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落葉球
David Koberidze,Otar Nijaradze愛情背叛
莎拉·鮑爾,安德魯·富爾茨,馬克·赫爾曼最小的女兒
納迪亞·梅利蒂,樸智敏,阿米娜·本·莫哈邁德,梅麗莎·古爾斯,麗塔·邦曼納納,Razzak Ridha,路易·梅米,Waniss Chaouki,阿諾亞·卡德拉斯,Joven Etienne,Madi Dembele,Mahamadou Sacko,Ahmed Kheloufi,Pascal Chanez,Sophie Garagnon,Julia Muller,尼莫·謝夫曼,Gabriel Elka?m,Vincent Pasdermadjian,Victorien Bonnet防空洞
維羅尼卡·莫希雷娃,伊戈?duì)枴e特連科,Fyodor Lavrov,Mikhail Novikov,阿列克謝·舍甫琴科夫,亞歷山大·梅喬金,Maksim Saprykin,瑪格麗塔·阿布羅斯金,Nikita Abdulov,迪安·邁耶,Oleg Novikov,Artem Zlobin,Kirill Taskin,Andrey Marusin,Maksim Plekhanov,Maksim Gorshkov,Mikhail Sevastyanov,Daniel Littau,Linda Akhmetzyan村“靚”了
陶慧敏,王毅凡,李藝,張明明,葉青青,朱嘉鎮(zhèn),陳鏡宇,隋抒洋,張家駿亡命競速
Jason Park,Christopher Deon,Luka Dingess,Brandon Dunlap,Nadia Adelay,朱迪·阮,Oscar Rockwell同類推薦
猿山異聞錄
袁福福,王培祎,王青,王純,邵峰,付宏聲,盧勇,何承熹,宋建霖據(jù)傳聞，古時候有座山叫猿猴山，猿猴山有一國，名為猿國。猿國有一罕見白猿，猿國尊護(hù)白猿為神，稱“猿神”，百姓日夜供奉，祈求平安。近日，有傳言說“猿神”暴怒，不會再庇護(hù)猿國了，國主才會久病不起，導(dǎo)致猿國上下人心惶惶。為了穩(wěn)定民心，猿國國主請求太極村掌門延一道人幫助猿國調(diào)查傳言真相，讓百姓心安。延一道人派遣弟子玄城前往猿國協(xié)助，探尋背后真相。
生還2025
邵正一,周思羽,周云鵬,彭禺厶,徐勵,邱健,侯佳音,徐雅惠,劉頔,李昕廷 ,王天心 ,李夢瑤,梁頌晴,段秋鈺,景天曈,寇文琦,劉政杰,朱宏嘉,曹衛(wèi)宇,馬國偉,楊奇鳴,逯長恩,苗博,鄭好,張宏威,葉福生,何熙維,王俏,翟赫本片以紀(jì)實(shí)風(fēng)格再現(xiàn)了1938年到1945年抗日聯(lián)軍第六軍被服廠女兵，傷兵醫(yī)院傷兵組成的留守團(tuán)在主力部隊(duì)西征后堅(jiān)持在老游擊區(qū)牽制敵人主力，于重重圍剿中突圍，進(jìn)入蘇聯(lián)整訓(xùn)，整編為抗聯(lián)第88教導(dǎo)旅打回東北的真實(shí)故事?！ ∮捌高^12歲女戰(zhàn)士李童的視角，塑造了耿團(tuán)長、裴大姐、白連長、金玉希、李亦奇等一批普通抗聯(lián)男女戰(zhàn)士在突圍中拼死互相保護(hù)，犧牲、被俘、最終生還的殘酷歷程?！ ”酒木幾宰詈笠粋€離世的抗聯(lián)女戰(zhàn)士李敏撰寫的回憶錄?！ ∵@是第一次用電影方式講述了抗聯(lián)后期從突圍到整編為教導(dǎo)旅再到打回東北的全過程。
等待方舟
耶日·斯圖爾,克里斯提娜·楊達(dá),卡里娜·謝魯斯克,馬里烏什·德莫霍夫斯基,馬雷克·瓦爾切夫斯基,揚(yáng)·諾維茨基,亨里克·比斯塔,萊昂·涅姆奇克,克茲佐夫·馬扎克,斯坦尼斯瓦夫·伊加爾Set in an underground dungeon inhabited by bundled, ragged human beings, after the nuclear holocaust. The story follows the wanderings of a hero through the situations of survival. People wait for the Ark to arrive and rescue them while their habitat falls apart. Delving deep into the dusty and long abandonded vaults of b-cinema in search of lost gems always leaves me with a bittersweet taste. On one hand the discovery of unexpected gems where no one would think them possible is a rewarding experience. On the other hand though it makes one wonder how many of these remarkable low-budget oddities, personal love affairs of directors never quite famous and now all but forgotten, have almost forever slipped from memory? n any case what we have here is a little post-apocalyptic gem from Poland that is really better than it has any right to. The dystopian near future of O-BI, O-BA finds a group of survivors of the nuclear war that ravaged the Earth inhabiting an underworld concrete bunker and biding their time as they wait for the mysterious Ark, an