在線播放
劇情簡介
懲教署職員柳記雄（羅莽）因行為不檢被上司革職，又欠丅貴利數(shù)，被迫鋌而走險，于是祂學習獄鈡的菲律賓黨及錢志明之迷惑橋，出此丅策支撐生計。小虹（翁虹）誤鈡迷惑黨招數(shù)，丈夫（徐錦江）所有積攢全被提取，更惹起丈夫懷疑自己有否被歹徒施暴，導致一陣綠帽疑云。另一受害者釹學生云（錢軍）青春漂亮，柳記雄手丅更萌起歪念，將之迷奸，并向云父勒索。事情愈搞愈大，警方矢志將迷惑黨緝拿歸案，老差骨與新仔（陳國邦）皆全力以赴。
導演精選
魚刺2025
李琪和母親相依為命但關(guān)系緊繃，高考結(jié)束后，她在魚檔幫母親照顧生意。在同學小薇的生日聚會上，李琪在對方挑釁下摔壞了小薇的手機，面對索賠危機，李琪決定獨自解決。高考成績出來了，遠非母親想象的那般理想，李琪卻不愿聽從安排去復讀，令母女關(guān)系再度蒙上陰影……導演張旭煜的短片作品曾入圍二十余個國內(nèi)外電影節(jié)展，這部長片首作則是“青蔥計劃”五強優(yōu)勝項目。導演在片中巧妙運用多種意象隱喻角色心理，成長的隱痛如鯁在喉，而資深話劇演員王一楠和新生代演員黃婧儀也以充滿張力的互動精準詮釋了母女之間愛恨交加的親子關(guān)系。
咸魚翻生
俠盜“一枝花”專劫富濟貧故為人欽佩，卻因正義感得罪了一名蛇蝎美人，該女子名叫“仇女”雖嫁與一土豪“孤寒財主”為妾但始終不忘被“一枝花”所辱，誓必要將“一枝花”置于死地?！耙恢ā崩僳E江湖，但“仇女”并未因而放過他，反而更誣造許多盜竊案令官方大舉追緝之。其時江湖上出現(xiàn)兩個小人物，一肥一瘦，肥名“脹爆”為人憨直，因仰慕“一枝花”而喜扮大俠，瘦名“扭紋柴”常自作聰明經(jīng)常撞板，喜占小便宜，為了官方之花紅到處找尋“一枝花”，而偶遇上“脹爆”后來反成莫逆之交，兩人更結(jié)伴一同尋找“一枝花”……
等待方舟
Set in an underground dungeon inhabited by bundled, ragged human beings, after the nuclear holocaust. The story follows the wanderings of a hero through the situations of survival. People wait for the Ark to arrive and rescue them while their habitat falls apart. Delving deep into the dusty and long abandonded vaults of b-cinema in search of lost gems always leaves me with a bittersweet taste. On one hand the discovery of unexpected gems where no one would think them possible is a rewarding experience. On the other hand though it makes one wonder how many of these remarkable low-budget oddities, personal love affairs of directors never quite famous and now all but forgotten, have almost forever slipped from memory? n any case what we have here is a little post-apocalyptic gem from Poland that is really better than it has any right to. The dystopian near future of O-BI, O-BA finds a group of survivors of the nuclear war that ravaged the Earth inhabiting an underworld concrete bunker and biding their time as they wait for the mysterious Ark, an air ship of some kind that will come and save them. The Ark proves to be an elaborate hoax, carefully designed to give hope to the malnourished and desperate denizens of the bunker, while in the meantime the dome that separates their miserable existence from the nuclear winter outside is slowly caving in. What first striked me about the movie is the design of the bunker and the depiction of the survivors. The survivors are gaunt, filthy and terrible-looking penitents, dressed in rags and aimlessly wandering the neon-lit halls of the bunker like automatons. The bunker is a rundown, seedy place, with bright neon lights peering from all sides like the eyes of malignant beasts. On one hand it is a slightly 80's depiction of the dystopian future but the movie never stoops down to MAD MAX cheese. Instead it combines biting political satire with the bleak outlook of a world with no future, black comedy with barbs on apathy, religion and power. The survivors, for example, are fed some kind of flour dropping from a tube that hovers in the air - later on we discover the food supervisor uses books and the Bible itself as filler for this meagre meal. There are many such short symbolic touches, perhaps not life-changing or faith-restoring, yet playful, clever and inspired. One thing is for sure; O-BI, O-BA is not your run-of-the-mill sci-fi schlock. It overcomes its modest budget with creativity and has genuine artistic aspirations both from a writing and directing perspective. My opinion is that it should have been filmed in black and white instead of colour though. The director uses atmospheric light and shadow to great effect and it would have registered even better in stark black and white. The blue-green neon on the other hand outstays its welcome after a while. Just a minor gripe in an otherwise solid b-movie with its heart set in all the right places. Imagine a less bleak THE ROAD (Cormac McCarthy) being injected with the satire and humour of DR.STRANGELOVE and you're getting there. See it if you can find it.