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毗鄰而居
威廉·菲克納,杰西卡·麥克娜美,珍·路易莎·凱利,邁克爾·羅森巴姆,科林·伍德?tīng)?埃里希·安德森,羅伯特·阿爾茨不良教育
妲露拉·萊莉,喬安娜·斯坎倫,克拉克·彼得斯,杰克·懷特霍爾,馬修·豪勒,史蒂夫·斯皮爾斯,莎拉·索蕾瑪尼,哈里·恩菲爾德,托尼·毛德斯雷,萊頓·威廉姆斯,史蒂夫·奧拉姆,馬克·伍頓,查理·沃納姆,妮琪·羅南克萊斯毛骨悚然撞鬼經(jīng) 2025夏季特別篇
小栗旬,上野樹(shù)里,岡田將生,佐藤健,綾瀨遙,石原里美,出口夏希世界的主人
徐粹彬,張慧珍,金鄭植,姜彩允,李宰錫,樸知玧,金藝昶,高旻示,白賢珠,卞重熙,文惠仁,鄭恩京,李尚熙,李代延,金錫勛,林在赫與祖國(guó)同在
諾埃爾·考沃德,約翰·米爾斯,伯納德·邁爾斯,西莉亞·約翰遜,凱·沃爾什,喬伊絲·凱里,德里克·艾爾菲斯通,邁克·懷爾登,Robert Sansom,菲利普·佛倫德,Chimmo Branson,巴拉德伯克利,Hubert Gregg,詹姆斯·唐納德,邁克爾·惠特克,Kenneth Carten,約翰·瓦利,Caven Watson,杰弗里·希伯特,弗雷德里克·派珀,萊斯利·德懷爾,John Singer,John Boxer,約翰尼·斯科菲爾德,沃爾特·菲茨杰拉德,杰拉爾德·凱斯,丹尼爾·梅西,Ann鯨
布蘭登·費(fèi)舍,薩迪·辛克,周洪,泰·辛普金斯,薩曼莎·莫頓,實(shí)諦·史達(dá)仁,杰西·辛克弗蘭茨
伊丹·魏斯,彼得·庫(kù)爾特,耶諾夫法·波科娃,伊凡·特洛伊,Sandra Korzeniak,卡塔琳娜·斯塔克,塞巴斯蒂安·施瓦茨,亞倫·弗里斯,卡羅爾·舒勒,Gesa Shermuly,揚(yáng)·布達(dá)爾,約瑟夫·特洛伊,卡雷爾·多布雷,Daniel Dongres,René Hofschneider,米哈爾·伊斯特尼克,弗拉迪米爾·雅沃爾斯基,Václav Jirácek,Michal Kern,Stepán Klán同系列推薦
無(wú)歸客
宋洋,陳立農(nóng),姜珮瑤喚醒殺手
夏恩·韋斯特,萊絲莉·比伯,馬特·克拉文畫(huà)筆與旋律
Laura Chiatti,Salvatore Langella,Filippo Nigro一百樣?xùn)|西
弗洛里安·大衛(wèi)·菲茨,馬提亞斯·施維赫夫,米里亞姆·斯坦因,漢內(nèi)洛勒·埃爾斯納,卡特琳娜·塔巴赫,約翰尼斯·艾麥亞,馬克西米利安·梅耶-布雷澤內(nèi)德,瑪利亞·佛萬(wàn)格勒,沃爾夫?qū)に顾菲?Sarah Victoria Frick,Artjom Gilz,丹尼爾·弗利格,Milo Eisenbl?tter,Nora Boeckler靈菁傳
胡悅,龔小鈞,孟璐,何聰睿,吳驍栩,曾語(yǔ)喬抵擋計(jì)劃
Donald Cerrone,凱利·林恩·萊特,Vincent E. McDaniel,布蘭迪·羅德里克,Chris Maher幕后花絮
好像一切都很糟糕
Ay?e, Ali, Mehmet and Zeynep are middle-class millennials struggling to make ends meet in Istanbul. Either still living with their parents or hardly getting by without help from their families, they are all beset by similar woes: money crunch, joblessness, social isolation. In view of the world’s horrors that Zeynep enumerates in her diary entries, these are minor problems, ‘slight disasters’, but they are all-consuming, at least to the extent of making them cry in the still of the night. However, Umut Subasi’s first feature, Almost Entirely a Slight Disaster, is not a melodrama. With an appealingly light touch, it diagnoses the malaise of a generation that has run up against a dead end, one whose future prospects are indistinguishable from a game of chance. This is a world where astrology, the lottery and online personality tests compete with visa and job applications as life-shaping elements. Fittingly, the film is structured around chance and coincidence, with its handful of characters encountering each other in every permutation, as though there were no world outside this small social bubble. With self-aware, frontal framing that pins characters to their surroundings and a counterintuitive musical score that turns pathos into humour, Subasi offers a social-media movie without social media, one whose characters are united in their double lives and frustrated desires. 源自：https://iffr.com/en/iffr/2023/films/almost-entirely-a-slight-disaster
致命錄像帶85
在一部電視紀(jì)錄片中，五個(gè)令人不寒而栗的故事浮出水面:科學(xué)家們觀察到一個(gè)不尋常的男孩盯著電視看，孩子們開(kāi)始了一場(chǎng)湖上劃水冒險(xiǎn)，一個(gè)電視攝制組在自然災(zāi)害中掙扎求生，早期的VR喚醒了一些可怕的東西，一個(gè)致命的夢(mèng)被記錄在錄像帶上?！?0世紀(jì)80年代的邪惡秘密以一種你從未見(jiàn)過(guò)的方 式變得栩栩如生。