蘇
別名：出賣高潮/女性三部曲 畢業(yè)于哥倫比亞大學(xué)的高材生蘇（Anna Levine 飾）美麗而高傲，她曾是一所著名律師所的職員，然而隨著事務(wù)所的破產(chǎn)，她也失去了工作。日常生活中，蘇不善與人交際，性格乖張，失業(yè)的遭遇令她的生活立刻陷入困境。她四處尋找工作，結(jié)果一無所獲。賒面包、拖欠房租，最終被房東趕了出來；無家可歸的她委身一間充滿妓女和p客的小旅館，忍受著來自各方的羞辱，愛情與友情都變得無比奢侈和遙遠本片榮獲1998年柏林國際電影節(jié)費比西國際影評人獎和國際評審團獎
即刻觀影
劇情賞析
編輯推薦
這個阿爸真爆炸
梁家輝,蔡卓妍,關(guān)智斌任慕英（梁家輝 飾）是一個單親爸爸，以教授鋼琴來撫養(yǎng)女兒Ellen（蔡卓妍 飾）長大?？墒桥畠荷螧and 5后就變得越來越不聽話，令任慕英十分擔心。Ellen一直覺得爸爸十分“娘娘腔”，覺得自己就算有什么麻煩，爸爸也是不可靠的人。Ellen的同學(xué)都誤會了她的爸爸是個江湖高手——慕夜飛鷹，相繼要求拜為師傅，此時Ellen才對爸爸改觀。但任慕英被誤以為是絕招的身手，不過是在照顧女兒的時候練出來的?！ ∨畠洪_始覺得爸爸老了，可她還是到處惹禍，更被慕夜飛鷹的仇家脅持，任慕英為了救回女兒，獨自女兒被困的地方……
附身
阿比蓋爾·布雷斯林,大衛(wèi)·休萊特,史蒂芬·麥克哈蒂,彼得·奧特布里奇,米歇爾·諾爾頓,薩曼莎·溫斯坦1985年，濃霧籠罩的郊外，周日早晨少女麗莎·約翰遜（阿比蓋爾·布蕾斯琳 Abigail Breslin 飾）被弟弟羅比（Peter DaCunha 飾）吵醒。她頗感煩惱地起床，按照媽媽（米歇爾·諾爾頓 Michelle Nolden 飾）的指示洗衣服，爸爸布魯斯（彼德·奧德博拉治 Peter Outerbridge 飾）則在地下室修著汽車?？此破椒矡o奇的普通人家，卻彌漫著詭異神秘的氣息。不知曾幾何時，麗莎發(fā)現(xiàn)每天重復(fù)著同樣的內(nèi)容，家人反復(fù)干著同樣的事、說著同樣的話、度過同一個濃霧籠罩的周末。她嘗試改變這一切，然而無從下手，此外更有帶著死神氣息的男子警告麗莎不要破壞當前的一切。無法忍受折磨的麗莎，不可避免落入過去、現(xiàn)在和未來的夾縫中，局勢完全失控……
等待方舟
耶日·斯圖爾,克里斯提娜·楊達,卡里娜·謝魯斯克,馬里烏什·德莫霍夫斯基,馬雷克·瓦爾切夫斯基,揚·諾維茨基,亨里克·比斯塔,萊昂·涅姆奇克,克茲佐夫·馬扎克,斯坦尼斯瓦夫·伊加爾Set in an underground dungeon inhabited by bundled, ragged human beings, after the nuclear holocaust. The story follows the wanderings of a hero through the situations of survival. People wait for the Ark to arrive and rescue them while their habitat falls apart. Delving deep into the dusty and long abandonded vaults of b-cinema in search of lost gems always leaves me with a bittersweet taste. On one hand the discovery of unexpected gems where no one would think them possible is a rewarding experience. On the other hand though it makes one wonder how many of these remarkable low-budget oddities, personal love affairs of directors never quite famous and now all but forgotten, have almost forever slipped from memory? n any case what we have here is a little post-apocalyptic gem from Poland that is really better than it has any right to. The dystopian near future of O-BI, O-BA finds a group of survivors of the nuclear war that ravaged the Earth inhabiting an underworld concrete bunker and biding their time as they wait for the mysterious Ark, an air ship of some kind that will come and save them. The Ark proves to be an elaborate hoax, carefully designed to give hope to the malnourished and desperate denizens of the bunker, while in the meantime the dome that separates their miserable existence from the nuclear winter outside is slowly caving in. What first striked me about the movie is the design of the bunker and the