影片推薦
搶錢(qián)大作戰(zhàn)
吉奧瓦尼·瑞比西,范·迪塞爾,尼婭·朗,尼基·凱特,本·阿弗萊克,湯姆·艾弗瑞特·斯科特肥龍過(guò)江
甄子丹,毛舜筠,周勵(lì)淇,王晶,林秋楠,張繼聰,竹中直人,丞威,渡邊哲,王祖藍(lán),詹瑞文,陳友,伍允龍,林曉峰,周俊偉,林盛斌,泰臣,葉山豪,嚴(yán)華,喻亢,馮勉恒逆時(shí)追兇
麥迪遜·貝利,邁克爾·山克斯,格里芬·格魯克,安東尼婭·金特里,莎莫·H·豪威爾,瑞秋·克勞福德,梅根·貝斯特,亞當(dāng)·哈蒂格,塞繆爾·布勞恩,辛妮·比斯頓,Kataem O'Connor,格溫多琳·柯林斯,喬丹·佩特爾,Dutchess Cayetano,Chess Tomlinson,Bj·韋羅,Elena Howard-Scott,泰瑞·威瑟斯龐,科琳·弗蘭,Samantha Hutchings賭俠大戰(zhàn)拉斯維加斯
劉德華,張家輝,陳百祥,林熙蕾,郁芳,萬(wàn)梓良,李菲,王晶,南燕月球
山姆·洛克威爾,凱文·史派西,多米妮克·麥克艾麗戈特,卡雅·斯考達(dá)里奧,本尼迪克特·黃,馬特·貝里,馬爾科姆·斯圖爾特,羅賓·查克腐壞之巫
阿麗亞娜·德博斯,馬爾頓·索克斯,芭比·費(fèi)雷拉,阿瑪拉·卡蘭,阿里安·穆阿耶德,桑婭·奧爾森蘭,杰瑞米·惠勒,朵卡·格萊拉斯,米克爾·布拉特·西爾塞特,加布里埃爾·德雷克,伊莫拉·加斯帕爾,加博爾·納吉帕爾,Harry Szovik,Robert Jackson,Rudolf Molnár,Jason York,安德魯·赫夫勒,Gabor Kovacs,Zoltán Seress,Shiraz Khan同類(lèi)精選
新外星人
克斯汀·埃伯索爾,喬納森·沃德,蒂娜·卡斯帕里,勞倫·斯坦利,杰德·考戈里人肉炸彈
莉斯?fàn)枴ぐ⒗账?蕾內(nèi)·斯沃特,肖恩·卡梅倫·邁克爾無(wú)限:未知對(duì)象
托莉·巴特勒-哈特,伊恩·麥克萊恩,康勒斯·希爾,格雷厄姆·巴特勒,Ben Lee,Holly Dale Spencer,Chris Hart,Wendy Muir Hart指控之后
普拉蒂巴·蘭塔,康柯納·森·沙爾瑪7號(hào)房的禮物
柳承龍,樸信惠,鄭鎮(zhèn)榮,金正泰,吳達(dá)洙,樸元尚,鄭滿(mǎn)植,葛素媛莫德羅監(jiān)獄1977
米蓋爾·赫爾南,哈維爾·古鐵雷斯,赫蘇斯·卡羅薩,Catalina Sopelana,費(fèi)爾南多·特赫羅,哈維·薩茲,Víctor Castilla,Alfonso Lara,I?igo de la Iglesia,伊尼戈·阿蘭布魯,Javier Lago,哈維爾·貝爾特蘭,Aimar Vega,Julián Valcárcel,Nacho Marraco影視排行
我的青春我的夢(mèng)
張淑琬大學(xué)生青春勵(lì)志,追求自己的夢(mèng)想!三個(gè)青年人回歸大學(xué)的生活學(xué)習(xí)中,繼續(xù)努力,不斷充實(shí)自己,讓自己有機(jī)會(huì),有能力站在更高的平臺(tái)上,在各自的人生舞臺(tái)上閃閃發(fā)光。她們?nèi)匀粺釔?ài)電影、拍攝電影,但更愛(ài)踏實(shí)勤奮的自己。
等待方舟
耶日·斯圖爾,克里斯提娜·楊達(dá),卡里娜·謝魯斯克,馬里烏什·德莫霍夫斯基,馬雷克·瓦爾切夫斯基,揚(yáng)·諾維茨基,亨里克·比斯塔,萊昂·涅姆奇克,克茲佐夫·馬扎克,斯坦尼斯瓦夫·伊加爾Set in an underground dungeon inhabited by bundled, ragged human beings, after the nuclear holocaust. The story follows the wanderings of a hero through the situations of survival. People wait for the Ark to arrive and rescue them while their habitat falls apart. Delving deep into the dusty and long abandonded vaults of b-cinema in search of lost gems always leaves me with a bittersweet taste. On one hand the discovery of unexpected gems where no one would think them possible is a rewarding experience. On the other hand though it makes one wonder how many of these remarkable low-budget oddities, personal love affairs of directors never quite famous and now all but forgotten, have almost forever slipped from memory? n any case what we have here is a little post-apocalyptic gem from Poland that is really better than it has any right to. The dystopian near future of O-BI, O-BA finds a group of survivors of the nuclear war that ravaged the Earth inhabiting an underworld concrete bunker and biding their time as they wait for the mysterious