劇情簡(jiǎn)介
女主角與丈夫經(jīng)營(yíng)咖啡室,有一天一個(gè)陌生男子向她勒索,事源女主角因不小心駕駛撞倒一名小童,事后不顧而去,男子貪得無(wú)厭,勒索金錢(qián)之余更占其肉體.另方面女主角的丈夫與咖啡室的女侍應(yīng)及女朋友偷情,無(wú)意中知道太太與勒索金錢(qián)的男子有不可告人的秘密,而其太太害勒索男子失敗,男子到女主角家里找晦氣,多勒索二十萬(wàn),結(jié)果女主角忍無(wú)可忍用刀將男子殺死.
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美國(guó)小說(shuō)
杰弗里·懷特,翠西·艾利斯·羅斯,約翰·奧提茲,伊薩·雷,斯特林·K·布朗,埃里卡·亞歷山大,萊斯利·格塞斯,亞當(dāng)·布羅迪,凱斯·大衛(wèi),邁拉·盧克利希亞·泰勒,雷蒙德·安東尼·托馬斯,奧基里特·奧諾多瓦,米麗婭姆·肖爾,邁克爾·西里爾·克賴(lài)頓,派特里克·費(fèi)斯克勒,尼爾·勒納,J·C·麥肯澤,詹·哈里斯,貝茨·懷爾德,邁克爾·吉布林失意的小說(shuō)家兼教授塞隆尼斯·“蒙克”·埃里森(杰弗里·懷特 Jeffrey Wright 飾)出于怨恨,用開(kāi)玩笑的方式寫(xiě)了一本小說(shuō),書(shū)中充斥著古怪刻板印象的黑人形象。不料這本書(shū)出版后大受好評(píng),不僅獲得文學(xué)大獎(jiǎng),還被拍成電影。
等待方舟
耶日·斯圖爾,克里斯提娜·楊達(dá),卡里娜·謝魯斯克,馬里烏什·德莫霍夫斯基,馬雷克·瓦爾切夫斯基,揚(yáng)·諾維茨基,亨里克·比斯塔,萊昂·涅姆奇克,克茲佐夫·馬扎克,斯坦尼斯瓦夫·伊加爾Set in an underground dungeon inhabited by bundled, ragged human beings, after the nuclear holocaust. The story follows the wanderings of a hero through the situations of survival. People wait for the Ark to arrive and rescue them while their habitat falls apart. Delving deep into the dusty and long abandonded vaults of b-cinema in search of lost gems always leaves me with a bittersweet taste. On one hand the discovery of unexpected gems where no one would think them possible is a rewarding experience. On the other hand though it makes one wonder how many of these remarkable low-budget oddities, personal love affairs of directors never quite famous and now all but forgotten, have almost forever slipped from memory? n any case what we have here is a little post-apocalyptic gem from Poland that is really better than it has any right to. The dystopian near future of O-BI, O-BA finds a group of survivors of the nuclear war that ravaged the Earth inhabiting an underworld concrete bunker and biding their time as they wait for the mysterious Ark, an air ship of some kind that will come and save them. The Ark proves to be an elaborate hoax, carefully designed to give hope to the malnourished and desperate denizens of the bunker, while in the meantime the dome that separates their miserable existence from the nuclear winter outside is slowly caving in. What first striked me about the movie is the design of the bunker and the depiction of the survivors. The survivors are gaunt, filthy and terrible-looking penitents, dressed in rags and aimlessly wandering the neon-lit halls of the bunker like automatons. The bunker is a rundown, seedy place, with bright neon lights peering from all sides like the eyes of malignant beasts. On one hand it is a slightly 80's depiction of the dystopian future but the movie never stoops down to MAD MAX cheese. Instead it combines biting political satire with the bleak outlook of a world with no future, black comedy with barbs on apathy, religion and power. The survivors, for example, are fed some kind of flour dropping from a tube that hovers in the air - later on we discover the food supervisor uses books and the Bible itself as filler for this meagre meal. There are many such short symbolic touches, perhaps not life-changing or faith-restoring, yet playful, clever and inspired. One thing is for sure; O-BI, O-BA is not your run-of-the-mill sci-fi schlock. It overcomes its modest budget with creativity and has genuine artistic aspirations both from a writing and directing perspective. My opinion is that it should have been filmed in black and white instead of colour though. The director uses atmospheric light and shadow to great effect and it would have registered even better in stark black and white. The blue-green neon on the other hand outstays its welcome after a while. Just a minor gripe in an otherwise solid b-movie with its heart set in all the right places. Imagine a less bleak THE ROAD (Cormac McCarthy) being injected with the satire and humour of DR.STRANGELOVE and you're getting there. See it if you can find it.
