愛人

我家的律師又惹麻煩了

室毅,木南晴夏,吉瀨美智子,菅野莉央,日向亙,入山法子,東根作壽英,本多力,早瀨憩,安達(dá)祐實(shí),村川繪梨,松尾諭,時(shí)任三郎,酒向芳,戶田惠子,渡部篤郎,濱津隆之

　　由于杏（平手友梨奈 飾）轉(zhuǎn)往美國(guó)的法律事務(wù)所，藏前（室毅 飾）失去了負(fù)責(zé)照看的律師，因此被所長(zhǎng)暗示即將終止契約。剛好此時(shí)，他得知人氣“藝能型律師”樋口新（木南晴夏 飾）正準(zhǔn)備從事務(wù)所獨(dú)立開業(yè)。藏前隨即親自上門請(qǐng)求：“請(qǐng)務(wù)必讓我在您手下工作?！痹诒凰齑饝?yīng)的當(dāng)場(chǎng)，他慌忙簽了文件，卻不知道這正是“地獄的開端”。

孤雁2026

康磊,李欣穎,宋禹

1935年上海中共地下組織遭國(guó)民黨特務(wù)重創(chuàng)，絕密檔案危在旦夕。地下黨員徐峰、李靜臨危受命與叛徒、特務(wù)展開生死周旋，更要面對(duì)昔日兄弟反目的仇怨，歷經(jīng)重重犧牲與考驗(yàn)，最終成功取回絕密檔案，完成革命使命。

角頭：斗陣欸

高捷,蔡振南,太保,喜翔,龍?zhí)煜?王識(shí)賢,夏靖庭,孫鵬,黃騰浩,張懷秋,黃尚禾,鄭人碩,張?jiān)倥d,唐振剛,吳震亞,黃冠智,林真亦,陳萬號(hào),白吉?jiǎng)?李銘忠,崔浩然,黃鐙輝,吳念軒,是元介,瑞瑪·席丹,王陽明,陸明君,曾珮瑜,荒山亮,林道禹,隆宸翰,邱永騰,游安順,伊正,王自強(qiáng),孫國(guó)豪,草爺

　　因父親挑起新舊敵對(duì)幫派的激烈地盤斗爭(zhēng)，身為兒子的他則試圖掌控腥風(fēng)血雨的臺(tái)灣黑社會(huì)，在兄弟情與自身處境的夾縫中被迫前進(jìn)。外部敵對(duì)勢(shì)力步步進(jìn)逼，內(nèi)部也因誤會(huì)與壓力而開始產(chǎn)生裂縫，使得情義不再是理所當(dāng)然的依靠……

愛情抓馬

羅伯特·帕丁森,贊達(dá)亞,馬莫多·阿西,阿拉娜·哈伊姆,海利·蓋茨,佐伊·溫特斯,邁克爾·阿伯特,西德妮·萊蒙,亞亞·戈塞林,佩頓·杰克遜,喬丁·庫(kù)雷特,馬修·J·麥克勞克林,蒂埃雷·迪亞斯,克里斯托弗·C·詹姆斯,肖恩·福格蒂,蔡斯·布雷索夫,格瑞·科恩,艾可·坎貝爾,卡拉·科爾南·約瑟夫,馬克斯·德德里安,凱西·麥克尼爾

 婚禮前幾天，一對(duì)情侶無意中發(fā)現(xiàn)彼此的秘密，親密關(guān)系面臨考驗(yàn)，令結(jié)婚計(jì)劃驟然生變。暗黑秘密如何一發(fā)不可收拾？各種反應(yīng)又引致怎樣翻天覆地的后果？原定又浪漫又幸福的結(jié)婚計(jì)劃，還可以進(jìn)行嗎？

等待方舟

耶日·斯圖爾,克里斯提娜·楊達(dá),卡里娜·謝魯斯克,馬里烏什·德莫霍夫斯基,馬雷克·瓦爾切夫斯基,揚(yáng)·諾維茨基,亨里克·比斯塔,萊昂·涅姆奇克,克茲佐夫·馬扎克,斯坦尼斯瓦夫·伊加爾