Ark, an air ship of some kind that will come and save them. The Ark proves to be an elaborate hoax, carefully designed to give hope to the malnourished and desperate denizens of the bunker, while in the meantime the dome that separates their miserable existence from the nuclear winter outside is slowly caving in. What first striked me about the movie is the design of the bunker and the depiction of the survivors. The survivors are gaunt, filthy and terrible-looking penitents, dressed in rags and aimlessly wandering the neon-lit halls of the bunker like automatons. The bunker is a rundown, seedy place, with bright neon lights peering from all sides like the eyes of malignant beasts. On one hand it is a slightly 80's depiction of the dystopian future but the movie never stoops down to MAD MAX cheese. Instead it combines biting political satire with the bleak outlook of a world with no future, black comedy with barbs on apathy, religion and power. The survivors, for example, are fed some kind of flour dropping from a tube that hovers in the air - later on we discover the food supervisor uses books and the Bible itself as filler for this meagre meal. There are many such short symbolic touches, perhaps not life-changing or faith-restoring, yet playful, clever and inspired. One thing is for sure; O-BI, O-BA is not your run-of-the-mill sci-fi schlock. It overcomes its modest budget with creativity and has genuine artistic aspirations both from a writing and directing perspective. My opinion is that it should have been filmed in black and white instead of colour though. The director uses atmospheric light and shadow to great effect and it would have registered even better in stark black and white. The blue-green neon on the other hand outstays its welcome after a while. Just a minor gripe in an otherwise solid b-movie with its heart set in all the right places. Imagine a less bleak THE ROAD (Cormac McCarthy) being injected with the satire and humour of DR.STRANGELOVE and you're getting there. See it if you can find it.
孤島巨蟒
程汁,唐慧,彭夢(mèng)涵,吳泳茵,蘆偉游船遇風(fēng)暴沉沒(méi),陸霆、女友陳清、李娜、陳清閨蜜馬櫻(陸霆前女友)漂至荒島。眾人遭巨蟒襲擊,得探險(xiǎn)者遺物求生。馬櫻因妒生事,后聯(lián)合落難駕駛員王強(qiáng),王強(qiáng)卻被巨蟒吞噬,馬櫻悔悟坦白。巨蟒擄走陳清,眾人設(shè)伏,馬櫻與巨蟒同歸于盡。數(shù)月后,陸霆、李娜乘直升機(jī)獲救。
用武之地
肖央,齊溪,任達(dá)華,鄭愷,潘斌龍,法提,奧黛麗·歐塔維阿諾影片取材自境外幸存人質(zhì)真實(shí)自救經(jīng)歷。 駐外記者馬笑(肖央 飾)和志愿醫(yī)生潘文佳(齊溪 飾)夫婦,陪同工程師苗峰(鄭愷 飾)赴郊區(qū)修理基站,當(dāng)?shù)鼐謩?shì)突變。三人一路躲避恐怖組織的無(wú)差別襲擊,最終還是被綁架淪為人質(zhì),并在獄中結(jié)識(shí)了華僑商人周偉杰(任達(dá)華 飾)。面對(duì)恐怖分子聞所未聞的屠殺暴行和以命換錢(qián)的勒索,他們歷經(jīng)105天,展開(kāi)了一場(chǎng)驚心動(dòng)魄的自救逃生。