偷情兩三事

★ 9.1 播放：68萬 更新：2026-05-05

這部電影說的是有關一對已婚夫婦，都是警官并且對自己的婚姻都感到不幸福。妻子在工作中遇到了一位神秘的女子并為之吸引。但是丈夫卻是這位神秘女人新的搭檔，這使得事情更為的復雜起來。

在線播放

劇情簡介

這部電影說的是有關一對已婚夫婦，都是警官并且對自己的婚姻都感到不幸福。妻子在工作中遇到了一位神秘的女子并為之吸引。但是丈夫卻是這位神秘女人新的搭檔，這使得事情更為的復雜起來。

導演精選

大廚

　　德高望重的亞歷山大（讓·雷諾 Jean Reno 飾）多年來一直是米其林餐廳的三星主廚，但是近來他的境遇卻屢現(xiàn)危機。當下的法國料理界正是”分子料理”風靡，傳統(tǒng)料理日漸衰落的時代，亞歷山大所堅持的傳統(tǒng)料理很有可能會在即將到來的星級評審中落敗，餐廳的小開更是翹首以盼可以就此炒了他。正當亞歷山大焦頭爛額之時，一名名不見經傳的小廚師杰克（邁克爾·揚 Micha?l Youn 飾）出現(xiàn)了，杰克是亞歷山大食譜的忠實追隨者，卻因對料理的狂熱固執(zhí)屢次失業(yè)，只好在養(yǎng)老院找了份油漆工作。一個偶然的機會，亞歷山大讓杰克到他的餐廳實習，杰克與生俱來的料理天分和另辟蹊徑的烹調創(chuàng)意令亞歷山大大為賞識，很快成為其左右手。星級評審越來越近，兩位傳統(tǒng)烹飪大師的合作能否在挑剔的”分子料理”派面前力挽狂瀾呢？

那個人在想什么事情

　　The main character is Dr. Max Holst, a successful neurosurgeon. One day an intense little man named Steinmetz shows up, who has the real ability to create objects out of thin air, using only his mind. As no one believes him at first, he is held at a ward for mental patients, but manifests the key to his door and escapes. As he has a special interest in Dr. Holst, Steinmetz subsequently invites Holst to his large mansion, which is full of expensive paintings and sculptures, and proves to him that he can in fact materialise objects. Steinmetz’s abilities are evolving by leaps and bounds, and is progressing from being able to create objects only to being able to create living things. His ultimate ambition is to be able to create a human being. He tells Dr. Holst that if he will only perform a certain brain operation on him, Steinmetz will become able to attain his goal. He’s got all the necessary equipment set up in his basement. Dr. Holst, however, is too spooked by the whole thing to agree to this mad scheme, and refuses. Steinmetz then sets about manipulating Holst’s life, to pressure him into performing the operation. By then Steinmetz has become able to create a temporary human being, and in the hope that he can perhaps make his own creation perform the operation, he manifests a doppelganger of Dr. Holst. This double proceeds to take over Dr. Holst’s life, creating chaos for him professionally and personally. And then Dr. Holst starts fighting back. The ending has the dual virtue of being both unexpected and satisfying.

主謀

　　在天眼尚未密布，監(jiān)場保安仍會打瞌睡的二十世紀七十年代，名畫大盜就是會光天化日，大剌剌走進美術館，直接把獵物從墻上取下放入布袋運走?？此苾簯虻囊磺?，背后主謀還要是住在市郊、人畜無害的住家男人。凱莉·萊卡特完全棄用好萊塢盜寶片敘事公式，改以其擅長的左翼簡約主義鏡頭，捕捉觸犯藝術罪行者的日常生活、雙面人的言行處境，以及事件周遭人情冷暖。阿瑟多夫的抽象畫作未必是一個借口，但到頭來凸顯存在荒謬的公路逃亡，儼然為觀眾添加了不少欣賞和思考的層次。