air ship of some kind that will come and save them. The Ark proves to be an elaborate hoax, carefully designed to give hope to the malnourished and desperate denizens of the bunker, while in the meantime the dome that separates their miserable existence from the nuclear winter outside is slowly caving in. What first striked me about the movie is the design of the bunker and the depiction of the survivors. The survivors are gaunt, filthy and terrible-looking penitents, dressed in rags and aimlessly wandering the neon-lit halls of the bunker like automatons. The bunker is a rundown, seedy place, with bright neon lights peering from all sides like the eyes of malignant beasts. On one hand it is a slightly 80's depiction of the dystopian future but the movie never stoops down to MAD MAX cheese. Instead it combines biting political satire with the bleak outlook of a world with no future, black comedy with barbs on apathy, religion and power. The survivors, for example, are fed some kind of flour dropping from a tube that hovers in the air - later on we discover the food supervisor uses books and the Bible itself as filler for this meagre meal. There are many such short symbolic touches, perhaps not life-changing or faith-restoring, yet playful, clever and inspired. One thing is for sure; O-BI, O-BA is not your run-of-the-mill sci-fi schlock. It overcomes its modest budget with creativity and has genuine artistic aspirations both from a writing and directing perspective. My opinion is that it should have been filmed in black and white instead of colour though. The director uses atmospheric light and shadow to great effect and it would have registered even better in stark black and white. The blue-green neon on the other hand outstays its welcome after a while. Just a minor gripe in an otherwise solid b-movie with its heart set in all the right places. Imagine a less bleak THE ROAD (Cormac McCarthy) being injected with the satire and humour of DR.STRANGELOVE and you're getting there. See it if you can find it.
超時空輝夜姬！
夏吉優(yōu)子,永瀨安奈,早見沙織,入野自由,內(nèi)田雄馬,松岡禎丞,青山吉能,小原好美,菲魯茲·藍(lán),花江夏樹,釘宮理惠“月讀”是希望與夢想交會的虛擬空間，而舞臺幕布將緩緩升起，見證幾位少女在此譜寫短暫卻珍貴的相遇篇章。 不久的未來…… 東京的 17 歲高中生酒寄彩葉過著非常忙碌的生活，努力在打工和學(xué)業(yè)之間尋找平衡。她的紓壓方式是觀看很有人氣的月見八千代直播，八千代管理名為“月讀”的線上虛擬空間。 彩葉時常光顧月讀，在那里可以體驗(yàn)不同的人生，自由揮灑創(chuàng)意。她就靠著支持八千代度過空閑時間，還會玩戰(zhàn)斗游戲賺一點(diǎn)外快。有一天，在回家路上，彩葉發(fā)現(xiàn)一根電線桿閃耀著奇異光芒，沒想到電線桿里竟然憑空冒出一個可愛的寶寶。彩葉沒辦法隨手拋棄寶寶，只好把她抱回家，眼睜睜看著她迅速長成一個跟自己同齡的少女。 “你是輝耀姬嗎？” 這是你絕對不曾看過的輝耀姬物語。
96分鐘：列車爆炸案
林柏宏,宋蕓樺,王柏杰,李李仁,姚以緹,蔡凡熙,李銘忠,黃奇斌,呂雪鳳,鄭志偉,陳雪甄,巫建和,孔令元,林昀希,鄒承恩前拆彈專家宋康任（林柏宏 飾）與未婚妻黃欣（宋蕓樺 飾），意外搭上載有特殊炸彈的列車，炸彈與車速聯(lián)動，減速會加速爆炸，拆除則會觸發(fā)另一輛列車上的炸彈。面對這樣的生死困局，宋康任將如何抉擇？ 在極限96分鐘內(nèi)他能否成功拆彈保住全車人與自己的性命？