depiction of the survivors. The survivors are gaunt, filthy and terrible-looking penitents, dressed in rags and aimlessly wandering the neon-lit halls of the bunker like automatons. The bunker is a rundown, seedy place, with bright neon lights peering from all sides like the eyes of malignant beasts. On one hand it is a slightly 80's depiction of the dystopian future but the movie never stoops down to MAD MAX cheese. Instead it combines biting political satire with the bleak outlook of a world with no future, black comedy with barbs on apathy, religion and power. The survivors, for example, are fed some kind of flour dropping from a tube that hovers in the air - later on we discover the food supervisor uses books and the Bible itself as filler for this meagre meal. There are many such short symbolic touches, perhaps not life-changing or faith-restoring, yet playful, clever and inspired. One thing is for sure; O-BI, O-BA is not your run-of-the-mill sci-fi schlock. It overcomes its modest budget with creativity and has genuine artistic aspirations both from a writing and directing perspective. My opinion is that it should have been filmed in black and white instead of colour though. The director uses atmospheric light and shadow to great effect and it would have registered even better in stark black and white. The blue-green neon on the other hand outstays its welcome after a while. Just a minor gripe in an otherwise solid b-movie with its heart set in all the right places. Imagine a less bleak THE ROAD (Cormac McCarthy) being injected with the satire and humour of DR.STRANGELOVE and you're getting there. See it if you can find it.
狂野時代
易烊千璽,舒淇,趙又廷,李庚希,黃覺,陳永忠,郭沐橙,張志堅,曾美慧孜,閆楠影片講述“迷魂者”（易烊千璽 飾）通過體驗視覺、聽覺、味覺、嗅覺、觸覺五感，跨越一個世紀的故事。而“大她者”（舒淇 飾）則好似是打開“迷魂者”故事的鑰匙......
誤殺2019
肖央,譚卓,陳沖,姜皓文,秦沛,邊天揚,許文姍,張熙然,施名帥,黃健瑋,陳志朋,葉瀏,谷洋,張林李維杰（肖央 飾）與妻子阿玉（譚卓 飾）來泰打拼17年，膝下育有兩個女兒，年屆四十的他靠開設(shè)網(wǎng)絡(luò)公司為生，為人也頗得小鎮(zhèn)居民的好感，而這一切美好卻被突如其來的不速之客打破。這個充斥走私，販毒活動的邊陲小鎮(zhèn)，各種權(quán)力交織碾壓公平正義。李維杰的大女兒平平（許文珊 飾）被督察長拉韞（陳沖 飾）的兒子素察（邊天揚 飾）迷奸，因反抗誤殺對方。李維杰曾親眼目睹督察長濫用私刑，深知法律無用，為了維護女兒，捍衛(wèi)家人，李維杰埋尸掩蓋一切證據(jù)，在時間與空間的交錯縫隙中，與警方在身心層面，展開了殊死一搏的較量。
詛咒項鏈
維奧萊特·麥格勞,瑪?shù)铝铡湼駝?亨利·托馬斯,莎拉·林德,羅馬·瑪菲婭,菲利斯·索利斯,雅各布·莫蘭,克里斯蒂娜·摩爾,Archer Anderson,Amato D'Apolito,Connor Hammond,馬特·福勒,丹妮拉·麥斯米蘭,阿里·阿夫沙爾,Brynne Kurland,羅琳·約克,Charlotte Haynes Hazzard,Tony Panterra,Johnny Afshar,Madeleine CurryFamily navigates turbulent 1960s dynamics. Mom separates from alcoholic husband. Daughters grapple with changes. Dad's antique gift hides dark force that imperils all.