劇情縱覽
宥羅一直夢想功成名就,賺好多好多的錢,而俊則希望有朝一日回到自己的家鄉(xiāng)。宥羅一方面責(zé)備俊不夠有魄力,一方面盼望通過成為明星賺取名利。宥羅得到一個陌生大人物的幫助成為明星,卻漸漸對這種行動被控制,甚至被當(dāng)作寵物看待的生活漸生厭倦,越發(fā)懷念和俊的愛情。盡管想逃離現(xiàn)實,宥羅卻擺脫不了越陷越深的窘境,終于精神崩潰,成為喪失記憶的廢人。俊得知宥羅失蹤馬上四處尋找,終于在一家精神醫(yī)院找到恍惚的宥羅……
宥羅一直夢想功成名就,賺好多好多的錢,而俊則希望有朝一日回到自己的家鄉(xiāng)。宥羅一方面責(zé)備俊不夠有魄力,一方面盼望通過成為明星賺取名利。宥羅得到一個陌生大人物的幫助成為明星,卻漸漸對這種行動被控制,甚至被當(dāng)作寵物看待的生活漸生厭倦,越發(fā)懷念和俊的愛情。盡管想逃離現(xiàn)實,宥羅卻擺脫不了越陷越深的窘境,終于精神崩潰,成為喪失記憶的廢人。俊得知宥羅失蹤馬上四處尋找,終于在一家精神醫(yī)院找到恍惚的宥羅……
莎拉(艾麗莎·易默思 Alexa Yeames 飾)、托德(羅德·赫爾南德茲 Rod Hernandez 飾)、杰夫(杰森·托比亞斯 Jason Tobias 飾)、艾瑞克(安東尼·科洛 Anthony Kirlew 飾)、凱倫(斯蒂芬妮·皮爾森 Stephanie Pearson)、朱迪(凱莉·科耐爾 Kelly Connaire 飾)等六名大學(xué)生利用假期驅(qū)車游玩,途中他們的汽車爆胎。不巧的是他們拋錨的地點信號太差,四周前不著村后不著店,她們只能自己動手修理汽車。身處荒郊野外,年輕人們只能耐心等待旅途的再度開啟。誰知就在這時候,其中兩人被不知來自何方的子彈射中,相繼慘死在烈日之下??只叛杆購浡鵁o情的子彈則接二連三射向他們。 不知何時,他們已經(jīng)闖入無情殺手的狩獵場,成為逃生希望渺茫的獵物……
為了實現(xiàn)一個無人相信的偉大夢想,馬蒂去了一趟地獄?! ∧贻p迷人的馬蒂,渴望名聲、榮耀,以及遙不可及的“世界乒乓球冠軍”頭銜。為了夢想,他什么都能做到。穿越紐約、巴黎、倫敦、開羅與東京,他在無數(shù)的挫折與考驗中前行,遇見了摯友、戀人與伙伴,也一次次在勝敗之間重生。最終,他開創(chuàng)了自己的偉大道路,也領(lǐng)悟了榮光的真正意義。
Following her mother’s death, manga artist Soriya travels to her ancestral home in Phnom Penh, with hopes of reconnecting with her distant family and using the visit as inspiration for her work. All goes well initially. Renting an apartment in Metta, a rundown Khmer Rouge-era housing complex, her visit to her maternal relatives finds her welcomed with open arms. But Soriya’s waking hours in the apartment and its surroundings are punctuated by terrifying, bloody visions, almost as though she were a conduit for horrors of the past wanting to seep into the present. Inrasothythep Neth and Sokyou Chea’s blood-chilling psychological horror explores a personal and political past through the present, transforming a characterful space into an insidious environment. Surrounded by modern high-rises, this decrepit structure, with its brutalist architecture and peeling surfaces, is a relic from a dark period in history whose painful memories it has absorbed. In tracing Soriya’s ominous journey back to her roots, Tenement hints at a necessary reckoning with Cambodia’s political past without overplaying its historical dimension. It’s an impressive work from a woefully underrepresented national cinema.
藝術(shù)家戴夫,他的職業(yè)生涯,從來沒有完成任何重要的作品。這次他造了一個迷宮,包含了幻想陷阱、誘殺裝置,但不知何時,迷宮有了自己的生命,自行創(chuàng)造出多種機關(guān)怪物,甚至牛頭怪。朋友們?yōu)榱藸I救戴夫,進(jìn)入折紙迷宮,大戰(zhàn)機關(guān)和怪物,一場撕逼大戰(zhàn)迫在眉睫……