密林深處
伊希爾·勒·貝斯柯,納威爾·佩雷茲·畢斯卡亞特,馬修·西莫內(nèi),Jér?me Kircher,Bernard Rouquette,Jean-Pierre Gos,Luc Palun,讓-克勞德·古盧姆伯格,Jean-Marc Stehlé,Yvette Peyremorte故事發(fā)生在1865年的法國(guó)南部,流浪漢狄默提(納威爾·佩雷茲·畢斯卡亞特 Nahuel Pérez Biscayart 飾)來(lái)到了這里,為了避人耳目,他假裝自己是聾啞人,在這里的一座小村莊中住了下來(lái)。在村子里,狄默提邂逅了名為約瑟芬(伊希爾·勒·貝斯柯 Isild Le Besco 飾)的女子,美麗善良的約瑟芬一下子就吸引了狄默提的注意?! 〖s瑟芬的父親休斯(讓-克勞德·古盧姆伯格 Jean-Claude Bolle-Reddat 飾)是一個(gè)熱情好客的男人,他慷慨的邀請(qǐng)狄默提來(lái)家里做客,可休斯的善意卻并沒(méi)有得到狄默提的回報(bào)。狄默提用一種古老而又邪惡的方法催眠的約瑟芬,將她帶進(jìn)深山老林之中肆意凌辱。
回應(yīng)我
蘇菲·王爾德,阿里·麥卡錫,哈米什·菲利普斯,基特·埃爾哈特·布魯斯,薩拉·布羅肯莎,杰登·戴維森,桑尼·約翰遜,馬庫(kù)斯·約翰遜,基達(dá)安·澤勒克,詹姆斯·奧利弗,喬·伯德,杰特·加茲利,亞歷珊德拉·詹森,Dog,Helene Philippou,米蘭達(dá)·奧圖,佐伊·特雷克斯,克里斯·阿洛西奧,奧蒂斯·丹吉,利安娜·瓦爾斯曼,亞歷珊卓婭·斯蒂芬森,亞采克·科曼孤獨(dú)的少女米婭沉迷于通過(guò)陶瓷手召喚靈魂的刺激,但當(dāng)她面對(duì)一個(gè)自稱(chēng)是她死去母親的靈魂時(shí),她釋放了一場(chǎng)超自然力量的瘟疫,并努力決定她可以信任誰(shuí),是選擇活著的人還是死者?
仇殺病房
千虎珍,柳海真,徐孝琳在某臨近海濱的醫(yī)院內(nèi),住著一個(gè)無(wú)依無(wú)靠的中年男子金珉昊(千浩振 飾)。由于左半邊身體失去知覺(jué),加上腦神經(jīng)受損,因此他無(wú)時(shí)無(wú)刻不想了結(jié)這苦難的人生。這一日,醫(yī)院送來(lái)了另一位沒(méi)有任何親眷的病號(hào),他的名字叫做樸尚樺(劉海鎮(zhèn) 飾),因腦部受損而失去了記憶,與金安排在同一個(gè)加護(hù)病房。樸的到來(lái),激起金珉昊心中無(wú)限的波瀾。這兩個(gè)男人似乎曾有著無(wú)限的仇恨與瓜葛,致令金想盡各種辦法要置其于死地,而漸漸恢復(fù)記憶的樸也將同樣的仇恨傾瀉于金珉昊?! ∨c此同時(shí),神秘的白醫(yī)生一反常態(tài)對(duì)兩個(gè)男人進(jìn)行特殊關(guān)護(hù),并且用匪夷所思的治療方法幫助他們恢復(fù)健康。這一切的背后,似乎隱藏著更大的謎團(tuán)……
謊言與偷竊
艾米麗·拉塔科斯基,西奧·詹姆斯,弗雷德·邁拉麥德,艾邦·摩斯-巴克拉赫,小伊塞亞·維特洛克,伊萬(wàn)·漢德勒,約翰·蓋汀斯提奧·詹姆斯、艾米麗·拉塔科夫斯基(《消失的愛(ài)人》)主演犯罪新片《謊言與偷竊》(Lying and Stealing)首曝劇照,近日剛于洛杉磯開(kāi)拍。Matt Aselton(《不可思議》)執(zhí)導(dǎo),講述一個(gè)年輕、圓滑的賊Ivan,他的專(zhuān)長(zhǎng)是盜竊洛杉磯上層集團(tuán)的高端藝術(shù)品,事業(yè)發(fā)展很順利,但他想退出。Elyse是一名很有前途的女演員,她的密室里堆有成山的建筑骨架和大量債務(wù)。兩位機(jī)靈的騙子決定合作,參與一項(xiàng)大膽的搶劫案。 弗雷德·邁拉麥德(《嚴(yán)肅的男人》《炸天女郎》)、Ebon Moss-Bachrach(《懲罰者》《末日孤艦》)、Isiah Whitlock Jr.(《迷霧》《副總統(tǒng)》)、伊萬(wàn)·漢德勒(《加州靡情》《欲望都市》)、約翰·蓋汀斯(《鐵甲鋼拳》《極品飛車(chē)》)等參演,Michael Costigan(《斷背山》《美國(guó)黑幫》)、Naomi Despres(《一級(jí)重罪》《殺死信使》)、Christopher Tricarico(《高堡奇人》《五月夏日》)、Mohamed AlRafi(《毋庸置疑》)共同制片。
后座
哈利·米爾林,亞歷山大·斯卡斯加德,道格拉斯·霍奇,萊斯利·夏普,安東尼·威爾士,杰克·謝爾斯,Miranda Bell,比利·金,Rosie Sheehy,Stevie Raine,喬治婭·赫利爾,杰克·夏普,Michael 'Mike' Jones,尼克·菲吉斯,卡夫奇奇·米哈,保羅·塔利斯,Kevin Bazeley,Christina Carty,扎米爾·梅斯蒂,Jacob Carter弱不禁風(fēng)的男子Colin(哈利·米爾林 Harry Melling 飾)遇上英俊無(wú)比的摩托車(chē)俱樂(lè)部首領(lǐng)Ray(亞歷山大·斯卡斯加德 Alexander Skarsg?rd 飾),Ray將Colin收為他的submissive,并帶他走近一群古怪的酷兒摩托車(chē)手,過(guò)程中各種收割童貞。但隨著Colin深入Ray的那個(gè)充滿規(guī)則和神秘的世界,他開(kāi)始質(zhì)疑自己是否真正適合這種當(dāng)全天候submissive的生活。他是真的找到了自己的使命,還是僅僅用一種“窒息”的人生換了另一種?