狂走情死考

評(píng)分：0.7 播放：15萬 更新：2026-04-26

20世紀(jì)60年代，安保運(yùn)動(dòng)如火如荼，日本社會(huì)動(dòng)蕩不安。這份躁動(dòng)肆意延伸，繼而連家庭親人間也無法避免。青年左兵（吉沢健 飾）是全共斗的一名成員，時(shí)?；钴S在革命運(yùn)動(dòng)的第一線。而他的哥哥則是一名警察，不同的階級(jí)立場令流著相同血液的兄弟倆時(shí)常發(fā)生爭吵。某個(gè)晚上，憤怒的哥哥對(duì)左兵拳腳相向，嫂子袖里（武藤洋子 飾）從旁奮力阻攔，卻無意間槍殺了丈夫?！≡诖酥?，左兵將哥哥偽裝成自殺的場面，隨后帶著袖里逃亡。逃亡期間，袖里為自責(zé)所折磨，痛苦不堪，這兩個(gè)同病相憐的人兒最終墜入愛河。一路向北的逃亡之旅，不知何時(shí)是一個(gè)終點(diǎn) 

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杰森·克拉克,凱特·瑪拉,艾德·赫爾姆斯,布魯斯·鄧恩,吉姆·加菲根,奧莉薇·瑟爾比,克蘭西·布朗,泰勒·尼科斯,約翰·菲奧里,吉利恩·瑪瑞娜·戈登,凱蒂·亨諾克,萊克西·羅斯,安吉拉·霍普·史密斯,文斯·泰瑟,維克多·沃倫,大衛(wèi)·德·貝克,安德莉亞·布萊克曼,比爾·亨弗瑞斯,湯姆·奧布萊恩,莎拉·伊麗莎白·米切爾,保羅·佩普,雅各布·海德,克里斯·埃杰利,瓦利·維吉爾特

　　澳大利亞男演員杰森·克拉科將出演影片《查帕奎迪克島》(Chappaquiddick，暫譯)，他在片中飾演肯尼迪家族成員之一參議員愛德華·肯尼迪，即肯尼迪總統(tǒng)的弟弟?！睹婕啞穼?dǎo)演約翰·卡蘭執(zhí)導(dǎo)筒。影片將聚焦1969年以愛德華·肯尼迪為核心的“查帕奎迪克丑聞事件”，“肯尼迪詛咒”再次現(xiàn)身大銀幕。

等待方舟

耶日·斯圖爾,克里斯提娜·楊達(dá),卡里娜·謝魯斯克,馬里烏什·德莫霍夫斯基,馬雷克·瓦爾切夫斯基,揚(yáng)·諾維茨基,亨里克·比斯塔,萊昂·涅姆奇克,克茲佐夫·馬扎克,斯坦尼斯瓦夫·伊加爾

　　Set in an underground dungeon inhabited by bundled, ragged human beings, after the nuclear holocaust. The story follows the wanderings of a hero through the situations of survival. People wait for the Ark to arrive and rescue them while their habitat falls apart.　　Delving deep into the dusty and long abandonded vaults of b-cinema in search of lost gems always leaves me with a bittersweet taste. On one hand the discovery of unexpected gems where no one would think them possible is a rewarding experience. On the other hand though it makes one wonder how many of these remarkable low-budget oddities, personal love affairs of directors never quite famous and now all but forgotten, have almost forever slipped from memory?　　n any case what we have here is a little post-apocalyptic gem from Poland that is really better than it has any right to. The dystopian near future of O-BI, O-BA finds a group of survivors of the nuclear war that ravaged the Earth inhabiting an underworld concrete bunker and biding their time as they wait for the mysterious Ark, an air ship of some kind that will come and save them. The Ark proves to be an elaborate hoax, carefully designed to give hope to the malnourished and desperate denizens of the bunker, while in the meantime the dome that separates their miserable existence from the nuclear winter outside is slowly caving in.　　What first striked me about the movie is the design of the bunker and the depiction of the survivors. The survivors are gaunt, filthy and terrible-looking penitents, dressed in rags and aimlessly wandering the neon-lit halls of the bunker like automatons. The bunker is a rundown, seedy place, with bright neon lights peering from all sides like the eyes of malignant beasts.　　On one hand it is a slightly 80's depiction of the dystopian future but the movie never stoops down to MAD MAX cheese. Instead it combines biting political satire with the bleak outlook of a world with no future, black comedy with barbs on apathy, religion and power. The survivors, for example, are fed some kind of flour dropping from a tube that hovers in the air - later on we discover the food supervisor uses books and the Bible itself as filler for this meagre meal. There are many such short symbolic touches, perhaps not life-changing or faith-restoring, yet playful, clever and inspired.　　One thing is for sure; O-BI, O-BA is not your run-of-the-mill sci-fi schlock. It overcomes its modest budget with creativity and has genuine artistic aspirations both from a writing and directing perspective. My opinion is that it should have been filmed in black and white instead of colour though. The director uses atmospheric light and shadow to great effect and it would have registered even better in stark black and white. The blue-green neon on the other hand outstays its welcome after a while. Just a minor gripe in an otherwise solid b-movie with its heart set in all the right places.　　Imagine a less bleak THE ROAD (Cormac McCarthy) being injected with the satire and humour of DR.STRANGELOVE and you're getting there. See it if you can find it.

秘密會(huì)議

拉爾夫·費(fèi)因斯,斯坦利·圖齊,約翰·利思戈,盧西安·姆瑟馬蒂,賽爾喬·卡斯特利托,伊莎貝拉·羅西里尼,布萊恩·F·奧博恩,卡洛斯·迪赫茲,梅拉布·尼尼澤,托馬斯·洛伊布爾,亞采克·科曼,布魯諾·諾維利,羅尼·克拉默,瓦萊里奧·達(dá)·席爾瓦,約瑟夫·邁德爾,文森佐·法伊拉,加里克·哈根,馬達(dá)夫·夏爾馬,洛里斯·洛迪,羅伯托·西特蘭

 紅衣主教勞倫斯（拉爾夫·費(fèi)因斯 Ralph Fiennes 飾）要負(fù)責(zé)世界上最秘密、最古老的活動(dòng)：選擇新的教皇。而他發(fā)現(xiàn)自己處在一起陰謀的正中心，可能撼動(dòng)教會(huì)最深的根基。

獵殺星期一

勞米·拉佩斯,格倫·克洛斯,威廉·達(dá)福,馬爾萬·肯扎里,克里斯蒂安·魯貝克,帕爾·斯維爾·哈根,托米瓦·埃敦,凱西·克萊爾,卡梅倫·杰克,柯爾斯蒂·阿弗頓,維加·霍爾,馬達(dá)林·德拉甘,斯蒂格·弗洛德·亨里克森,亞歷山大·阮,拉臘·德坎羅,瑪麗·埃弗雷特,桑地亞哥·卡布瑞拉

　　故事設(shè)定在近未來，由于人口過剩和饑荒，政府不得不實(shí)行“獨(dú)生子女”政策。正因?yàn)檫@個(gè)嚴(yán)格的計(jì)劃生育議程，姐妹們必須輪流使用一個(gè)人的身份Karen Settman(拉佩斯飾)。她們的祖父(達(dá)福飾)給其命名為周一、周二、周三、周四、周五、周六和周日。每個(gè)人都可以每周外出一次。姐妹們只有在自己的公寓里才可以自在生活。直到有一天，“星期一”沒回家......