fanelli,Gaja Masciale,文琴察·莫迪卡,米莫·博雷利,Edoardo Sorgente,薩維諾·帕帕雷拉,Vincenzo IantornoA portrait of actress Eleonora Duse.
古劍奇譚之琴心劍魄
白澍,梁婧嫻,姜震昊,黃羿,王景灝仙人長琴犯錯被罰下天界，命魂被鑄成兇劍焚寂，心魄托生成人為歐陽少恭。焚寂被注入韓云溪體內(nèi)。少恭誤入歧途危害百姓，云溪維護天下與少恭同歸于盡，云溪戀人風晴雪帶著他的魂魄踏上了尋找復(fù)活之法的漫漫長路……
外星入侵者ZIM
Richard Steven Horvitz,Andy Berman,Rosearik Rikki Simons,Melissa Fahn一名想要征服地球的外星人ZIM 假扮成人類，而只有一個妄想狂的小孩Dib Membrane知道這個秘密。本劇于2001年3月30日在美國和菲律賓首播?！ im是來自外星來的小孩,應(yīng)該說是入侵者,但他在自己不知道的情況下,被母星放逐,不知不覺來到了地球... 以小學(xué)生的身分在地球生活,雖然說是入侵者,但是幾乎都沒在進行侵略的動作...(反而在我看過的集數(shù)中,拯救地球兩次= =") 而且還要面對面前的敵人-Dib的侵擾(在我看來像是騷擾),Dib是唯一知道Zim是個外星人的地球人,但是因為也是個小孩子,所以沒人相信他. Zim與Dib是同校又同班的敵人(或者說是一對活寶),不時會進行互相乾擾的...笑話 Invader Zim的動畫進行是有點類似PPG(飛天小女警),30分鐘演兩話,1話12分鐘左右,所以每一話幾乎都充滿笑點....
充氣情人
朱可兒,王波文,鄒旭峰,袁宗軒潘金蓮（朱可兒 飾）時候，因為對前世的感情放不下，所以一直在陰間徘徊，遲遲不能轉(zhuǎn)世投胎，在一次企圖逃跑的時候被鐘馗捉住，為了懲罰潘金蓮，鐘馗給了她十日的期限，讓她重返人間自斷執(zhí)念，否則就要她魂飛魄散，哪知道在誤打誤撞之中，潘金蓮竟然附身在了一個充氣娃娃的身上，被名為武志（王波文 飾）的男子買回了家。 單純善良的武志讓潘金蓮再度相信了人間有真愛，在幫助武志追求心儀的女神的同時，潘金蓮漸漸愛上了他，而武志也最終明白誰才是最值得托付終身的人，兩人最終心意相通，但是，十日的大限將到，留給他們的時間不多了。
好像一切都很糟糕
Melis Sevin?,Melisa Bostanc?o?lu,?brahim Ar?c?,Mert Can SevimliAy?e, Ali, Mehmet and Zeynep are middle-class millennials struggling to make ends meet in Istanbul. Either still living with their parents or hardly getting by without help from their families, they are all beset by similar woes: money crunch, joblessness, social isolation. In view of the world’s horrors that Zeynep enumerates in her diary entries, these are minor problems, ‘slight disasters’, but they are all-consuming, at least to the extent of making them cry in the still of the night. However, Umut Subasi’s first feature, Almost Entirely a Slight Disaster, is not a melodrama. With an appealingly light touch, it diagnoses the malaise of a generation that has run up against a dead end, one whose future prospects are indistinguishable from a game of chance. This is a world where astrology, the lottery and online personality tests compete with visa and job applications as life-shaping elements. Fittingly, the film is structured around chance and coincidence, with its handful of characters encountering each other in every permutation, as though there were no world outside this small social bubble. With self-aware, frontal framing that pins characters to their surroundings and a counterintuitive musical score that turns pathos into humour, Subasi offers a social-media movie without social media, one whose characters are united in their double lives and frustrated desires. 源自：https://iffr.com/en/iffr/2023/films/almost-entirely-a-slight-disaster