　　Set in an underground dungeon inhabited by bundled, ragged human beings, after the nuclear holocaust. The story follows the wanderings of a hero through the situations of survival. People wait for the Ark to arrive and rescue them while their habitat falls apart.　　Delving deep into the dusty and long abandonded vaults of b-cinema in search of lost gems always leaves me with a bittersweet taste. On one hand the discovery of unexpected gems where no one would think them possible is a rewarding experience. On the other hand though it makes one wonder how many of these remarkable low-budget oddities, personal love affairs of directors never quite famous and now all but forgotten, have almost forever slipped from memory?　　n any case what we have here is a little post-apocalyptic gem from Poland that is really better than it has any right to. The dystopian near future of O-BI, O-BA finds a group of survivors of the nuclear war that ravaged the Earth inhabiting an underworld concrete bunker and biding their time as they wait for the mysterious Ark, an air ship of some kind that will come and save them. The Ark proves to be an elaborate hoax, carefully designed to give hope to the malnourished and desperate denizens of the bunker, while in the meantime the dome that separates their miserable existence from the nuclear winter outside is slowly caving in.　　What first striked me about the movie is the design of the bunker and the depiction of the survivors. The survivors are gaunt, filthy and terrible-looking penitents, dressed in rags and aimlessly wandering the neon-lit halls of the bunker like automatons. The bunker is a rundown, seedy place, with bright neon lights peering from all sides like the eyes of malignant beasts.　　On one hand it is a slightly 80's depiction of the dystopian future but the movie never stoops down to MAD MAX cheese. Instead it combines biting political satire with the bleak outlook of a world with no future, black comedy with barbs on apathy, religion and power. The survivors, for example, are fed some kind of flour dropping from a tube that hovers in the air - later on we discover the food supervisor uses books and the Bible itself as filler for this meagre meal. There are many such short symbolic touches, perhaps not life-changing or faith-restoring, yet playful, clever and inspired.　　One thing is for sure; O-BI, O-BA is not your run-of-the-mill sci-fi schlock. It overcomes its modest budget with creativity and has genuine artistic aspirations both from a writing and directing perspective. My opinion is that it should have been filmed in black and white instead of colour though. The director uses atmospheric light and shadow to great effect and it would have registered even better in stark black and white. The blue-green neon on the other hand outstays its welcome after a while. Just a minor gripe in an otherwise solid b-movie with its heart set in all the right places.　　Imagine a less bleak THE ROAD (Cormac McCarthy) being injected with the satire and humour of DR.STRANGELOVE and you're getting there. See it if you can find it.

靈語

是元介,吳可熙,鄭人碩,楊丞琳,禾浩辰,石知田,丁寧,李國(guó)超

　　★《麻醉風(fēng)暴》副導(dǎo)演首部長(zhǎng)片，顛覆想像打造臺(tái)灣靈異驚悚電影新篇章！　　★ 金馬影后提名吳可熙、金鐘視后及金獎(jiǎng)影后提名楊丞琳、金馬最佳女配角丁寧三后同臺(tái)飆戲！　　★《同學(xué)麥娜絲》《角頭–浪流連》金馬獎(jiǎng)最佳男配角提名鄭人碩深情演出！　　★《老師，你會(huì)不會(huì)回來？》暖男是元介化身火爆重案組刑警！　　★ 文化部年度優(yōu)良電影劇本佳作驚悚推理改編！　　? 劇情簡(jiǎn)介 ?　　解不了的謎，破不了的案，就靠…靈語　　刑警志凱(是元介飾)奉命調(diào)查一起無名兒童連環(huán)箱尸命案，同時(shí)，他在國(guó)小任教的姊姊美珍(吳可熙飾)在放學(xué)時(shí)發(fā)現(xiàn)女兒慘遭歹徒綁架，志凱與搭檔嘉強(qiáng)(禾浩辰飾)私下展開緊急救人行動(dòng)。在查案過程中循線追蹤到美珍的前鄰居明城(鄭人碩飾)與慧嵐(楊丞琳飾)，意外發(fā)現(xiàn)他們的女兒也已經(jīng)失蹤一年，案情膠著找不到任何線索，幾乎成了破不了的懸案，兩起看似毫無關(guān)聯(lián)的案件背后似乎隱藏驚人的連結(jié)。時(shí)間一分一秒過去，外甥女命在旦夕、連續(xù)箱尸命案案情撲朔迷離，只有鬼魂知道真相，走投無路的志凱只能求助師姑曾白石(丁寧飾)，她擁有特殊體質(zhì)能夠接收「靈語」，而一樁樁懸案的關(guān)鍵線索，是否能借助「靈語」抽絲剝繭找到駭人真相…。

來聊聊須緒美吧

長(zhǎng)澤雅美,西島秀俊,松坂桃李,瀨戶康史,遠(yuǎn)藤憲一,小林隆,坂東彌十郎,戶塚純貴,阿南健治,梶原善,宮澤艾瑪

 三谷幸喜自編自導(dǎo)。大富豪的妻子須緒美突然失蹤，在得知她失蹤后，在丈夫居住的豪宅集結(jié)的是愛過她的5個(gè)男人。但是他們所說的須緒美，無論是外表還是性格，都像是換了一個(gè)人。那么，到底須緒美的真面目是什么呢？